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Holst - Suite No. 1 in Eb (score) 

144adex
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30 сен 2024

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Комментарии : 21   
@Jeremiah_Rivers76
@Jeremiah_Rivers76 2 года назад
The chaconne is my favorite part of this incredible piece, and props to the USMB for making this recording my favorite.
@stephenchan8930
@stephenchan8930 2 года назад
the euphonium part is not fitting with the recording, especially in the second movement. It doesn't matter tho, thanks for the effort!
@Aster756
@Aster756 5 месяцев назад
i thought i was the onluy one who noticed!!
@tritl6571
@tritl6571 Год назад
Holst loves the bari sax playing low brass parts haha
@jetsettech8804
@jetsettech8804 11 месяцев назад
Thank God it was more euphonium and trombone than tuba. Bari sax echoing the tuba is criminal.
@tritl6571
@tritl6571 11 месяцев назад
@@jetsettech8804 how so?
@jetsettech8804
@jetsettech8804 11 месяцев назад
@@tritl6571 you have the tenor sax sometimes echoing the alto sax and French horns (which completely negates the purpose of a tenor sax if it's just gonna play the same part as alto) but they also echo trombones as well at times. The bari sax is such a capable instrument yet during marching its relegated to playing a part that simply is a downbeat on the tempo. Bari can do runs with the lighter woodwinds and has the range of a euphonium. Why should it be stuck playing quarter notes?
@tritl6571
@tritl6571 11 месяцев назад
@@jetsettech8804 yeah there’s a revised version of the piece where the 2nd movement melody is removed from the bari sax but the tenor sax doesn’t have a low a key which makes the line sound worse without the bari. I have always liked bari with the lower melodic line more and it has more range to play higher or lower if needed
@lovermuzak
@lovermuzak 3 года назад
Thanks for posting this version of the score. To see of these instruments listed is awesome.
@elijahvaldivia3729
@elijahvaldivia3729 2 года назад
When bass sax can't go to low G
@nyancs7098
@nyancs7098 2 года назад
And when euphoniums aren’t compensating, Gustav has high standards
@rjennings_06
@rjennings_06 2 года назад
@Elijah Valdivia That part is for the Contrabass Clarinet
@nyancs7098
@nyancs7098 2 года назад
Rickey Jennings it’s for both
@rjennings_06
@rjennings_06 2 года назад
@nyancs Yes, but when the notes go below bass sax range, contra plays it. The score also indicates when each one plays
@nyancs7098
@nyancs7098 2 года назад
Rickey Jennings yea nice
@amj.composer
@amj.composer 11 месяцев назад
I find it ineresting how people like the Chaconne the most. The intermezzo and the march are 2 of my absolute favourite pieces for band. The chaconne's kinda boring for me, i still think it's a good piece.
@dylanhatton5178
@dylanhatton5178 7 месяцев назад
Yeah march is for sure the best, I personally think Intermezzo is the worst out of the three (but still good) just because of how repetitive it is.
@geevanh4200
@geevanh4200 2 года назад
#SEMPER FIDELIS #QUA PATET ORBIS #JE MAINTAN DRAI ! ♫♪ great ♫♪♫♪♫♪☺ BRAVISSIMO @/bisbis 🎶🎵🎼 great music! a well tuned ensemble that sounds like an organ ! Fabulous banding! Compliments! #SEMPER FI #QPO #JMD🎵🎼🎼🎶🎵🥁🎺👌👌🙏🙏🎺
@teddydunn3513
@teddydunn3513 6 лет назад
This rendition doesn't cut it for me. The musical decisions established by this ensemble just don't seem to conform to what Holst likely had ideated when he composed this work.
@144adex3
@144adex3 6 лет назад
I used it because it’s in the Creative Commons but I guess RU-vid doesn’t really care about that since I still got random companies claiming these recordings.
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