Grigory Sokolov plays Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier" (2013 | Video)

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This will be the last thing I post until my big project goes up sometime within the next two weeks. It's a big one though so enjoy! The audio is slightly out of sync so I might at some point make a fixed version.
I. Allegro 0:10
II. Scherzo: Assai vivace 13:47
III.Adagio sostenuto 17:20
IV. Introduzione: Largo - Fuga: Allegro risoluto 38:36
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Taken from an archived TV broadcast.

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26 май 2024

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Комментарии : 8

@1947laurence 2 дня назад

As usual with him _ Comme d'habitude avec lui ❤❤❤

@user-sk4kd7ob2b Месяц назад

Спасибо!!!

@gian6765 Месяц назад

Fantastic

@AlexanderGuglielmetti 2 месяца назад

Finally, its back! But the quality of the Video and it's not in synch with the Audio 😢

@d_r_e_a_m_b_o_a_t 2 месяца назад

Yes this is not a fantastic source unfortunately, if there was a better one it probably ran into copyright issues

@hansulrichbehner8026 24 дня назад

<a href="#" class="seekto" data-time="2492">41:32</a> First fugue of the fourth movement 6' 15 minutes. Much too slow compared with 4'52 minutes [144 Mälzel per crotched prescripted by Beethoven. You should listen to Beveridge Webster, HJ Lim, Laetitia Hahn, Friedrich Gulda Video (1970), Stephan Beus for getting a real Beethoven experience. Sokolow's movements with his arms are too awkward to reach a higher speed. The same in the first and second movement. And the 21 minutes drawling third movement is sleepy boring.

@AlexanderGuglielmetti 10 дней назад

You can listen to his Chopin Etudes, especially the op.25 no.12 and there you will see how slow his "awkward arms" are... i think you realy don't know what you are talking about

@yunisgrier2343 6 дней назад

it is obviously Grigory Sokolovs artistic choice to play the work at that exact speed. In return he achives an almost unparalleled clearness of articulation, and is able to show the different voices of the Fugue. Just comparing the speed almost says nothing about the Quality of a performance. The same goes for the Adagio...