keith was my favorite too. butt I think 1989 is probably their best year. I love how loud Phil Lesh is on this track; it's seems like Bobby is telling him to turn it down at the first but Phil Don't care.
I think Keith blended in really well and added a lot for the band, but I love Brent’s energy and his interplay with Jerry is priceless. They were both great. I think Jerry obviously loved Brent and his death really rattled Jerry. I think he went into the deep end of pool again after that, so to speak
@@lazaruswhitehead2998 Actually he played trumpet and studied composition. He basically learned electric bass on the job when he was invited to play with the Warlocks. Explains his unique approach, huh?
Incredibly I didn’t even know this track. I think I stopped listening to the Dead meaning buying vinyls after Mars Hotel. I missed this beauty. Is it me or does Bob Weir ABSOLUTELY EXCEL IN THE WAY HES SINGING THIS / Must have watched this 100 or maybe even 500 times. Poor Brent died morphine/coke of. R.I.P. X
Jerry & Phil in good form usually means a great show. It took both lead players unlike most bands who only have a lead guitar & ignore the lower end of their sound.
He’s cool. What a shame the morph got him. I’ve noticed on a few live performances he sings quite a lot. You can hear his voice as distinct from Jerry or Bob. R.I.P. Jerry and Brent. I hope angels are in your lives. Bless you.
just for the record, my all time favorite Estimated Prophet is I think 2/5/78, its on Dick's 18 - absolutely insane solo by Jerry that just goes on and on and eventually drops into an extended Eyes followed by a 30min Playin' in the Band with tons of Jerry playing on another level - this is a great version though, the Mutron-heavy outro just isn't as long as many of the best versions.
very frustrating that a computer is generating this video shuffled on a time clock in and out switch camera in and out switch camera in and out ........ i wish there was a human being who's a deadhead and who know who's play what at what time could at least edit this footage
BOBBY WEIR AND MICKEY HART WHAT THE HELL IS GOING ON??? WANNA HOOK UP WITH U2 JUST YOU AND YOUR BAND MATE, PLATT IS BEING GARGOYLE SOME WHERE IN THE CITY PROBABLY, HE CAN 'T GET OUT OF ALLISON'S YOU KNOW WHAT, WHAT ELSE IS NEW WITH ROCK STARS? I WANT TO MEET BILLY AND PHIL TOO, LETS GROOVE ON DOWN THE LINE! BELLA RATTAN U2-(LARRYS OLD GIRL-WAY TO YOUNG TO FADE AWAY THOUGH 44 YEARS OLD FEB 3 ,1969 IS MY BIRTHDAY
Couldn't tell is this was the 1st song of a new set, but the boys always seemed to have a lot of energy coming out of the break. Must have been love of their work or some sort of Red Bull product, can't be for sure :)
Weirdly although I love love love the dead but never came across this. I stopped keeping up with the Dead after Mars Hotel. I drank in Aoxomoxoa, Anthem, Live Dead, Wake of the Flood and a few off the Double Dead………Wharf Rat and Jack Straw and Workingman’s and American Beauty. Got some idea it wasn’t up to snuff. I love these guys all of them. Poor Bob Weir is often ignored because Jerry is so loved. Estimated P………is it John Perry Barlow or Robert Hunter. Both incredibly added so much to every song. Essential in fact
It was 25 years ago on GOOD Friday, April FOOLS, that WE ROSE TO A GLORY in Love And LIGHT that still has leading `The Way to SHINE LIKE `The Stars FOREVERMORE. Let's ROLL TEAM Overcomers
Oh man... Getting tipped in a port o potty at some obscure campground is one thing, but at a dead concert with thousands of people with nasty bad drug shits is a whole other ball game. I'd give that guy a backstage pass for that
did u ever notice bobby has like a black pad he stands on in front of the mic i wonder if thats like a weight activated switch that turns the mic on when he stands on it to cutt back on feed back
I was at this show. Not sure about a fight but i remember someone tipped over the "port o potty" with some one inside. That might be worse. Pretty shitty. But the shows delivered the goods.
Well put, my friend. I went to over 200 show and I too never saw a fight. Some arguments and disagreements but, they always ended with a hug or at least a handshake.
I was at this show. This is a great version of EP. I remember that beforehand outside was a distinct aura of people mixing alcohol with acid, an unworkable combination. One such girl scaled the 15 foot high chainlink fence that prevented entry into the stadium, which was topped with some barbed wire. She clawed her way up and somehow over ( maybe that was the acid half giving her insight), then fell about 7 feet to the floor. She brushed herself off drunkenly and wobbled in. It was a multi-layered disappointment. Inside, the stadium radiated mid-1930s, and the concrete in the bleachers was cracked and ancient under a broiling Sun. The bowl of the stands was strikingly shallow. Peculiar and of old.. The other thing I remember well is that the Dead played backup to Bob Dylan after their set. It went on and on and on. Dylan would rattle off lyrics and then turn around to hunch 'way, 'way over as he played his acoustic guitar. Then he'd whip around to bray another lyric, then back to the hunch. I could not understand a single word he sang. Not even one. Now this scene will soon enough be as far away back in time to us as the 1930s were to 1989. Thank the Creator the Dead's set was excellent, so it remains timeless; appropriate, considering the Creator.
