Could you show us how your FX, reverb EQ settings look like? I am building up my template and boy I have a hard time having my stuff sound like yours. I got mostly the same libraries. If you could that be so awesome! Like how are your libraries processed to sound.
I have to admit I was surprised to see how close the working process is to what I'm doing as an EDM producer. And even more surprised of how much you do in the midi editor. I always thought you guys knock these lines down in a one take recording. But glad to see that we all use the same libraries, same plugins and the same techniques to get our work done and still can provide music for two total different markets. Keep it up, man.
@Daniel James 34:37 in EXHALE the loops selection gives you either the original key of the loop or you can pick a key in the top right corner (Next MACROS). I think the same with Slices as well.
Albion I - "All Horns & Trombone Longs EQ'ed" - I don't have this as an instrument. Does anyone have these collections with you ? Or has @Daniel James created his own samples ?
hi Daniel! are you press the sustain pedal when you play the string patches,how can be so sustained without mess? or is the reverb tail that holding them?
Short answer: No. Slightly longer answer: You could also just accept the temporary path that Cubase gives you, save the project there and rename the folder and/or the project file afterwards (from your OS / file explorer). If that’s really „better“...? I don’t know.
@@DJLA No issue!! It's just funny to me cause you usually review current libraries and Exhale is usually used for pop. I didn't mean it in a deflationary way, it's one of my favourite libraries I use it all the time, I wish they'd make a sequel!
@@SubscribersWithoutAnySubscribe Oh sorry mate didn't mean to sound annoyed which I guess I did. I just get genuine questions like that sometimes and I never quite understand why there is an issue with using stuff that didn't just come out. Yes its an awesome lib and I want MORE! xD
@@DJLA Not at all, big fan of what you're doing and thanks for showing us all how to use Exhale in a hybrid orchestral context! I wonder if I could push my luck here and squeeze in an unrelated question. Do you know of any successful composers that are on anti-depressants? I've been considering taking them but haven't heard of many creatives who do, and a bit worried that they might put me in too 'neutral' of an emotional state to be properly creative. Totally understand if you can't or are too busy to answer, but just thought I'd ask because it's really hard to get information about composers and mental health.
