What I love about your version is that it was simple and left plenty room for add-ins that can further open the song. Great cover and Gadol Elohai my brother
Great playing! I played a made up on the spot version with the team last night after only hearing the song a handful of times, but after hearing your take I am inspired to dig a little deeper. Thanks for the excellent instruction and clarfication. Very nice.
For anyone trying to follow along with this video. this videos sound is in bflat - but the video shows him playing it in b - just move everything he does a half step higher.
@@playworshipguitar these dimarzios sound up my alley coming from the metal world and enjoying my distortion haha. I've noticed theres not as much grunt to the Cremas for even some types of punk rock (though I have yet to try their grinder version of the crema) Really dig this tone.
Thanks so much! My strat has Joe Satriani's signature DiMarzio pickups, Mo' Joe in the bridge and PAF Joe in the neck. I'd say that's the biggest factor in the tone. The "amp" I'm running in this is the Dumble-style in the Atomic Ampli-Firebox, and I'm using a simple pitch effect from my HX Effects that mixes in an octave up, maybe around 50% mix. The pitch effect is only in the main riff.
Thank you! I guessing it was probably my standard delay settings, possibly some minor changes. 1/4 note Transistor Tape, feedback 46%, mix 23% into a dotted 1/8 Vintage Digital, feedback 24%, mix 28%. Both of those delays are in the HX Effects after the "amp" which is in an effects loop.
You're right. The original is in Bb, but I played it in A just because that's how we do it at church. I just didn't think about that when I recorded it.
@@playworshipguitar Excellent!!! Finding this in A is helpful for me as I have to learn it in A for worship this Sunday... playing it for the first time... God's timing... perfect!!! Thanks bro