il tenore preferito dal mio papà che adorava la musica lirica, diceva che era una voce pura e potente, che usciva dal cuore con sentimento e senza fronzoli.
Di Stefano e' il piu' grande tenore di tutti i tempi. E' LA PIU' BELLA VOCE TENORILE CHE SIA MAI ESISTITA! E lo hanno detto anche Pavarotti e DEL MONACO! E se lo dicono anche loro, ci potete credere!
The passion, the perfect diction, and probably the most beautiful tenor voice of the century, add to this a very special personality. and you have Di Stefano. thanks for the clip.
DI STEFANO is the best tenor to sing FROM HEARTH...and in this case (as he was ill that night)he also demonstrates to be able to sing with BRAIN....fantastic singer!!!
Pippo, You were the Greatest of all. This is the best Voice lesson anybody can have, That is the way to sing, Col Anima. You, tenors of today, listen and learn, This is Real Singing, with heart and Guts. The most Beautiful voice. My bigest lost in life was never to meet you. Carlos Montane
Giuseppe fue junto a Corelli,Mónaco,Pavarotti y Kraus,los mejores tenores desde 1950 hasta hoy.Todos crearon escuela y su voz ha quedado presa en los corazones de los oyentes.
Великий итальянский оперный тенор Джузеппе Ди Стефано! Прекрасное исполнение неаполитанской песни композитор Куртис,,Не плачь,,! БРАВИССИМО! Светлая память! С уважением, Валерий Романов.
Он угробил свой голос тяжёлыми партиями и твёрдой атакой в пении! Вот здесь уже у него тусклые и надсадные верхи.. Голос здесь у него уже разрушался и деградировал!!!
@@olegvr5499 уважаемый незнакомый друг! Вы вторгаетесь в область прекрасного пения! Мне приходилось неоднократно говорить о том, что в мире есть немало Великих оперных певцов и певиц! Как у каждого человека в любой области есть взлеты и падения! Кто- то выдерживает бремя славы, кто-то нет! Причины разные! Могу сказать одно: дай Бог нынешним оперным певцам и певицам хоть на йоту приблизиться к пению в лучшие годы своей жизни Беньямино Джильи! Марио дель Монако! Титта Руффо! Тито Гобби!.. О Гениях бельканто Вы знаете! Аделина Патти! Энрико Карузо! Марио Ланца! Федор Шаляпин! Дмитрий Хворостовский! Светлая память! С уважением, Валерий Романов.
@@user-di4tp4nv3o Уважаемый незнакомый друг! Позвольте, с Вашего разрешения, рекомендовать послушать исполнение песни ,, Tu, ca nun chiagne,,-,, Ты, которая не плачешь,, композитор Эрнесто Де Куртис поэт Либеро Бовио, великим оперным драматическим тенором Зиновий Иосифович Бабий! Брависсимо!!! Светлая память! С уважением, Валерий Романов. P.S. Студентом консерватории слушал зАписи великого певца СССР, Зиновия Бабий... Обращаю Ваше внимание на уникальность певца исполнявшего ведущие партии в оперных театрах мира с дипломом в ,, кармане,, вокального отделения львовского музыкального училища(!!!). И только в 1981 году, незадолго до ухода в мир иной(1984 год, 49 лет)Зиновий Бабий получил диплом о окончании Белорусской государственной консерватории! P.P.S. Все знают имя Энрико Карузо(Италия), и почти никто не знает имя Зиновия Бабий(СССР), как так получилось...(??!).
Tenho 71 anos de idade e nunca ouvi um tenor cantar Tu ca nun chiagne e outras canções napolitanas com a "passione" de Giuseppe di Stefano ("Pippo") quando era jovem.
É verdade, José Luiz. Mas...não nos esqueçamos de Mario Lanza, Gigli, Tagliavini, igualmente calorosos na emoção musical. A garotada de hoje deveria ouvir estes gênios do canto, para aprender a cantar. E cantar com alma...
Pippo. Che legato, timbro e dizione.......Come anche lui ha più volte ribadito, i classici napoletani sono una misura per valutare un cantante. Chi meglio di lui...........
Il Grande Pippo does it again. This has got to be one of the most passionate and impressive performances of this classic Neapolitan song, voluminous yet intensely moving and just so right. You really believe him when he sings of "you who do not cry". He was the master of the Neapolitan. What a tragic way his life ended so unneccessary and unworthy of this great artiste.
Es la primera vez que escucho la canción, creí que era alguna otra de esas canciones napolitanas (bellísimas por cierto) pero no! me habia quivocado, no se a que se debió, pero al escuchar tal sentimiento en la voz, tanta potencia, un "no se que" dentro de mi, me hizo sentir que por alguna razón, soy mejor persona que ayer. Grazie Pippo!
L'approccio di Pippo Di Stefano nella interpretazione è etico e spirituale...Questo atteggiamento, oggi, viene soppiantato dall'esteriorismo imposto dalle case discografiche e dalla pubblicità musicale. Ma penso che prima o poi si tornerà ad amare l'ARTE dimenticando l'aridità della scienza e della tecnica...!
