This song is SO good! If you were to release an official recording internationally, I think it would be a HUGE hit song! The sweet voice of Kotono, the smooth technical facility of Hazuki and Li-sa-X, plus the amazing Kanade who's musical ability is the most tasteful, and unequalled in skill ... all of that together is the making of the most promising band coming out of anywhere in the world. PLEASE release this song on Spotify!
Kanade Sato and Lisa-X in the same band? Yess! If only you knew how long I've been thinking about this! This is absolutely logical and wonderful! This song is amazing! Everyone is great! I love you guys!
My first thought: Who's got the bold idea to cover a Dirty Loops cover? Then I saw what a delicious alliance of well-versed artists had a try at this and I became curious about the result. Now hearing that little gem makes me believe that in Japan's popular music culture simply everything is possible (I actually knew that before, but time and again I am stunned by Japanese accuracy.) A gem, indeed: What a huge amount of competence, what a convincing testimony of mastery! Tremendous guitar work by Miss Hazuki and Miss X: The flawless interplay, all those crisp chords, phrases, ornaments, statements, accents, the colourful harmonising. Moreover Miss Kotono's appropriate and confident singing, finally another sweeping Kanade experience (the special one - it's just her personal elitist day work, I know). And of course I don't want to forget unseen, but clearly audible and reliable bass playing companion Brother Kazuma: I notice some little figural and occasional string slap activities - very solid. (Keyboards - my competence - apparently done by the machine... well...) Everything here is fine (keeping in mind the essential Dirty Loops spadework), the musical arrangement is highly attractive, the execution is excellent - but what happens after exactly three minutes (in two other words: onehundredandeighty seconds - plus two additional quarter notes) is clearly out of this world - eight short bars, unveiling how goddesses get ecstatic and electrified: The swift guitar lines, the distinctly marked chord progression, those pounding almighty syncopated tutti accents, bringing matters to a head, vehemently incarnating that snappy moment of bliss. (Kanade's right foot kicks here with face-melting relentlessness, nevertheless bass drum pedal and bass drum corpus both feel honoured.) Koiai - as a meanwhile coherent band entity - seem to evolve into one of the most promising popular music projects in Asia. These fresh and dauntless muses (there are more of them around than you might think - one of them might even call herself a double muse) have obviously searched and found each other to enrich the fascinating macrocosm of waves and vibes (potentially not always of terrestrial origin). - So, if you haven't already, find you also a potent barker, you splendid maidens, who is well connected and knows what to do, and let him pave the way for you. It's a compulsory task for every open culture to appreciate and cherish such fine artistry. (And as soon as you will be caught in the grand spotlight, please don't forget to grace good old Central Europe with your sparkling presence. There is nobody around like you there. This clueless place urgently needs some spiritual refreshment and recalibration.)
Kanade is great! Met her and her dad, and a band she was playing with in London a few years ago. Nice people! At a rehearsal (the day before their show) Kanade was doing some incredible things on the drums! One day we all walked around the British Museum for a couple of hours while they were there for four days.
Oh my .... i listen Automatic by Utada-san since it was launched back in the days , but i must say , this is an incredible version on intrumensts , the drummer gave a lot of juice to the groove , the twin guitars are well placed , even the bass has a lot of slaps adding groove and i understand that speak and sing in english is hard to japanese , but nice vocals , i could understand clearly the lyrics. Great job ! Ganbatte yo !
This music is composed by Hikaru Utada and was nicely arranged by Dirty Loops, and now KOIAI added Japanese music taste to the Original, amazing performance !! Now video for Drum part is released by Kanade Sato ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-e_XFi71OScQ.html
Wow! This is great! There's so much stupi noise out in the world sold as music that it makes me totaly happy to listen to real music like this. You're great, girls! With love from germany!
This is awesome, one of my favorite Utada Hikaru songs, now with awesome guitar riffs and everything else! I love the new interpretation which has some kind of jazz funk into it!🥰
