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Hand framing for better intonation - "chord" shape setup (Suzuki Minuet 1 example) 

Laurel Thomsen
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Although we all have to start our intonation journey with figuring out how to play in tune up and down single strings, pretty quickly we encounter music which requires us to find our intonation in various zig-zag patterns across the strings. Arpeggios, and melodies that skip around in general can feel like the bane of our existence... until we realize that just like guitarists, mandolin players, and players of other fretted stringed instruments, we too need to structure our hand in "chord" shapes sometimes.
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For more information about her performances, recordings, and teaching, please visit host Laurel Thomsen's website ⁠⁠⁠www.laurelthom...⁠⁠⁠
To check out Laurel's Violin Geek Blog, a companion to the podcast, sharing tips, insight and inspiration since 2007, please visit ⁠⁠⁠www.laurelthom....
If you have a violin, viola, fiddle, music biz, or practice related question or topic you’d like to have covered on the Violin Geek podcast or in the blog, have someone you'd like Laurel to interview, or have a story or insight to share, please send Laurel an email at ⁠laurel@laurelthomsen.com⁠. Also, please reach out if you’d like to inquire about violin, viola, or fiddle coaching or ⁠lessons with Laurel⁠ via Skype, FaceTime, or Zoom. You're also welcome to post your success story, comments, or suggestions to ⁠⁠⁠ / laurelthomsenmusic⁠⁠⁠ .
Happy Practicing!

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3 окт 2024

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Комментарии : 2   
@shiki7689
@shiki7689 2 месяца назад
I'm not sure if you've been asked a thousand times, but how is your violin has a matte finish? Did it came that way or did you have it re-finished from gloss to matte? Also, who is the maker? It looks wonderful :)
@laurelthomsen
@laurelthomsen Месяц назад
Thank you, yes, the varnish has just aged that way, and it's not so apparent in the video, but it's also crackled. It's a John Harrison from the 80s and when I finally met him a few years ago he said he was experimenting with varnishes back then and a lot of the instruments from that time have had a similar result over time. Unusual for sure, but while he was already someone who had won awards for tone etc., if anything I think the tone is even better, more open maybe?
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