This is just Whoa !!! I’m 17 and discovered Plácido Domingo not so long ago, this artist is just the best 👌His voice is at the time smooth and powerful and sings with all lot passion . My favorite Singer
Ho ascoltato diverse volte l interpretazione di Pavarotti... voce di una bellezza ineguagliabile...ma anche Domingo canta benissimo.. sinceramente non capisco le critiche contro questo grande tenore
MERAVIGLIOSO! 5 stelle! RU-vid è pieno di gente che scrive che "Domingo non sa cantare"... ma guardate come non sa cantare!!! Non ho mai sentito meglio questo pezzo. Grazie Ziropera.
il fatto che tu non hai sentito mai una interpretazione migliore da quella di Domingo non vuol dire che non hanno esistito mai delle interpretazioni e voci molto più belle di quella del baritono noto Placido Domingo. poi il discorso sulla bellezza artistica sarebbe un discorso lunghissimo...più lungo dal corano... i microfoni odiavano le grandi voci e la bellezza artistica vera. povero microfono severamente limitato nelle sue possibilità tecniche... ti immagini il miracolo se il microfono poteva trasmettere la bellezza unica della vocalità dominghiana?... ahahahahahahahahahahahahahah !
Der Steuermann sei troppo innocente,lascia perdere ... viva il pop moderno ! carissimo,non senti come i tecnici del suono hanno esagerato con lo stereo ?! confermo viva il pop moderno !
This is the best I have heard Placido, even if the tempos are extremelly slow, but that helped hin so he could make this very beautiful pianissimos and long phrases. BRAVO !!!
Oh, this is marvellous. The mellifluous flow of such a gorgeously round voice, so even over the whole range, so well produced, is already a rarity. What makes the rendition sensational, is the use of such a privileged instrument by a singer who is also a masterly musician, spreading out an almost infinite palette of dynamics, phrasing, rubato - in perfect accordance with Bernstein's expressive and flexible conducting. Thank you, ziropera!
In his career this is the greatest Domingo ever sang the Ingemisco (and at age 29!). Bernstein's expansive tempo and the ritardandi and rubati that he demands would have killed most other tenors.
Да полно те, какая совершенная интерпретация? Эффектное выпевание нот красивым голосом с использованием вокальных приемов и динамики эвучания в попытках изобразить истиные чувства, и не более того. Да конечно, у Доминго есть удачные партии, соответствующие его темпераменту, но здесь хвалебные оды однозначно не уместны, либо вы не знакомы с исполнением этой вещи Карузо, либо, извините, у вас пробки в ушах, если душа не зачерствела.
Guys i want to tell that I've heard many versions of Ingemisco, but I prefer this one, can't explain why. Maybe it's Domingo's voice or attitude, or the orchestra, or all three, but this aria reaches your soul :)
@@gabrielstefanides5802 Indeed. It's totally Bernstein's conception and the expansive tempo, ritards and ritardandos are all Bernstein...a great challenge for the 29 year old Domingo who meets the challenge beautifully. The best Domingo ever sang the Ingemisco.
Fantástico.... Voz fresca, que fluye redonda y equilibrada en toda la partitura. Agudos aparentemente fáciles entonces.... Desgraciadamente, ese tipo de emisión y esas facultades le duraron pocos años (no es el único, recordemos por ejemplo el caso de Fleta, Di Stefano, Carreras).
Afro Poli 8 anni fa pensavi così ... sono molto curioso di sentirti cosa dirai adesso dopo 8 anni ... con stima e rispetto immenso per la tua voce bellissima e te come uomo . il vecchio .
Hearing him now (and another version) makes you say "No doubt why he is one of the trinity of the The Three Tenors". Well I know how great he was through other videos.
Se vuoi sentire Verdi in questo brano allora ascolta Bergonzi.n.b. qui Domingo canta benissimo. Forse potrebbe ammorbidire e coprire più qualche suono. Forse Domingo non ha mai cantato così bene.
As I recall, he did indeed; and Domingo was initially reluctant to do so , according to Schuyler Chapin's biography. Chapin wrote that Domingo, having debuted at the Met as a substitute for Corelli, didn't want to build a reputation about doing so. But apparently Chapin, somebody else, or both wore down Domingo's resistance:). I have great admiration for Domingo, but his technique has never equaled Corelli's. Note how Domingo's vibrato slows and widens in the high register and how often he seems to be driving his tone there, for example; indicating some technical imbalance. Compare Corelli's fresh, spinning sound in his prime --
I like the fact that Domingo got the job. While the whole Requiem is wonderful, Arrojo and Domingo are really the icing on the cake. Domingos smooth, accurate singing, his wonderful long legato (he is the only one who gets the Kyrie in one piece), and what can one say about his marvelous, rich, warm voice. Pure heaven, the voice for the connoissers.
Delftai66 Wubderlich is much too lyric a voice for this- I would be curious to hear it balanced with a Verdian orchestra live- but I’m so glad he did it because it’s one of the greatest voices in history. I wish he recorded the entire tenor canon- including Otello and Siegfried!
Zriter59 Escritor I would have to disagree. People think Corelli’s technique is superior only because the guy was blessed with a very high top range over Domingo, his bottoms cannot be compared to domingo and the reason why you hear this build up effect of Domingo’s singing is because his legatos are much smoother than Corelli’s who never really cared about how smooth the legatos should be, only to save all his breaths for a couple of high notes that he can shake down the theatre with, that’s not a superior technique of singing overall.
@@diegoaugustosalomon5899 esto no es verdadero y te voy a poner un ejemplo para no entrar en técnicas vocales el gran tenor canario Alfredo Kraus y Luciano Pavarotti solo es la técnica
@@diegoaugustosalomon5899 muy cierto por eso la longevidad de su voz pero Domingo a cantado de Mozart a Wagner de Bellini a Verdi cuando su tesitura es de un tenor lírico spinto el a ido de lírico a dramático sin respetar su propia línea de canto a la fecha haciendo el ridículo con papeles de barítono su técnica siempre fue deficiente su voz fue bella a partir de su debut supliendo a Corelli en el 68 hasta los 80 cuando aborda papel de Radames y al mortal Otello del cual nunca podría llenar con su voz tan pequeña y mal lograda si pudiera contarte las charlas de sr Domingo y otro de sus contemporáneos el gran tenor guerrerense Yordi Ramiro del cual conté su amistad pero en fin saludos
Domingo sanged much better early in his career. Here the end B-flat is thrilling and ringing. Still the phrase "in forte dextra" at 3:16-3:28 is lacking some ring. I still prefer Luciano´s 1967 recording and Bjorling´s from 1937. Domingo was secured up tíll high B-natural until around 1975 then he became vunerable when he was not in top shape.
I remember Domingo saying in an interview in those days that he had to get up every morning and "find the A again". He one of the great line of tenors in the 20th century if I may be so bold. As a singer I would have to say that any singer is vulnerable when "not in top shape".
Coincido, aquí es un buen momento, no me convence del todo, pero es una buena versión, siento que está muy plana, eso sería el único detalle, saludos querido amigo!
comparar a pavarotti con domingo es como comparar a mario del monaco con distefano,dos tenores absolutamente distintos.que a ti te guste mas la interpretacion de pavarotti eso es otra cosa.y sobre el esfuerzo,bueno la gordura simula muchas cosas.