@FabDN41 I was looking for the right superlative to describe this masterpiecee. Bravo, you did it for me! Oh Giuseppe, I wish I could have been in the audience at this performance. R.I.P Maestro!
please...why must you always say that he was great BUT.....BUT...and BUT.... why....let's remember him in his most beautiful years...as the most musical, most passionate of all tenors of every time!!!
@AleBro83 do ragione al signore....sia Di stefano che gigli aprivano la A....ed e' per questo sono superiori a tutti gli altri , che la A la chiudono....poi ci sono quelli che le vocali le chiudono tutte.....e non le lasciano respirare
Que bella voz ....no me gusta mucho su empostación en los agudos...pero es grandioso, apasionado, puro corazón. la versión de Mario del Mónaco también es poderosa ...en este tema "Tu ca nun chiagne"
@billyguns2 Di Stefano knew how to cover,but he chose not to.There are many eamples of GDScovering here onYT.At times Gigli and Del Monaco sang open in the passaggio,but would cover on top.GDS has a (A Non Credevi Tu)&(Addio Mignon)which is a lower tessitura,but cover well& sounds extremely beautiful. There are selections of I Puritani arias (A Te O Cara) &duet Vieni Fra Queste Braccia,where Di Stefano is forced to cover in the passaggio and also hitting the covered C sharps in both arias.Enjoy
@countceprano If you listen to Pippo early in his career, you will hear him employing exactly the same open vowels on high notes as here. The difference, & the reason he sang flawlessly then, was because he didn't allow the top voice to spread along with the vowel, but kept it floating & focused. Later, he began driving for volume on the top notes rather than singing with his lyric voice, & his former technique began to unravel. There's a difference between open vowels & open notes.
non è durato poco ti sbagli e chiuque che lo dice. ha debuttato alla scala a poco più di 20 e si è ritirato dall'opera sui 57. per cui non è durato poco è durato 35 anni di carriera operistica e tanti altri di carriera concertistica
В Дж.Ди Стефано отражено все лучшее от итальянского вокального искусства. Но как пел он, в приоткрытой манере, так петь могли не многие, пожалуй М.Ланца, Л.Паваротти, Х.Карерас, Дж.Лаури-Вольпи. Жаль карьера его была непродолжительной.
Di Stefano sings by far the best"Tu c'a nun chiagne". 1:18 - 1:25 is quite adorable. He's quite minimalistic in his movement and subtle yet powerful facial expressions, not overly melodramatic, which makes his performances very charming and real. RIP Maestro!
OK, Relativism... Well, if one ask me about my favourite Puccini's opera, I would hesitate between 'Le Villi' and 'Turandot'. Is my soul pour since I listen sometimes to such a teenager-targeted work as 'Le Villi', just because I love to hear certain melodies? Or maybe teenagers are soul-less or not human beeings at all? You puzzled me, and I am trying to realize - am I POOR or REACH, listening to so different operas - both about LOVE and DEATH?
@billyguns2 I would actually beg to differ. I think a little differently about di Stefano than most do. I don't think he was flawless. But, while most people think his technical problems had to do with his passaggio and "openness", etc..... I disagree. He had a problem, but that wasn't it.... That's just where people HEARD something was going awry.... But then, I think differently than many people.
actually-I am not wrong, it is my opinion and I own it. You just disagree with my opinion, there is no reason to get angry or upset and to attack me on a personal level. For what it is worth, I love DiStefano and think he had the best interpretation and diction overall of any singer throughout modern history. I prefer Del Monaco and Caruso to either DiStefano or Corelli in Canzone singing.
OK. Later I will send you "I' mm' arricordo 'e te" (Lucia, Lici) - by Gigli, di Stefano and Ranieri - please compare and tell me if any of interpretations is vulgare. Although they are totally different. Also, what do you thing about Renzo Arbore and his orchestra? Do you consider their interpretations vulgar as well? I just want to know your opinion...
A di Stefano mancava la tecnica??? Ma lui sapeva fare di tutto della sua voce nei prim 8-10 anni di carriera. Si che cantava in questa maniera un po' di forza e apriva i suoni per far brillare la voce, ma era una scelta consapevole, come anche quella di Gigli.
Schipa era un tenore di grazia, e' vero. Anche Di Stefano era pero'in grado di cantare con la stessa grazia di Schipa: hai mai sentito i falsetti di Di Stefano? Diciamo che Di Stefano poteva SCEGLIERE se cantare di potenza o di grazia, perche' poteva cantare in entrambi i modi. Non tutti i tenori possono scegliere. Alcuni tenori sono troppo limitati. Non era il caso di Di Stefano. Pippo poteva cantare quasi TUTTO, in tutti i modi.
from your name I understand you could be of italian origin but living in america has brought you off italian language my dear...and indeed off neapolitan dialect.how can't you understand that the diction in all 3 corelli's rendition of neapolitan dialect is very poor. Di Stefano's is wonderfull
@countceprano Any tenor who can sing a full voice high C, & fine it away to pianissimo, has nothing of note wrong with his fundamental technique. Unfortunately, most singers develop bad vocal habits that eventually become a permanent change in the technique. There is a Caruso record that illustrates open vowels while keeping the head register focused. In Deserto In Terra, he sings a high C on the OO vowel. He then sings the same note on AH but retains the same vocal position as the OO.
