CASE #572 Season 1 Episode 4 Status CLOSED Subscribe to Chip's RU-vid Channel! Thanks For Watching! www.chipritter.... Follow Chip Ritter Twitter / rittermethod Face Book / chiprittersnareforce1hq
Everyone rudiment have a "signature agogics feel". Because it's involve use different muscles big and small. It's different bio mechanics for each case.
Very cool! I always just assumed single strokes for this but I double checked and sure enough Krupa throws in plenty of doubles. In the video I referenced, he did a slightly different sticking for the rhythm that you have notated as paradiddles: he played RrlR lRll Nice content, thanks!
dude these drums look amazing but better yet sound amazing! WOW...that snare is perfect...tuning spot on...well done...one the BEST lesson online ever! Your jazz swing link at the end really locked it in for me...i used different stickings but really get the bounce once you linked that groove
its not really a paradiddle, its shuffled and not straight-like how you would play a paradiddle and this is this guys interpretation of how it should be played
Your the first guy I've seen use a match grip with the snare angled away from you. Kinda cool. I wouldn't be able to. I'd keep hit the rim and not the head
this is where the Stone Stick Control work comes in...you pick this up fast because you do not get locked into your natural feel of playing paradiddles
@@ChipRitter Ah. Floor tom. Wish metal drummers used those more. If I remember correctly, Peter Criss used those a lot in the God of Thunder drum solo on Alive II, right?
T.S. Tatum hello I am so sorry I missed this comment please forgive me and please email me anytime RitterMethod at Gmail.com I would love to help you with Topsy just email me and again my apologies for not seeing this sooner
In my humble opinion It's not a fact that he played only this way. In a full clip he used various approach and alternate also and started on a left hand. There is more smooth video here and in slowmotion do not throttling shots ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GwPvLMlGWPI.html