Haydn: Missa in Tempore Belli/ Leonard Bernstein/ BRSO ハイドン：戦時のミサ　バーンスタイン　バイエルン放送響

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ハイドン：ミサ曲第7番　戦時のミサハ長調 Hob.XXII:9
ジュディス・ブレーゲン(ソプラノ)
ブリギッテ・ファスベンダー(アルト)
クラーエス=アーカン・アーンシェ(テノール)
ハンス・ゾーティン(バス)
レナード・バーンスタイン
バイエルン放送交響楽団
バイエルン放送交響合唱団
1984年ドイツオットーボイレン大聖堂バジリカ教会
Haydn: Missa in Tempore Belli (Mass in Time of War) C Dur Hob. XXII/9
Judith Blegen (S) Brigitte Fassbender(A)
Claes H. Ahnsjo(T) Hans Sotin (B)
Chor und Symphonieorchester des Bayerischen Rundfunks
Leonard Bernstein
1984, The basilica, Benedictine abbey, Ottobeuren, Germany
00:43 Kyrie
06:16 Gloria
18:26 Credo
30:16 Sanctus
33:16 Benedictus
40:26 Agnus Dei
#haydn #ハイドン

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22 янв 2021

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Комментарии : 20

@spt2648 3 года назад

00:43 Kyrie 06:16 Gloria 18:26 Credo 30:16 Sanctus 33:16 Benedictus 40:26 Agnus Dei

@126wil 21 день назад

Thank You.

@franzeybler1499 3 месяца назад

The Benedictus shows how the old Haydn could also compose in this sort of mozartian long breath structures. What a piece ❤

@arturobusetto4243 11 дней назад

Il qui tollis rappresenta l'apice della musica liturgica cattolica. Solo chi ha fede può comporre un capolavoro insuperabile come questo.

@leoperarm 6 месяцев назад

Bernstein understood Haydn so well. This Credo is a masterpiece, especially the final movement. Those violins may well be singing a text themselves. - I am convinced that Haydn at this point was producing some of the best music ever written.

@antonionadales3047 2 месяца назад

Es una preciosidad de misa, con un Kirie impresionante. Toda la obra desprende la angustia por la circunstancia que fue compuesta.

@patekswiss9521 8 месяцев назад

Lovely to see that Bernstein chose to spend time on this marvelous work. And proof again that the conductor really does make the difference. Love the stately tempo of the Credo, for instance. Perfectly suitable for this grave, glorious work. So many performances of it are rushed and breathless, which does not suit at all.

@fabiograssi670 7 месяцев назад

This is one of Haydn's most puzzling works, insofar all the slow sections are absolute masterpieces, the fast sections being less convincing. Haydn builds the Kyrie as a standard sonata form 1st mov. of symphony with a slow introduction, like the Kyrie of the Heiligmesse. After these two attempts he will abandon such a cold rigid approach in the following four masses to get a great original achievement with the Kyrie of the Harmoniemesse, the last one.

@WinrichNaujoks 3 года назад

Always happy Haydn, always in a major key, never mind war and distress, it's all good.

@elaineblackhurst1509 8 месяцев назад

In the Classical period, a major key does not always mean happy demonstrated by this profound mass written in a time of war; there are lots of other examples of this in Mozart, Haydn, and elsewhere as in Gluck’s Orfeo where he sings about the second loss of Euridice in the famous aria ‘Che farò senza Euridice, che farò senza il mio ben’ which is in C major.

@WinrichNaujoks 7 месяцев назад

@@elaineblackhurst1509 Exactly, my prime example. Deepest sadness, and he goes off on a jolly Che farò in C major. Could never understand it. But then, Gluck knew about counterpoint as much as my cock.

@leoperarm 6 месяцев назад

The Credo is a bellic march

@fabiograssi670 7 месяцев назад

As for the sow section of the Gloria, it is a pre-Rossinian incredible proof of the asemanticity of the music...