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Gould/Beethoven Sonata No.9 in E major, op.14 No.1 

Daniel Poulin
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The Piano Sonata No.9 in E major, Op.14, No.1, is an early-period work by Beethoven, dedicated to Baroness Josefa von Braun, one of his patrons at that time. It was composed in 1798 and arranged for string quartet by the composer in 1801. Not withstanding its seeming simplicity, this sonata introduces the "Sturm und Drang" character that became so commonly identified with Beethoven. He adds drama both in the contrast between the lyrical passages that follow very active, textured thematic sections. The pianist and musicologist Charles Rosen considers both of the Opus 14 sonatas to be "considerably more modest than their predecessors", "destined for use in the home" and with "few technical difficulties". The notion that the Opus 14 sonatas are lighter or easier is not shared by every pianist; many consider them frightfully difficult to play and to interpret. Gould always maintained that the early Beethoven opus numbers were more interesting that the middle period successful works; therefore he plays Sonata No.9 with much enthusiasm and conviction, particularly in the third movement, a lively sonata rondo form strangely marked Allegro comodo.
I. Allegro 3'50"
II. Allegretto 3'25"
III. Rondo. Allegro comodo 2'58"
Recorded in New York, February 1966

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16 окт 2024

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Комментарии : 18   
@francescaemc2
@francescaemc2 21 день назад
grazie di nuovo
@michaelcappette6072
@michaelcappette6072 3 года назад
Simply otherworldly!
@douglasdickerson5184
@douglasdickerson5184 3 года назад
Wonderful music.
@antoniavignera2339
@antoniavignera2339 3 года назад
Grande pianista si ascolta volentieri e si rimane affascinanti…
@glenngould7229
@glenngould7229 3 года назад
Gould’s interpretation of Beethoven is as amazing as that of Bach!
@andreapetterini6527
@andreapetterini6527 3 года назад
The unique Gould’s music approach make these sonatas such more interesting to hear. His intellectualism and pronunciate staccato work perfectly for it. I generally concentrate on the latest sonatas, actually I’m studying the op. 109, but Gould’s way of interpretate these pieces forces me to hear more of his recording about that. Seems that the early sonatas were made exactly to be played by Gould, amazing.
@lucianovalle7178
@lucianovalle7178 3 года назад
Masterful interpretation!
@arthurpontes5657
@arthurpontes5657 3 года назад
Beautiful
@gregorypoulinpiano
@gregorypoulinpiano 2 года назад
What a wonderful piece of music and a magnificent performance by Mr. Gould. He has such confidence and mastery of the piece, one can feel the brightness and energy from all his music!!
@not2tees
@not2tees 2 года назад
As someone who years ago performed this at one of my Royal Conservatory exams, I find it a wonder to hear what Glenn Gould does with it. Under his fingers, it sparkles with incomparable brilliance and mastery. I choose to not compare my performance . . .
@francescaemc2
@francescaemc2 3 года назад
grazie
@marichristian1072
@marichristian1072 3 года назад
I can attest to the fact that Beethoven' sonata No 9 is no picnic to play well- especially the final movement. The fluidity of Gould's technique is especially difficult to achieve. Scales every day in all of the keys played as smoothly as possible are essential exercises to playing Beethoven to a reasonable standard.
@Johnwilkinsonofficial
@Johnwilkinsonofficial 3 года назад
nope! he never practiced scale exercises.
@marichristian1072
@marichristian1072 3 года назад
@@Johnwilkinsonofficial Sorry but those of us who are not Glenn Gould are condemned to practice.
@Johnwilkinsonofficial
@Johnwilkinsonofficial 3 года назад
@@marichristian1072 im right there with you. i suspect all those scale books have more to do with propagating the teaching profession than musical achievement. life is short. you get good at what you spend your time doing. do you want to be the best at playing hanon exercises? then by all means! youve got all these students dutifully whiling the hours spelunking through steeplechase exercises their teachers tell them are indispensable, meanwhile artists like richter and gould avoid them like grim death! they spent their time on music.
@glenngouldschair390
@glenngouldschair390 3 года назад
@@Johnwilkinsonofficial I also avoid them. I’m a student but I probably spend 15 minutes max on technique.
@Intimatycal
@Intimatycal 2 года назад
Good. More of this please
@JohannaCTjia
@JohannaCTjia 3 года назад
Beautiful
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