Over 6 minutes of nonstop technical speed and precision, and don't just get caught up in her left hand. Sometimes her right hand is moving so fast it starts to blur because the camera can't keep up. And once again, we get typical Tina, not looking at the fretboard, making it look easy and effortless, and then a nice smile at the end. This was the last cover Tina left us with at the age of 17 before disappearing and the one that gets the most attention. But as I've already mentioned, the slower pieces that require technical ability and emotion/feel are my favorite. Anthony, thank you for continuing with reactions to Tina and introducing her to more people. By the way, Dream Theater used to show her cover of their song during their intermission while they were on tour.
Yea not long after this video, her whole family disappeared from all social media. Her brother, who is also a very good guitarist, and her sister were never seen on any platforms again. What are the odds that 3 twenty year olds (in todays society) in Paris, would not be on any social platforms? I talked to her teacher Renaud Louis-Servais, and he said that he has not heard from the family since then also. Obviously something very significant happened and we may never know. In the mean time, we have her great videos. Which by the way get 35 - 40,000 views per day even now 6 years later, crazy! Just goes to show how much she is adored and admired 🙂
This was transposed to guitar by Dr Viossy in 2011. Tina killed it! Check out her cover of Steve Vai's song "For The Love Of God". It's slower than Beethoven and she shows more feeling. Some great whammy Bar tricks!
- They won't find her, she's dead! And for the address and the telephone number, it's easy, the name of his parents is in the telephone directory in France !!
@@michaelburns7530 If you think she's alive, it's very easy to prove it: show me photos, videos, concerts, comments, CDs, interviews, emails from TINA in 2021 - 2022 !! I WAIT !
She's extremely technically proficient in that she plays extremely fast. She plays like a robot however, no phrasing, no emotion, nothing is left of the original piece except the notes in high speed. Amazing? Yes, surely. Musical? Not at all. There's nothing in there that even remotely signifies she understood anything whatsoever of this except that she had the ability to play the notes in quadruple tempo, in short, it's acrobatics, little to do with music, but yeah, probably very few that could do this. But why would you want to? Is this what music should be about?
@@voiceover2191 HAHAHAHA LOL ! Tina interview: "The comments of the jealous and the haters and trolls do not interest me, I don't care, they do not know the music and the guitar, they are unknows. It is only the reactions of the professionals that interest me, and I thank Van Halen, Pink Floyd, Dragonforce, Dream Theater, Jason Becker, Steve Vai for their congratulatory tweets!"
@@0ParisFrance Just because someone has criticism, it doesn't automatically mean that person either is a troll or a hater, but rather the person saying that unmasking themselves as being an autocratic moron. Whether I'm a professional musician or not, is unknown to you, so to automatically assign me to a category you have disdain for as does aparently Tina S based on that quote, doesn't really tempt me to reconsider my opinion. Your laugh comes accross as a rather hysterical fanboy/girl who really hasn't had the kind of life experiences that would enable him/her to be able to deal with opinions other than their own. So basically, while using "Freedom" in your moniker, you just want anyone to shut up unless they are as uncritical and have the same opinion as you. Hmm, good luck with that.
![Guitar player Reacts to Tina S [Beethoven] Moonlight Sonata [3rd Movement]](/img/logo.svg){kind=logo}
