His Highness Abdullah (1990) Devasabhathalam - Favorite Song Reaction | Mohanlal | K J Yesudas 

🇮🇳Indian Classical Music Sadja : Sa : Cry of the peacock Rishabha : Re : Lowing of the bull Gaandhaara : Ga : Bleating of a goat Madhyama : Ma : Call of the heron Panchama : Pa : Call of the cuckoo Dhaivata : Dha : Neighing of the horse Nishaada : Ni : Trumpeting of the elephant Meanings : Sa is derived from Shadja which means 'giving birth to six'. Re is derived from Rishabha which means ‘Great One’ Ga is derived from Gandhar which means ‘sweet fragrance’ Ma derived from Madhyama which means ‘being in the middle’ Pa is derived from Panchama which means ‘the fifth note’ Dha is derived from Dhaivata which means ‘sixth note/divine’ Ni is derived from Nishad which means an ‘seventh note’ also ‘setting at rest’, ‘esoteric doctrine’, ‘secret doctrine’, ‘mysterious or mystical’ Singing the Swaras has a positive effect on the body, mind and the consciousness. The swaras also effect our feelings and emotions. The swaras are also associated with planets and colours ‘sa’ (shadjam) - Mercury - green ‘ri’ (rishabham) - Mars - red ‘ga’ (gandharam) - Sun - golden colour ‘ma’ (madhyam) - Moon - white or yellowish tint ‘pa’ (panchamam) - Saturn - blue or black dha’ (dhaivatam) - Jupiter - yellow ‘ni’ (nishadham) - Venus - multi colour Qualities of the Svara Shadja - Means 'father of the six svaras' and the one which gives birth to the other six svaras. Rishab - Being the nearest to the Grâmni svara (Sa) it is strong as Vrishab (Bull). Gandhâr ­ Is associated with karunâ (sadness, longing).Madyam ­ This svara is in the middle of the saptak.Pancham ­ Is made up of the words panch (five) and mi (to measure). Is that note that is fifth from the Shadaj and is the tool to measure the svara intervals. Dhaivat ­ Is the overtone of the madyam svara and is heard by the Dhivân (sensitive minds). Nishâd ­ Is so called because the notes of the scale come to a close with it. The word is derived from Sanskrit root “ni+shâd” to come to a rest. Nishâd is full of karunâ (longing).

Raveendran master: making complex music is my entertainment. Yesudas: singing complex music is my entertainment They are just born for each other. 💞💞💕

This is a song battle that happens because the funny guy in blue shirt turns the opponent singer (Kaithapram) against Mohanlal by spreading a rumour that Mohanlal made fun of Kaithapram's musical achievements (awards). So he walks over to the King's court to challenge Mohanlal. You can see him getting taken aback when he starts singing 'Shadjam' and understands what is going on. He ends up being very appreciative of the other's singing and blesses him before he leaves the court, humbled. Meanwhile, the blue-shirt guy sees that he has been exposed and sneaks out of there (towards the end of the song).

KJ Yesudas is a real carnatic singer. There is bass in the voice. So we can hear at any range in volume. I like his voice in tamil songs. I suggest Adisaya ragam tamil song from Aboorva raagangal in MS Viswanathan musical.

🙋‍♀️ From Kerala... ❤️

Raveendran master is a genius who left us with innumerable classics like this. And video gives One more reason why Mohanlal has special place in Malayali hearts.

No actor in Malayalam movie has courage to move his lip for a song when sits infront of a legendary musician..It is not simple as we think.. Moreover he played role of a kadhakali artist infront of number of kadhakali experts in the movie called vanaprastham..Played role of a dancer in the movie kamaladalam with vineeth and monisha who are immensely talented in dancing..The fact is Mohanlal is not trained in any of the above..Pure 💎.. Kerala is lucky to possess him.

The song starts with Hindolam Raaga by Kaithapram Damodaran Namboothiri in the movie ) originally sung by Ravindran Master. Then the song switches to Thoni Raaga by Mohanlal ( originally sung by Yesudas ). Then the competition starts. സ Sa ( note Sa in Western classical ) Shadjam. This version is sung in Panthuvarali Raaga. Mayoora Naadham. This stanza describes about Peacock's voice. രി Ri Rishabham ( Western classical note Ri) Abhovi Raaga. This stanza describes about Lord Shiva's vehicle Nandi the bull). After that there is a Chitha swaram in Mohana Raaga which switches from Ri to Ga. ഗ Ga Gaandharam - Mohana Raaga. This stanza describes about Goat's voice. Then there is a Chitha swaram to switch over from Mohana Raaga to Shanmughapriya Raaga. മ Ma Madhyamam - Shanmughapriya Raaga. This stanza describes about Kroujam ( A particular Bird's voice ). പ pa panchamam. Kalyani Raaga. This stanza describes about Kuil bird. (The Indian Cuckoo). ദ da Daivadham. Kalyani Raaga. This stanza describes about Mandooka ( Frog's sound during rainy season). നി Ni Nishadham. Chakravaagam Raaga. This stanza describes about Elephant's voice which is as sweet and monotonous like flowing Ganges river ( ganga pravaham). Then comes Revathi Raaga to conclude the song with full pace after the last BGM. Hindolam, Thoni, Panthuvarali, Abhovi, Mohanam, Shanmughapriya, Kalyani, Chakravaagam, Revathi. You may never find any Song which has been sung in so many Raagas. All credit goes to Ravindran Sir. Saluting the great Musician. You have to watch this movie fully to understand the greatness and importance of this Song.

