Get Live Audio Clearer With One Knob

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Getting clean, clear mixes is possible with just one knob. In today’s video, we’ll talk about the high pass filter (HPF) and you’ll see and hear how cutting lows makes your low end better.
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00:00 Intro
01:18 3 things the high pass filter improves
04:16 Instruments & voices need to complement each other
04:37 Two processes I can't live without
05:02 Let's practice rolling up the high pass filter!
09:02 Before & after comparisons
09:49 Listening to mid-range instruments with & w/o bass
11:40 Adjusting instruments throughout a set
12:29 4 components for a great mix
13:09 Live Mixing Field Guide

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Опубликовано:

25 авг 2023

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Комментарии : 24

@garryyoung6 10 месяцев назад

Another video to glean from!!! I so enjoy having the Field Mixing guide. Keep it with me all the time!!!

@CEFPAULBENNYHINNS 10 месяцев назад

Thank you man for making this wonderful video 😊

@CliffHuxtableSweater 8 месяцев назад

1st of all Everybody Loves Raymond?? Hell of a show brother👌🏾 2nd, great tip

@Thewanderer_378 10 месяцев назад

Agreed. I sometimes use one at 200 on the vocals mainly because most vocalists don't go there. 😊

@phillipzx3754 9 месяцев назад

This is cool. I'm using an X18 as a "pre-amp" for my audio system. I can see the RTA change as you adjust the filter.

@robertrexrode7580 9 месяцев назад

Excellent video content

@DeltaWhiskeyBravo13579 10 месяцев назад

Great info again James. I'm in the mix group Only Piano so I'm not able to high pass on the mixer. Mixer limitation prevents doing certain edits like this, as it'll affect both FOH and Livestream which would get me a solo. It's a great tip for any that can use it. So what I've got here, my Studio One DAW pulling DSP duty as my secondary mixer with the various plug-in effects for Livestream. What I'm doing in the DAW to combat muddiness is my secret weapon, the Melda MDynamicEQ. I use a filter to dynamically cut about 3 dB between about 80-200 Hz. This dynamic EQ is my third hand. It pulls that frequency area down only when needed. This setup gives me 2 fully separate mixes, FOH and Livestream. Happy Friday to all.

@AttawayAudio 9 месяцев назад

You can still HPF, just don't go as drastic. Eliminating the subharmonic frequencies below the lowest notes they're playing really cleans it up.

@johnmalone3256 10 месяцев назад

Many thanks 👍

@johnathanrutledge5400 9 месяцев назад

can you talk about making your sound bigger and fuller using the graphic eq/31 band eq on the M32/x32

@ballerstv863 7 месяцев назад

Help me to transfer my "scenes " in stuldio live 32s into another studio live 64 and midas

@jdj2035 10 месяцев назад

Have you done any videos on why you chose the PreSonus board over a x/m32, QL/CL, SQ, wing, etc?

@AttawayAudio 9 месяцев назад

I haven't - but it's because of the A/B function on the EQ & compression module to compare two settings back to back, and the ability to bypass individual bands of EQ so I can demonstrate what each step is doing when I'm walking students through how to hear EQ changes. That, and the USB connectivity were what made it work well for my teaching studio.

@tataraqila791 10 месяцев назад

🙌🙌😍👍👍

@wxfreak 10 месяцев назад

How do you achieve that powerful rolling bass sound? We simply connect the bass amp's line out to the board. The bass either goes unnoticed or becomes too dominant, overshadowing everything else.

@markperreault3351 10 месяцев назад

We had this issue in our church as well. I convinced our bass players to go straight into a direct box and we fed that into the mixer. I then gave it back to them via a monitor. It helped somewhat because I think either both our bass players are near deaf or they just like the body rumble cause they are constantly asking me to boost them in their monitor. I too, await words of wisdom from Obi-Wan Attaway.

@AttawayAudio 10 месяцев назад

First, check with some punchy, pre-recorded music to see if your speakers can easily achieve the type of feeling you're wanting from the low end. Sometimes the LF speakers' resonances and the room acoustics make it so the lower frequencies hang on a long time, which makes it feel like they're much louder. If you get what you want from pre-recorded music, then it's a matter of using compression to tame the dynamic range and getting a very even sound from the bass, making sure no one note is sticking out more than the rest on the input channel itself. Nice headphones or in-ear monitors can help with this, by putting the signal in PFL and keeping the house off. Pay attention to how each note hits and if there's a lot of variation. It starts with the player too. Some just send LOADS of bottom end like they needed a 20 dB boost at 20 Hz because "more is better"... Hopefully that helps.

@elishahocking2885 10 месяцев назад

Woohoo

@SparkWisdomShorts 10 месяцев назад

Can you create a melody for my song lyrics plz

@mrovi789 10 месяцев назад

In the Live Mixing Field Guide noticed that gating is completely ignored. Maybe some basic references should be added.

@AttawayAudio 10 месяцев назад

Well... that's because I don't normally gate to start.

@mrovi789 10 месяцев назад

@@AttawayAudio I am not also most of the time, do prefer expanders. But still an important part of the sound field.

@obidavekenobe 10 месяцев назад

A more difficult to understand is that too much harmonic distortions/frequencies in your high-end can cause a phenomenon called aliasing which can mess with the clarity of you carefully sculpted bass sound.

@DeltaWhiskeyBravo13579 10 месяцев назад

Yep. That's where oversampling can help out. Thanks Nyquist.