Sehr schön, ähnelt in vielen Passagen auch Haydn hat trotzdem auch wieder Italienisches Flair und militärische Straffheit und Rhythmus. Ein sehr gelungenes Konzert mit einem schönen und ruhenden Andante.
Give Dvorak's Ninth Symphony a listen. I have a CD with an old recording of it, with the CSO, Fritz Reiner conducting. When Ray Still and his oboe come in during the Largo movement, it's so beautiful that it always brings tears to my eyes.
I'm missing something. The music starts in C major. The oboe's first solo should begin in C major and end in G major. But the oboe enters by simply entering while the orchestra is in G major and electing to stay there and present new material (rather than going back to C major to elaborate on the orchestra's opening theme). The first movement is completely devoid of thematic material shared between orchestra and soloist.
The first oboe entrance in the first movement sounds like it is entering halfway through its solo. Where is the A Theme statement? No wonder we haven't heard of Druschetzky.
Fortunately, the composers of the time didn't worry about composition teachers 250 years later insisting on some schematic "correct form" for their music. I would guess, based on how much I like how the oboe enters, he felt it made more sense to move the music forward in this way--like how Aristotle suggested a story should begin "in the middle of the action" to convey urgency.
