Get Studio-Quality Audio For Your Livestreams with Apollo Interfaces & OBS 

Get ASIO plugin for OBS and route OBS to Zoom?

@@Mendelian Thanks for the suggestion :) However, I don't need or use OBS. There IS a single free utility middleware (ASIO Link Pro) that can apparently be used as a solution for the time being (the developer passed away though) but I am looking for something to come from UAD officially that defines the official way to do it. Really, the WDM driver should work directly with windows apps without distortion, assuming the bit depth and sampling rates are set the same in windows as in console, etc.

I have the same problem - I'm desperate to figure out where the strange, ongoing loop is coming from.

@@the_eyebrows_rock all we can do is loose two inputs and save templates so we can use input 1+2 while recording offline I guess. I wrote with ua support for about 2 months 😅

Hi Marcos, it's a complete different driver. It uses a driver table shown in the manual.

Only TB Apollos have the I/O Matrix. Look for a driver table in the manual.

@@UniversalAudio???

Before I purchased my first high end MacBook for music, I was very fed up with windows because nothing works easily. This has been a non issue with my MacBook, I rarely have issues that I need to download extra drivers for or look into some back end folder.

@@godofgore6667 how many issues with other sound cards or drivers for the most part universal audio was the first one I've ever ran into with this much of an issue on the windows side. I, however don't use any Apple products at all, nor do I plan on it for the foreseeable future.

I used apollo for both win and mac, and i can affirm apollo doesn't work well with windows. i always used it with a mac and it was great until i decided to switch to windows.

Heres something I wrote about the situation - Yesterday I was doing frequency sweeps because I just acquired a new pair of headphones and I was curious about how they sounded. I tested three pairs of headphones just to hear the difference and for the most part, I was pleased with my semi unscientific test. I was thinking it’s been a while since I’ve shot my room. usually do it every 3 to 6 months, just real quick usually with Sonarworks/SoundID. Oh, but this time because I wanted a slower sweep I opened up Ableton Live and used the tone generation function And use the tone generation function. to do a slow upward sweep from 20hz. From about 30hz to 100hz everything sounded fine but as soon as I hit 130 hz - COMPLETE SILENCE. A confused look across my face at what I was hearing as I wildly moved my head around to see why the null I was hearing was so…PERFECT. I continued the upward sweep past 200, 400, 600, 1k, 3k, 6k, etc. Every few jumps in frequency I would hear a drop out though not as significant as in the low end. Now if you are familiar with acoustic issues in mix rooms, you’ll know that low end is one of the hardest things to get right. In fact many rooms I’ve personally been in that are considered the yardstick for professionals have issues that are solved with acoustic treatment or DSP. A perfect room requires many trade offs but here I am thinking what the hell is going on with my low end? I’ve never had any issues with low end except for a slight dip at 100hz that has been diagnosed, treated, and cured for the last 8 years. My room was professionally designed and built - it should not have these issues. I mean I was thinking all this catastrophic stuff about the work I’ve done over the last few months, I never heard ANYTHING wrong even in the reference material I use to keep my ears fresh. So after about 2 minutes of troubleshooting, I found the issue: It was my new audio routing I had just configured a few days ago to facilitate a different way of making videos to post on social media. This required me to route the input channels 1 and 2 to my MONITOR L and R and create two virtual stereo channels for DAW Audio and System Audio. Since my output was coming out of both in Live and there was a slight latency between the two channels - it created a lot of problems in the sweep. Muting Daw Audio solved the issue but I’ve made a setup now that is strictly for shooting the room so I know no matter what I am using to do sweeps that I am getting one pure tone. I hope this saves someone a lot of hassle.

OBS only supports VST2. All our native plugins are VST3.

Check out PT's new Aux I/Os. They show up as sources in Audio MIDI Setup.

Be sure all tracks are assigned to the virtual out.

Console channel order is determined by device order.