@@tritl6571 you have the tenor sax sometimes echoing the alto sax and French horns (which completely negates the purpose of a tenor sax if it's just gonna play the same part as alto) but they also echo trombones as well at times. The bari sax is such a capable instrument yet during marching its relegated to playing a part that simply is a downbeat on the tempo. Bari can do runs with the lighter woodwinds and has the range of a euphonium. Why should it be stuck playing quarter notes?
@@jetsettech8804 yeah there’s a revised version of the piece where the 2nd movement melody is removed from the bari sax but the tenor sax doesn’t have a low a key which makes the line sound worse without the bari. I have always liked bari with the lower melodic line more and it has more range to play higher or lower if needed
I find it ineresting how people like the Chaconne the most. The intermezzo and the march are 2 of my absolute favourite pieces for band. The chaconne's kinda boring for me, i still think it's a good piece.
#SEMPER FIDELIS #QUA PATET ORBIS #JE MAINTAN DRAI ! ♫♪ great ♫♪♫♪♫♪☺ BRAVISSIMO @/bisbis 🎶🎵🎼 great music! a well tuned ensemble that sounds like an organ ! Fabulous banding! Compliments! #SEMPER FI #QPO #JMD🎵🎼🎼🎶🎵🥁🎺👌👌🙏🙏🎺
This rendition doesn't cut it for me. The musical decisions established by this ensemble just don't seem to conform to what Holst likely had ideated when he composed this work.
I used it because it’s in the Creative Commons but I guess RU-vid doesn’t really care about that since I still got random companies claiming these recordings.