@@brianpaschal5430 This definitely has some Terminator / T-1000 vibes to it, with the brooding synth score in the background. Brad Fiedel could've definitely drawn inspiration from John Carpenter
The reason the soundtrack was so techy and heavy was because this time the Pagan Gods of Halloween weren't just taking out a neighborhood with a knife and mask; they were taking out the entire planet with a Microchip and a mask.
Oh, yes. I was born in '74. I recall still so solidly the late '70s/early 80s sick, yellow cold of the sodium lights in parking lots and along highways from my youngest years of awareness to around about 11 or 12 years old when everything was finally overlit with that nasty, bright white-blue of florescent. Yuk. That's something that's far beyond nostalgia to me. There was something so... far outside the 'norm' or artificial light with those old things.
2:38 this soundtrack went perfectly with the scene. You hear the screams of a horrified nurse, dan running to find out what happened, the tension build up in this scene was awesome.
Electrifying. The soundtrack to my youth. I can listen to this moody, eerie album until the end of time...Kudos to John Carpenter and Alan Howarth. A real Halloween treat.
This is the prime example of great music for a horror film. Modern horror films just don't compare. This type of soundtrack just submerses you into the story, and puts you at the edge of your seat. soundtracks make a horror film.