Io amo molto Gigli...ma mi dispiace doverti dire che Di Stefano nell'ambito della canzone napoletana e' di molto superiore a Beniamino.Qui si tratta di giusto equilibrio tra parola e canto e ricerca della giusta pronuncia (e qui gigli proprio non ci azzeccava).E' vero qui Di Stefano e' leggermente affaticato ma tutti sanno che in quella serata egli era ammalato...e comunque il canto obiettivamente e' stupendo comunque.
I admire Gigli, etc. in opera. However as to 'canzone Napuletana' I would prefer Roberto Murolo, Massimo Ranieri, even Gigi d'Alessio or Maria Nazionale. They sing by anima, while opera singers just utilise melodies of Napule to show one's voice. Besides, there are a lot of superb songs of Naples of which few opera singers have ever heard. Just compare such songs as "Chiove", "I' mm' arricordo 'e te" or "Canzone appassiunata" to realize difference between operatic and true interpretaions.
@FabioPBarbieri Que tu es charmant!Mais que supposes-tu de moi?Du snobisme?Et d'où te viens cette certitude?D'une longue pratique du chant qui t'aurait apporté une expérience indéniable?Tu ne répètes que ce que tu as entendu,non ce que tu as éprouvé par toi même.Le snob c'est toi.Tu ne peux appréhender la noblesse du chant ,tu n'en perçois que les effets grossiers qui satisfassent la foule.J'espère que ta répartie me fera autant rire que la première!A toi.
si ma la superiorita tecnica di gigli su distefano e' controbilanciata dalla superiorita' di di stefano su gigli per quanto riguarda un canto pulito, cristallino,e di un "oro liquido"
berto is right...dramatic,lyric,and other terms are only technical things...only technicisms.....here it's about THE ART OF SINGING, a field in which Di Stefano was the best of all,even better than DEL MONACO and CORELLI
Corelli was the one who never ever had an interpretation. He struggled to make it but it always either would come from somebody else or, if he finally produced it, with a horrible taste. The King of interpretation is Pippo. The aristocrate. That's what Pippo is. Any line he sings he transforms to a gold. Corelli (or Bjorling) were both helpless to do something great. Del Monaco sounds ridiculous in parts where he can't use his thunder. Canzone is for lyric tenors. Pippo was one.
puIpulique: what kind of statements are you writing here on youtube: "Corelli or Bjoerling were helpless to do something great!"... "Canzone is for lyric tenors" (only?) "Del Monaco sounds ridiculous..." I think it's you who sounds ridiculous!
@abracadabranque Eh bien, tu crois d'avoir quelque refinement. Mais tu n'as dit rien qui le prouve. Rhapsodies sur "la noblesse du chant" ne prouvent rien, sauf que tu as une grande opinion de toi-meme. Et puis zut! J'ai bien mieux a faire que de te donner d'autres chances de nous dire comment tu es grand.
Scusa, Fabris77, ma lo stesso Pavarotti riteneva Di Stefano il MIGLIORE. E anche Del Monao ha definito Di Stefano IL MIGLIORE. Questi sono FATTI, non lo dico io. CON I FATTI NON SI DISCUTE, signor fabris77. La tua e' un'opinione, solo un' opinione. Mentre io parlo di FATTI, non di opinioni. Sia Del Monaco che Pavarotti ritenevano Di Stefano la VOCE DEL SECOLO. Chiaro? O ti devo fare un disegnino per farti capire?
При его данных- можно было и получше исполнить То очень укорачивает фразу, то- замедляет очень.. В конце очень устал, а ему здесь только 40 лет. Нет стиля bel canto.
The interpretation of Corelli is undeniably superior to that of Di Stefano. For what it is worth, napolitano is very difficult to sing and not even Caruso could sing it perfectly. The street singers of Napule can sing it but they lack technique-but they make up for it in anima.
@FabioPBarbieri Cette fois tu es beaucoup moins drôle.Lis mes commentaires ailleurs que sur cette page ,tu trouveras des preuves,si tu as les moyens de les appréhender.Tu es comme tant d'autres,tu parles au nom de tes goûts,pas en vertu de ton savoir.C'est ce qui nous différencie et nous sépare.Adieu.
this is the point...the only tenor capable not to utilize neapolitan songs to show off his voice was Di Stefano.you're denying the Truth. As to massimo ranieri.I know Him but I' sorry...too much "vulgare" singing
and bu even mentining such carbage like GIGI d?alessio in the same context together with GIGLI ,DI STEFANO,MUROLO, you really seem not to be able to distinguish between classical neapolitan songs and "light",teenager-targeted songs.....such a RELATIVISM!!!!how poor is your soul!!!
you must be deaf....there are thousands of singers who can sing and understand neapolitan songs better than your beloved corelli .Di Stefano, Gigli, Schipa, Del monaco,Martinelli,Tagliavini....all of them much better than Corelli
