Have we MAXED OUT the Sony a7s? 

Cheers Kev!

That's great to hear! We've recently tried to be more like ourselves on camera rather than being formal/presenting all the time, so this is very encouraging!

Ooooh yeah! Would love a global shutter camera, especially for handheld and whip pan scenes.

Thanks AJ! I decided to keep the ol' lockdown scruff!

Yeah! Who's that guy!?

Aye we actually had a talk about what we would get next and I think the pocket 6k was the one we chose. We used the pocket 4k when it first came out and it was proper mint, to be fair! What do you shoot on?

@@TheFilmLook I personally am too broke for a p4k (which would be my ideal camera) lmao. I just shoot as a hobby, but am looking into freelancing once this covid thing is over. At the moment, I have a Canon Eos M, on which I have installed magic lantern that lets me shoot RAW (workflow ain't great, but the final image does look pretty cool)

@@8lec_R I remember trying out the raw feature with magic lantern on the 550d and it was crazy! I imagine it's even better these days.

Will defs have a look into the S5! It sounds mint.

@@TheFilmLook Yeah, the sample footage I've seen from the camera online is pretty stellar. Generally heard nothing but great feedback on the handling/user experience for the camera too, aside from the autofocus (though apparently it's a lot more manageable if you figure out the quirks and get the settings in right).

I bought the S5 almost within 2 weeks of its release.It's fantastic camera no doubt.But the problem for me is that unfortunately in last 4 to 5 months I have inclined towards shooting Anamorphic for my films.Most of the affordable and even the high end anamorphic lenses have APSC/Super 35/M4/3 crop factor. So now I think I made a wrong decision because I could have saved $500-$600 buy buying the GH5 instead of S5 as I don't think I ever will be able to use the Full frame ability of S5. And apart from that S5 is almost identical to GH5. But all said, If you are thinking of shooting with Spherical lenses and autofocus is not a factor you won't get a better filmmaking camera at that price point..

​@@versatile1684 But the S5's Anamorphic mode is strictly in Super35/APS-C! Only the S1H has a full frame Open Gate mode for Anamorphic. So you can still use your traditional Super35 anamorphic glass and adapters on the S5! Meanwhile, as far as I'm aware, the GH5's anamorphic mode would still only be for MicroFourThirds. So really, the S5 isn't money wasted on your end! It's a traditional Super35 anamorphic beast and a full frame spherical filmmaking monster!

@@incendiesproductions There are not lot of differences between M4/3 and Super 35..

Aye please let us know what you think of Sixty Seconds. And we have loads of sound videos currently in the process!

​@@TheFilmLook Just watched the movie, and I have to say it was Amazing. Sooo much good stuff. THe sound was great. The Cinematography was amazing together with lighting. I love the tense music at the end and the performance was really good. I went into the movie thiunking it is gonna be some serious story, but it was more like Comedy, adn I liked that. Something new and funny. Great job. I like that they looked up a tutorial and their boss outside talking to them. And everything went so slow, when watching the clock go down. It was very tense. I feel like it was kind of funny that they had so "good" time to figure it out. I really love the ending with the performance and screaming and the light-effect was so beutiful. And the music in the creddits was so cool. Again the images was so beutiful. The costumes were really realistic. If I have to find something that could have been better (which is hard) I would say the bomb. It looked great, but some parts of it looked a bit Card-boardy, if that i sa word? I think it would look more realistic if you used metal-plates or plastic, but again. I don't know anything about that and maybe it was the style you were going for. The bomb did work really well ad I did not have any problems with it. I felt like all elements of the movie was really well, so it is very picky. It was also a bit hard to hear what they were saying at times, because of their accents, but it is probbably because I am not an native english-speaker myself. I tried the text-option from RU-vid and that helped, but it was a bit behind at times. But I got the story and almost everything they where saying. It was the part where they where talking to the man outside, that was the trickies part for me. But not a problem from yourr side, it is just me :-) You did shoot on the vintage-lenses right? I want to buy more lenses for my camera. Is it cheaper to buy a set of vintage lenses than "Normal" lenses? Is it hard to come by sets of lenses that are vintage? I like the flares from the light. How did you do that? I know a trick where you use fishing-wire, but what technique did you use? Well worth the wait. Great movie!! I can't wait for your next one :-)

@@TheFilmLook one more thing. Did you use a wire-less follow-focus? If so, did you use the Nuclous-Nano? I have considdered buying that one for myself. And if so, did you use a wire-less transmitter for HDMI signal? And what is the name of the awesome end-creddit song? Wow... so many questions.

I don't think the r5 has 12 bit video.

@@vegardpedersen sorry for not replying to you Vegard mate. Your comment got lost in our system because it's a reply to another comment. Thank you for the feedback, it's great to hear what people think from an outside perspective. You are doing us a world of good! We did in fact shoot the film on vintage lenses, yes! The flares are a small piece of fishing wire behind the lens adapter to bend the light into a flare.

It's actually just a blanket with sleeves! I reckon I'd look good in a disdasha though!

@@TheFilmLook 👍i am sure you will look good wearing a disdasha

It's a blanket with sleeves!