0:00 Cold Day in Hell 5:40 Walking by Myself 10:30 Story Of The Blues 17:42 Oh Pretty Woman 22:22 Intro & Separate Ways 26:15 Separate Ways 34:35 Too Tired 38:30 Still Got The Blues 46:32 Since I Met You Baby [with B.B. King] 51:19 B. B. King - The Thrill ls Gone 1:00:18 The Sky Is Crying 1:11:51 Further On Up The Road 1:18:59 King of the Blues 1:26:52 Jumpin' at Shadows 1:31:16 Stop Messin' Around
Sen him solo at Cardis night club Houston Tx. in the 80sBlew the roof off the place The fog machine back then was something to behold I'm guessing packed there was 500to 700 people awesome!
I can listen to him all night, while I work on horses, and get real energized. His tone IS great, always on key, and seems effortless. I feel like he just channels his soul out thru his music, without having to think what to do next. I believe that’s something that can’t be taught; it’s in there or it isn’t. 🤷🏻♂️. The other thing I love is the way he plays with TOTAL authority, right from the first note He starts a song at warp speed and intensity and gets better from there. He is my all time favorite, followed by SRV and Johnny Winter.
Gary was always so Critical about his Playing 🤔🤔🤔 but what We Heard was Beyond Belief 🎸🤟💯 An Extraordinary Guitarist that could play so many different types of Music ( Blues Rock Jazz Metal and More ) and not many other Legendary Guitarist were doing !!!Gary Moore took Us to a Place that was Far Beyond this World ❤ You are Truly Loved and Missed by Many Legendary Gary Moore 🙏🎸💯🤟❤️ RIP Brother ❤️🎸💯🤟🙏
YEAH GARY YOU ARE A LEGEND WITH YOUR GUITAR REST IN PEACE YOUR LEGACY LIVES ONIT IS NICE TO LISTEN TO YOU I LIVE IN SOLITUDE AND I AM ILL BUT I WILL BE OK JUST LET IT BE LISTENING TO YOU COMFORTS ME
Anyone nows what Fender Amplifier head he is using underneath his Soldano? it does not look like a Bassman or a BandMaster. There are four knobs left and eight right, with a clear separation between. Not a Pro Sonic either. The bandmaster had only three knobs in the clean section. The only other possibility is a Dual Showman from the late sixties. In any case, I have never seen Gary Moore use a Fender amplifier ever. This was the only time.
Actually, he is mainly using in this concert a SOLDANO Super Lead 60 Head ; I am lucky to own one of theses heads, wich are very rare (they were made in Japan for Mike Soldano)...of course, I don't and will never have the talent of Gary...
@@13adulte This was my other question; what was he using the Dual Showman for? Gary seldom needed a clean tone. He always had some kind of saturation going. Interesting information about the Soldano. Gary's use of Soldano amps was short-lived. I saw him in concert live several times, and always on a Marshall of some sort. I think he mainly used backline provided amplifiers, with his own guitars and effects. I don't think he cared too much about amplification and pedals, since he never bothered having signature equipment besides that one Gibson Les Paul Gary Moore.
@@13adulte Somehow, I don't think so; the Dual Showman is really a very exotic amplifier, and a rare one at that. Each time I have seen him live, he had two of the same Marshall amplifiers. This 1993 performance is the only time I saw a Fender Amp in the line-up. I wish someone could tell us the reason. The Dual Showman as most Fender Amps are used for the clean tone. The mystery will haunt me until the end of my life.