Oscar level performance..... Mohanlal the complete actor...in the world of cenema....

I wondered on these songs during my school days....How different songs can be...How diverse expression of emotions by music along with combination of different instruments.. another successful movie of that time.

4:24 you feel it😅right ? That is Mohanlal he makes to believe us that he is singing, No problem even it's sang by jesudas, MG or vennugopal only two actors known for great in lip syncing that one is Mohanlal another one is Prem Nazir ( former star in 60&70s) in the history of Malayalam cinema

Revathi ending ragamalika... That is Raveenndrans MAGIC

Hey @TheJimmyCage, I would like to point out something. The version that you heard is sung by Yesudas (singing for Mohanlal), Raveendran, the music director himself (You mentioned MG Sreekumar), and Shareth. Raveendran is singing for Kaithrapram ( he is the lyricist of the song), the beard guy.

It's a series of movies exploring performing arts, be the carnatic music or be the classical dance by mohanlal's own production company.There are so many appearances by mohanlal as an artist.

Amazing feel anIndian Music ....🎉❤

World. One, super, acting. In, mohanlal

Bharathan, P.Padmarajan, AK. Lohitha das.... Passed away in their earlier age 😢That's the real issue facing by Malayalam film now adays...

Probably the weakest movie of sibi-lohithadas team (kireedam, bharatham, dasaradham, taniyavarthanam). Music was really great and Mohanlal in his prime was great to watch along with Nedumudi , mammukkoya, srinivasan and others. Singer opposite was the lyricist of this song and his part was sung by Raveendran( music director) himself. MG Sreekumar sang a version, but didn't make it to the final version of the movie.

Third voice was Sarath.... Todays music director SARATH👍

Here the purpose of the song in the film was a one on one with two singers who are the actors Mohanlal and Kaithapuram Damodaran Namboodiri who is also a great lyricist , poet , music director ,Screen writer etc. To give you a little context , kaithapuram is supposedly the pompous and prideful musician who is a favourite of the king, who got dissuaded by the tattle of Jagadish ( who you can identify from In Harihar Nagar Inn) that Mohanal is posing himself as the better musician to kaithapuram who is a seasoned musician. So he is here to challenge Mohanlal in a classical duel. Apparently if you are a spectator as well as an audience to the carnatic concerts , the concerts portrayed in films will always be a discontentment as well as discrediting too. For that I recommend you all to watch the carnatic concerts of Shri Yesudas to begin with. This is quite a masterpiece as far as the film portrayals are concerned yet if you view the real deal of concerts, this is nowhere near to it. Also films always give names to diversity of our innate cultures as differences and concretize them in the minds of populace. The pride and vexation of kaithapuram can be heard from the singing as it sounds boastful , adamant and fast paced. Also the humbleness and courteous manner of Mohanal can be heard from the tone of his singing as well. People are assuming that Hindustani music is a mellifluous cascade and carnatic is a haste of notes. As I have commented before, both Hindustani and Carnatic are absolutely the same in its classical and technical level. The only difference is with the language of the regions and the different instruments incorporated. Both are sung on diverse paces as well. Some foreign styles of Qawali which is mughal court style was added on as a style in Hindustani music , but in all its candour ,its indian classical music in its pure essence with only a little exterior modifications. So it's sheer ignorance when one says that Hindustani and carnatic are poles apart or rather is distinct from one another. Both are based on the Indian Raga system in its core and so not any different from one another. You might have noticed a portion in the song when both the singers sing in unison and there you can hear the spirituality of chanting as a practice out of temples. Its in the temples that the classical music and dance of India have originated and is an offering to the divine. You can only hear the original spiritual aspects of it from carnatic singing nowadays. Hindustani have gone a little wayward as a popular and commercial affair yet in its esse its no different than carnatic.

