Herbie Hancock - All of You (1964) Improvisation Transcription

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Transcription of Herbie Hancock’s Improvisation on " All of You (Cole Porter),” with Miles Davis Quintet
Original Video: • All of You (Live at Ph...
Transcribed by Jungsoo Kim
Miles Davis Second Quintet
Herbie Hancock - piano
Miles Davis - trumpet
George Coleman - tenor saxophone
Ron Carter - double bass
Tony Williams - drums
Yes, there are a lot of resources regarding this solo, and I wanted to make more accurate version of it. I believe harmonic concepts and reharmonization are the main concerns in this solo, so I tried to make the voicings elaborate. Also many transcriptions tended to omit the timing when Herbie hits the bass note. I think that brought in strong swing feel to this solo and I tried to catch that. (I am not trying to criticize anyone who transcribed this solo before.)
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PDF Link: drive.google.c...
Enjoy!
I do not own any rights of the music being played.
If you have any suggestions or corrections, contact me via kimkevin97@snu.ac.kr.

Опубликовано:

9 сен 2024

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Комментарии : 56

@pianopeter 4 года назад

Fantastic transcription of one of Herbie's greatest solos. 🙏🏼

@jungsoo_hancock 4 года назад

Thank you!! You are my hero :)

@edwardmills1679 3 года назад

You are awesome. Love you're Open Studio courses!

@stevedd50 3 года назад

this solo is nothing short of a miracle

@nicholasfox966 11 месяцев назад

And you get the feeling that the ideas would have kept on going forever except they eventually had to stop the song and play another one.

@chazinko 3 года назад

The way Herbie's piano locks in with Tony's ride cymbal is a magic that words cannot do justice to.

@DeepCrossing1 Год назад

Such a breath taking solo, so many seminal moments of jazz seem wrapped up in this one stretch. The famous rising triplet motif, William’s change to straight quavers, the fluidity of the form, at once traditional yet totally free. Absolutely a high water mark in jazz ensemble improvisation. Thanks for pointing out the work of Carter as well, he’s under appreciated, but all of those effects I just mentioned wouldn’t have worked without him.

@NickLeeP 2 года назад

Lost count of how many times I've replayed this.

@AljoniMusiCo 2 месяца назад

Fantastic! Just loving how the 8th note triplets are used!@! __ 🎹 Lovely transcription (( 👍🏽)).

@evans34 3 года назад

Thanks for the great transcription - it really demonstrates how Herbie is a master at using left hand voicings to complement his solo

@joeb4349 2 года назад

Perhaps the best recorded piano solo of all time.

@snoopy_next_door 3 года назад

Legendary performance

@JaredPauley 2 года назад

Excellent transcription! Herbie's use of the triplet in the RH during the 60s stuff, both with Miles and on Blue Note, creates such a nice sense of swing.

@richiebeirach3671 2 года назад

HERBIE !!!! STONED SWINGING GENIUS !!!BEST OF THE BEST !! ULTIMATE RELAXED INTENSITY !!!

@Gerard_2024 Год назад

The fact that you transcribed this so accurately means that you are a genius...

@cashglobe 3 года назад

Thanks so much for this!

@danielcoriatt3316 2 года назад

thank you so much, your transcription of this legendary solo is so precise and usefull .

@moychelitchtenstein7146 Год назад

You nailed it! Terrific transcription! Thanks for sharing!

@renandias7926 10 месяцев назад

Incredible work, congratulations

@SharikHasan 4 года назад

Great job! What an incredible solo

@dariodinelli8768 10 месяцев назад

thanks, wonderful work

@edgarmmaciaspiquero7846 3 года назад

You are very generous! Thanks for the transcription.

@not2leight 2 года назад

Aloha Kim Jungsoo! Wow! Too Cool! Appreciate your class and generosity! Malama (Take Care)!

@Bgoods Год назад

this solo is so compelling.

@simonr6553 4 месяца назад

Hancock actually did this twice in the early 1960s - there's an earlier version on the 1963 live album Miles in Europe/Antibes. His solo on that one is a lot more complex, but this one is probably more melodic and is still quite inventive with a clear classical influence, a clever use of contrary motion and a great Peterson-like passage in bars 79-81. It's amazing to think that two solos on the same song just a year apart could be so different - I wonder, did these improvisations come on the spot following years of practicing jazz licks and playing in bands, or did he spend a lot of time on this particular number, exploring the possibilities of melody based on the chord changes and what he learned from his great predecessors (Tatum, Peterson, Powell, likely wind giants like Parker and Coltrane) and structure?

@rafidl5556 5 месяцев назад

Great job!!

@paxwallacejazz 4 года назад

His solo from the 1st track My Funny Valentine is positively hallucinogen. It's amazing impressionist diffusion of the architecture awash with color untill it starts swinging man all the solos including how miles plays the head Jesus Christ man it's genius .

@DeepCrossing1 Год назад

A very special performance, the planets must have aligned on that night.

@edgarmmaciaspiquero7846 3 года назад

Masterpiece! Thanks for this. Great transcription!

@someferge Год назад

Excellent work 👍😁👍😁

@cliffkorman 2 года назад

Thank you!

@schindlermusic Год назад

You are a master! Gamsahamnida!

@ToXball 6 месяцев назад

The perfection in one solo, Thanks for your great work of transcription, very precious. What software do you use for engraving scores?

@maconmann1173 3 года назад

Thank you so much for your work on this!

@alainmarchandise3078 2 года назад

Merci, merci, merci !!!!!!!

@BourdeoixEterno 4 года назад

Fantastic job and great ear!

@josmulder3060 4 года назад

Nice work! Such a great solo.

@giampierogirolamo7134 4 месяца назад

thanks greatjob!! i think the last Bb flat note in bar 27 should be on the first downbeat of next bar(28) so the next d flat is on the second downbeat ,i would make shorter a nd g in bar 28 i think thank you again

@lagathy 4 года назад

thankyou !!.

@johnnyblue1101 10 месяцев назад

Yo Dawg, sure Hancock propelled Miles’ 2nd great band to new heights; however, just about everybody is still “sleep in’ on that magical Memphis sound flowing from the horn of one George Coleman - soon departed from the group. Wayne Shorter would fill big shoes in the 3rd great band for Miles.

@harryjaywoodii6296 3 года назад

솔로 넘 좋다 진짜..피터 마틴좌에게 댓글 받은 정수좌...

@user-ev4ps6gq4g 4 года назад

잘 듣구 갑니다

@jungsoo_hancock 4 года назад

ㅋㅋㅋㅋㅋㅋㅋ누나땡큐~~

@bennybennybenny1 Год назад

💚

@jungsoo_hancock Год назад

Thank you!! I attended your 2017 masterclass in Seoul, and that experience still influences my musical perspective, and ultimately life :) I respect your humanistic approach to music and warm heart 💚