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Fusion for Production - VFX Compositing with Fusion - 02b Fusion Compositing inside DaVinci Resolve 

pixeltrain - 3D & VFX Trainings
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In this second part of lesson two, we will examine how to work with Fusion inside of DaVinci Resolve. I will show you different ways of making Fusion composites, some on the timeline, but also independent from the timeline. Also, you will learn how to have several versions on Fusion comps on a Timeline Clip for making variants or versions of your work.
Then we will discuss and solve some of the most asked problems when working with Fusion inside of the DaVinci Resolve Environment, for example how to import EXR and PNG sequences from Blender and other DCCs, how and when to use MediaIn Nodes correctly, how to add Loaders and Savers to your toolbar, how to split EXRs in severals Loaders with the Hos_SplitEXR script and how to get your Linear EXRs correctly into the Viewer.
Also, we talk very briefly about ColorManagement for VFX assets in DaVinci Resolve and where to find the Resolve FX OFX plugins, which you can directly use inside of Fusion in the DaVinci Resolve Environment.
It’s quite a long tutorial, but I believe that it gives you everything you have to know if your want to start comping with Fusion inside of DaVinci Resolve and helps you around the common pitfalls.
If you have questions or topics, which should be added, please let me know.
If you want to support me for publishing more free tutorials you could join my Patreons:
👉 / pixeltrain3d
or give me a fast Coffee time Tip:
👉 PayPal: paypal.me/pixeltrain
These topics are covered in this tutorial:
00:00 Overview of the series and the lesson
00:38 Creating a new project in DaVinci Resolve
01:09 Understanding the DaVinci Resolve Environment
01:45 Asset Management on the Media page
03:53 Project Settings in DaVinci Resolve
05:27 Importing & organizing Assets
06:39 Ways of Making Fusion Compositions in Resolve
07:05 Generating timelines
07:50 Adding Fusion or Color page work onto timeline clips
08:55 Adding a Fusion compositing onto a timeline clip
09:54 Overview over the Fusion Page User Interface in Resolve
10:55 How to customize the Fusion toolbar adding Loader & Savers
11:35 Understanding the „Fusion Effect“ on the timeline clip
12:35 MediaIn Nodes and Audio connections
14:03 Length of the Composition in the timeline clip approach
14:56 Making a first Fusion composition
15:41 Adding assets from the media pool to the Fusion composition
16:09 Different types of MediaIn Nodes
17:02 Renaming Nodes
17:32 Merging in Fusion
18:06 Outputting directly to the Edit
19:41 Creating a Timeline from a selected clip
20:11 Using custom resolutions & frame rates
21:15 Making a pre-comp on a timeline
21:58 Animating a logo on the timeline
23:05 Problem solving for multiple Layers on the timeline for Fusion
23:56 Compound Clips & Fusion Clips
25:40 Working with Fusion Clips
26:15 Timeline Effects through MediaIns in Fusion
27:00 Timeline Layers in MediaIn Nodes
27:46 Changing elements inside a Fusion Clip / Compound Clip
28:42 Adding an additional Layer in a Fusion Clip
29:56 Adding MediaIn and assigning the correct Layer
31:22 Adding multiple FusionComps to one timeline clip
32:07 Using the Clips panel in the Fusion page
33:11 Fusion Composites in the Clip Panel
33:40 Adding a second Composition to a timeline clip
34:28 Switching different Fusion Compositions
35:03 Reset Fusion Composition on a timeline clip
36:03 Working with different timeline resolutions
36:40 Starting a Fusion Composition in an empty timeline
37:17 Working with a new Fusion Composition Clip
38:28 Changing the length of a Fusion Composition
40:07 New Fusion Composition Clip
41:03 Placing Fusion Composition Clips Problems & Solutions
44:10 Typical Questions from Fusion users inside Resolve
44:32 How to import EXR / PNG sequences into Resolve Fusion
46:51 Adjusting the Auto Sequence detection in DaVinci Resolve
47:28 Managing sequences in the Media page
48:46 Managing sequences in the Fusion page
49:22 Working with EXRs in MediaIn nodes correctly
50:06 Working with Multilayer EXRs in Resolve Fusion
50:38 Understanding the Channel Mapping in EXRs
51:31 Faster way of EXR Channel mapping with Layers
52:28 Working with linear EXRs in Fusion inside of Resolve
53:01 Switching the Viewer LUTs
53:52 DaVinci Resolve settings for Gamma transformation
54:49 Using the HoS SplitEXR_Ultra script for EXRs
55:57 Working with multiple MediaIns with EXRs
56:45 Working with a Loader node in the Fusion page
58:03 Managing the source tile previews
59:37 Built-in DaVinci Resolve OFX plugins for Fusion
Find more information on www.pixeltrain.net
Twitter: / pixeltrain
Blog: www.helgemaus.com
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7 авг 2024

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Комментарии : 14   
@BlenderDaily
@BlenderDaily Год назад
thank you so much for this series! extremely well explained & exactly what I was looking for!
@Manoloalube
@Manoloalube Год назад
Excellent series of tutorials. All well explained. Thank you very much.
@he.smile_
@he.smile_ 2 года назад
Thank you for this series!
@abhijithsjayan9575
@abhijithsjayan9575 2 года назад
excited
@sh7066
@sh7066 2 года назад
😎👍
@matejivi
@matejivi 2 года назад
dankeschön! Please more of davinci tuts. Dont want to learn After Effects...
@pixeltrain3d
@pixeltrain3d 2 года назад
Will come in the future, promise!
@General111100
@General111100 Год назад
will we be able to get the files to follow along if we become patreons?
@hungrylampchop6414
@hungrylampchop6414 2 года назад
It is really cool tutorial!!! fucking insane!!
@GeorgeNicola
@GeorgeNicola 2 года назад
Amazing. What would be the best workflow to bring the JPG sequence into Fusion and combine it with the Exr sequence? When I load both, my EXR it's looking okay, but the JPGs are washed out?
@pixeltrain3d
@pixeltrain3d 2 года назад
Thanks. The reason for this is color management. If you followed the tutorial you have loaded the EXR sequence and it is linear with a Gamma of 1. So, to compensate this dark appearance we switched the view LUT to a conversion to Gamma 2.2 . The Datastream (the color of your flow) are still calclulated with Gamma 1, it's only the viewer. If you now take a JPEG, it has a natural built-in Gamma of 2.2, if you then put that into the viewer you make a another transform with the LUT and it looks to bright. So, the solution is, decide in which Gamma world you want to work and convert the JPEG or the EXR. For example, you want to work in Gamma 1, because the EXR sequence is linear. So, take your JPG stream an convert it to Gamma 1. There are different ways to do that, depending if you are in Resolve or Fusion. So I take an easy one which works in both. Take a Gammut Node / Tool behind the Loader of your JPG sequence. In the Gammut node set the Source Space to "sRGB" or "Adobe RGB". Now the Gamma of 2.2 is removed from your JPG and it now has a Gamma of 1 like your EXR. Hope that helps, Helge
@GeorgeNicola
@GeorgeNicola 2 года назад
@@pixeltrain3d Thank you, that worked!
@paesm0
@paesm0 2 года назад
oh auf englisch... würde mich auf deutsch mehr freuen
@pixeltrain3d
@pixeltrain3d 2 года назад
Ja, für deutsch ist der Aufwand leider zu groß.
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