പൊളിച്ചുട്ടോ 💞 this language is malayalam I am from kerala😍this song music by great music director Sree Ravindran master ♥️♥️ thanks a lot 🙏

Once yesudas sang for music director Ouseppachan and music director asked him to make a manthra called OM in the most base that he could sing. Yesudas sang it and the speakers got off due to his base voice. That's our Celestial Singer Yesudas. No one to compete this man.. Now he is 84 still sings for devotional albums

As you have assumed, it is a song competition. They are testing whether the Mohanla's character can sing or not. Actor Jagadish the guy sitting behind found out that Mohanlal's disguised character, and challenges him to sing this song to prove himself. The man singing opposite Mohanlal is Kithapram Damodaran Namboothiri (the original lyricist of this song). He acted in this movie too with another name. Kaithapram put each 'swara' of Carnatic music to Mohanlal and he describes each of them via music. As given below...SAREGAMA is expanded as here; Shadja : Sa : Cry of the peacock Rishabha : Re : Lowing of the bull Gaandhaara : Ga : Bleating of a goat Madhyama : Ma : Call of the heron Panchama : Pa : Call of the cuckoo Dhaivata : Dha : Neighing of the horse Nishaada : Ni : Trumpeting of the elephant Each time Kaithapram, tells a Swara, Mohanlal sings about it with meaning...

Main part was KJ Yesudas second one is RAVEENDRAN

The other singer with yesudas is not mg sreekumar, it is Sharath(another notable music director from)

the classic

The fact is most of malayalam actors are multi talented... These three actors are singers too

Plz see the attitude change of both the character. Only then u can understand the differences

Jesudas ... ❤

Shadjam - sa Rishabham - Ri Gandharam - Ga Madhyamam - ma Panchamam - pa Dhaivadham - dha Nishadham - ni

Thank you, considered such beautiful song.

Yes he ( blue one ) is the guy in film " in hariharnagar "

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Song by. Kj.Yesudas. Raveendran master & sherrath

Yesudas has sung English, latin, russain and arabic songs and almost all indian languages about 22.Pls react

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Indian kings have no rulling power after independence; just own some wealth.😊 The actress in this song was the wife of actor Kamala Hassan.😅 Now they are divorced

'Nadharoopini..'. Song from same movie 🔥

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Mg Sreekumar not here in this version.

Mohanlal lsings in Hindustani style while Kaithapuram sings in Carnatic style.

Watch thaniyaavarthanam movie

Try to hear THIRUVILAiYAADAL Tamil film 3 songs. 1.paattum naanay Bhaavamum naaney song.sung by T.M.Soundar Rajan2.Oru Naal Podumaa sung by Dr.Bala Murali Krishna 3. Isai Thamizh nee seida arum saadana8 song sung by T.R.Mahaalingam..

Sorry.. Bro... This part was sang by RAVEENDRAN MUSIC DIRECTOR 😍

our pm is ur country jimmy, take good care of him

PLAY BACK SINGERS OF THIS SONG. MOHANLAL (ACTOR) - KJ YESUDAS (SINGER) KAITHAPRAM (MUSIC DIRECTOR) - RAVEENDRAN MASTER (MUSIC DIRECTOR) NEDUMUDIVENU (ACTOR) - SARATH (MUSIC DIRECTOR) Great Classical combo of Malayalam Music Industry. NOTE; During song composition, the Film director asked Raveendran Master, the musical Guru (Kaithapram) is arrogant so his voice must be matched. Finally Master decided to sing himself as arrogant voice.

Watch padmarajan and venu nagavally movies. They're one of the best in malayalam

Please react to the song andela ravamidi padamuladaa, telugu classical movie song from Swarna kamalam movie.

Kannada song yash ❤❤❤❤

Opacity singer kaithapram

Just try to watch the movie ` Amaram ' & recttify the song ``Vikaara Noukayumay...! '' (meaning of song is ... floating ...boat with load of an emotional things ..in waves...!![!!;

telagu song sitha ramam ❤❤❤❤❤❤

Kannada song ganish song

One of the singer is Music director G Raveendran. not M G Sreekumar.

ഇത് ഇവർ വ്യൂ കിട്ടാൻ വേണ്ടി ഇടുന്ന വീഡിയോ ആണ്.. കാരണം ഇന്ത്യയുടെ ജനസംഖ്യ... കാരണം 5മിനിറ്റ് ചുമ്മാതെ ഒന്ന് നോക്കിയിരുന്നാൽ മതി ഇപ്പോൾ തന്നെ 14k view ആയി..

I cant understand why these type of songs are forced upon the duo.Even some Indians will find it difficult to understand or appreciate this song.Its not their fault because its not to their taste or sensibility.

Could you pls react to YESUDAS POP SONG, Don't drive mad From Uncle Bun movie.. Plss, u can understand how talented is Yesudas

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