I am really starting to adore Haydn. There's a wonderful playful, joyous, innocent, and child-like quality to his music. It's undeniably infectious and adept at putting a smile on my face. It's said Haydn had a good sense of humour, and I sense that whenever I listen to his music. It's so lighthearted and mischievous at times.
This is because most of us are heavily influenced in our musical outlook by the 19th century Romantics. It is fairer to Haydn to view and compare his music, style and influence with his contemporaries, those that came before him and Beethoven/Schubert who came very directly after him. For many during his time, they were actually startled by the seriousness, deeply personal and introspective moments especially in Haydn's slow symphonic movements... something which isn't always apparent to the modern classical ear today. The young Beethoven owes and is indepted greatly to Haydn's influence, symphonic and chamber music inovations... and despite Beethoven's stormy character, it is fair to say that of all composers Beethoven had the deepest reverence and respect for Haydn, FATHER of the mature classical symphony and string quartet genre.
That’s a great start - but you will discover far deeper layers of meaning, originality, intellectuality, emotion, and power as you continue your listening journey. Like for Beethoven, whilst Mozart will provide answers, Haydn will pose questions.
I enjoy seeing that Papa Haydn was an equal-opportunity orchestrator. The excellent camerawork highlights nearly every time some section is getting their share of the performance. And the conductor seems to having the time of his life.
No fue un musico menor Haydn, admirado y respetado por dos genios como Mozart y Beethoven. Para mi es el compositor que le da forma a la sinfonia, es mas escuchando a Beethoven puedo ver la impronta "haydniana". !Admirable!
De hecho, hyden es considerado el padre de la sinfonia y el cuarteto, hermosa sinfonia con mucho caracter, no tiene ese dramatismo como me gustan de otras sinfonias, pero gusta. elegancia y sobriedad pero al mismo tiempo derroche y alegria!
Esta para mim é a grande sinfonia de Haydn. Maravilhosamente desenhada pode ser colocada ao lado de qualquer outra. Genialidade do começo ao fim . Imperdível!!!!!
La orquesta funciona como un solo ente, como si fuera un banco de peces que se mueven al unísono y yo creo que la divertida cara de convicción de Koopman justo al terminar en 21:21 lo confirma. Una triunfada. De lo mejor que hay para levantar el espíritu.
Исполнение прекрасное. Гайдн на высоте во всех отношениях. Об оркестре не говорю. Это мой фаворит и музыканты как родные. Достаточно хорошее звучание.Это радует. Привет из Киева.
@@johnkusske7535 Accorfing to several academic polls, Haydn is in the top composers list. but is somewhat negelected, probably do to the popularity of Mozart. Bach. Handel and Beethoven are usually listed as the apex composers, all for different reasons.
The symphonic orchestra of galice is indeed a good orchestra. Under the baton of Koopman, he delivers to us a very vivd version of the symphony "the miracle" of Haydn. The surname would come from the fact that the house where was the manuscript burnt and the manusript was saved by miracle.
Klare und spannende Aufführung dieser fein komponierten Sinfonie mit seidigen Töne aller Streicher, milden Töne aller Bläser und, vor allem, explosiven Töne der Pauken. Der erfahrene Maestro dirigiert das kompakte und ausgezeichnete Orchester im rhythmischen Tempo mit möglichst effektiver Dynamik. Echt hörenswert!
This is very much to my taste, the small orchestra brings out the inner detail which gets lost in larger forces, also the string players avoid the dreaded vibrato which spoils performances of this period. Koopman is a true Maestro of the Baroque and Early Classical music.
Haydn, Mozart és Beethoven: különleges hangulatú zene, mintha megállna az idő és az örökkévalóság szűrődne át. Talán minden művészetnek ez a lényege ... de én ezt csak a zenében vagyok képes érzékelni.
Weergaloze uitvoerig. ¿Is er iemand die me kan zeggen hoe het komt dat Haydn zo onderschat wordt t.o. Mozart of van Beethoven? Retoriese vraag. Nadie lo sabes. Chic@s, disftutamos a Haydn, y con gran amor. ❤.
Haydn = Father Christmas. There is as much evidence pointing to Haydn being ‘Father of the Symphony’ as there is for him being Father Christmas. (ie zero).
Найди в интернете и послушай, как и что рассказывает о классической музыке Михаил Казиник. Возможно это поможет найти свой путь к пониманию произведений классической музыки
Weird performance...this sounds like a timpani concerto..i am all for clarity and thumping trumpets and timpani but the timpani is too loud....koopman doesn't seem to be interested in balancing the different sections of the orchestra at all
cuando mozart "muere" haydn carga con su espíritu, si observan las últimas sinfonías de "haydn" podrán ver que se suceden temas de haydn con arreglos de mozart y viceversa, cuando beethoven llega a encontrarse con haydn pues mozart ya estaba muerto, haydn toma las manos de beethoven y le dice: recibe el espíritu de mozart, de aquí viene el "beso de beethoven" pero el espíritu de mozart partió de beethoven, pobre, imaginad que se hubiera tenido que quedar pasando de beso en beso, sería una tortura y una estupidez
@@TheOneAndOnlyZeno Mozart went on record stating he liked the enormous size of the orchestra in Paris when he wrote his Paris Symphonies. You should read his letters...maybe you'll learn something.
@@muslit I am sure he liked the size of small ones too, and if it were up to him probably depended on how he felt, not what he wrote in 1 letter.. so stop pretending you know more than anyone else.
