I'll say this again. Your ability to highlight extremely small but important details that actually makes or breaks Jiu-Jitsu at high levels is astonishing. No one I watch does it to this level. Your hyper focus on detail has made you my absolute favorite Jiu-Jitsu channel on RU-vid. Keep it up dude and thank you for bringing insight to the dilemma of splitting the legs vs smashing them. I'll study this further.
Splitting, riding and smashing the legs are all concepts covered in Power Ride by Craig Jones. Criminal that you never mentioned that instructional. The best one IMO
@swoopingeagle3942 craig instructionals are the best of the best and I believe is because he doesn't bother with details. Just concepts that are applicable right away
I think what sets your videos apart from others is that we actually learn what the decision-making process is like, and what the relevant factors are. Other breakdowns usually focus on hyper-detail descriptions of "A then B then C." Excellent work!
Great video man, today I tried the armdrag to single leg with the collar tie finish against a way better wrestler than me and it worked perfectly, keep it up!
It’s crazy because ever since Gordon dropped his passing 2.0 instructional I also go to the hip and knee post but never fully understood the reasoning behind it.
@@David-dw2iq yes I have all three of his passing videos but I feel I benefitted the most from the passing 2.0. Definitely gained some good info from all of them though
Appreciate you drawing knowledge from different places and sharing it with us, especially olympic wrestling. I think a lot of jiu jistu guys learn wrestling from each other rather than real wrestlers, who are on another level.
You should really make YT shorts wt some of your talking points. Also instagram reels and or tictoks would help you grow your channel. Keep up the good work it’s amazing to see this channel develop.
Awesome details about the arm drag. I have been using arm drags a ton in the last couple of years mainly to set up a sweep vs back take dilemma from closed guard. Ill be using some of your tips tomorrow :D
I opt for the Greco style arm drag. It keeps my head to the outside and creates back exposure (most of the time) while leading with the same side leg to prevent the circling issue.
@@David-dw2iq Sure thing. This guy also has a great wrestling for bjj instructional with Jordan Teaches Jiu Jitsu. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-PpDAIJcdCbI.html&ab_channel=Breza-Grappling
We had Ryozo Murata a japanese black belt champ teach this concept for a basic knee slice hip and knee post while flaring the the elbow of the hand thats on their hip to prevent the knee shield
I would love if you could do another wrestling video it really helped me with using my skills from wrestling and transition them to bjj. But I was wondering about the most successful bjj takedowns and if any wrestling moves would work on the ground mother than garmbies. Try swishering the foot out into a sit out. I am having some success with this in bjj.
Hi 👋 not to sure if you covered this yet but when someone turns to face you after a failed attempt at the arm drag with the head on the outside your opponent leaves themselves wide open for a re-attack that being a double leg takedown just an fyi 😊
I’d hazard an argument that were he targeting a specific arm based on fatigue, it would have made more sense to target the unfatigued arm for the armbar, as the vast majority of resistance to an armbar is going to come from the defending limbs
Do you watch Kitt Dale’s RU-vid channel? Because he has a lot of videos talking and demonstrating task based games. It’s really interesting because he will take two people who know nothing, make one person learn a technique and another one figure it out and then roll at the end. I just think that’s a super cool strategy and it really shows the power of games.
@@LIMIBJJ Other the GR their the second best Americans at the highest levels. IMO Their not the most popular and not the easiest to analyze. I find them super high level.
So the way I went about organizing it on the database is I call the position "Flank" and "Leg Drag" is a movement. For example, you can do a leg drag to get to the flank. Or you can defend outside ashi to get to the flank. Does this make sense?
No unfortunately not as that would be copyright. It is a tool to help navigate the rough resources. If they are free (RU-vid) then you will have access to them obviously
discussing the limb targeting, i think posting against an opponent on top and resisting an armbar use completely different muscles so i think it doesn't make sense to target an arm with pressure if you want to extend it after with a joint lock. what is your thought on this? :)
What is that single leg finish called with one hand on the leg and other around the neck. The one gordon did at the beginning of the video. I see a lot, especially from a stuff double leg, but I've never seen this taught or named.
Question regarding your outlier database: do we have access to those instructional excerpts only if we have purchased them ourselves? Also, what about all those youtube links, what happens for you when a video is taken down by the original source? Is everything backed up by you downloading the vids and then posting unlisted video links? Cheers!
The database is a tool to help navigate through content but we do not give you access to that content. So matches that are only on Flograppling will require a subscription to them to watch. Or instructional content will just tell you where it is in that resource, but we cannot show you the actual clip as that would be illegal. For RU-vid, we currently do not have a way around the original source problem you proposed. We do not download the videos, we just have the links
I need to get on outlier so I can look up all the idea that just jump into my white belt brain all damn day. Then I need to get me a training dummy. 💣💣💣💣
That video you referenced about limb targeting is alright...The volume is too low and he sounds like Ben Shapiro on Xanax. You should give him lessons on oration.
