So what's your favourite Richard D James song, album, project, story, whatever? Please comment down below! Trash Theory playlist - Spotify: tinyurl.com/yxp32pjf Apple Music: tinyurl.com/2p83px9m Deezer: tinyurl.com/y2mdp8h2 Also if you want to help support the channel, here's my patreon link: patreon.com/trashtheory
I'm pretty sure there's a Pampers advert with Girl/Boy Song as the background music - without the beats, but the strings and bells ambient part. Looking at the other ads with his stuff, it's a lot less weird to think "Aphex Twin is selling nappies".
I don't usually find the Aphex Twin albums very good, I mean, all his discography is kinda mediocre. But the album Druqks is seminal, is maybe one of the best pieces of music ever written, one that I could listen everyday for the rest of my days and never get tired... Because I already tried.
Aphex went a bit more into the Lemonheads story in a later NME interview. Apparently the label came back to him to ask him why the original song was nowhere to be heard, he told them he speeded it up so it was only a third of a second long and used it as a snare sound.
We (Pussypower Productions, basically me and my bro Jason as DJ’s and promoters) booked Aphex Twin to play at Club Industria in Glasgow in 1993, for £500 from Eddie Richards Dynamix Agency. Once they’d showed up, just him and a dancer/DJ if I remember correctly, and the gear was all set up in the club, Richard came home with me to my house in Cranhill in Glasgow’s East End to chill out before the gig. So I had Aphex Twin in my house, messing around, mixing a few tunes on my decks and drinking cups of tea and talking about our favourite 12”s that were out at the time! This was when he’d only had a few 12”s out himself and his first LP had just came out, so he was well known and respected in the acid/techno club scene, but wasn’t yet “THE APHEX TWIN” (“we are not worthy”, “we are not worthy”) with the God-like status he has today. He was a quiet dude, just relaxing before the gig. But the maddest thing was that his mum and dad were on holiday and touring around Scotland at the time, and just so happened to be nearing Glasgow, so he asked if it would be okay if they came up to the gig! So we stuck them on the guest list and they showed up!! It was the first time they’d ever seen their boy “doing his thing” in a club! They were dead cool too, just sat at the bar talking away to the everyone, and having drinks bought for them all night! It’s mad looking back at it now, out of all the gigs we’ve done over the years, that was the one I wish we’d filmed the most! But hindsight is 20/20…. His dad actually called me the next morning to thank us for looking after them, and for such a great night, but unfortunately I was still unconscious after the mad night before and missed his call, and didn’t get to speak to him in person, but fortunately the answering machine was on and he left a message thanking us for the great night, in his thick Cornish accent! (Which I still have on the little cassette those old machines used!) Which was funny because his son didn’t have such a strong accent! I’ve played at and promoted some amazing gigs over the years, but that was one of the best!
@@ernestoh429 Yeah, “the Man, the Myth” right enough! He also gave me a test pressing CD of his first album, which is really just an actual CD you would buy in the shops, but without the printing on it, so it just looks like an empty CD! I should’ve got him to sign it!!
Ha amazing. I was there and remember him crouching on the floor behind a taped up black and white telly. What a time. We (State of Flux) supported pre-Bytes Black Dog at the same venue just a few weeks before AFX. Andy and Ed were just kids. So much fun.
My Aphex Twin story is a bit different. I've been listening to him since about 1990, but my son is another story. When he was a couple months old, he was having problems with sleep terrors. So I would play 'Selected Ambient 85-92' every night before putting him to bed. I would wrap him up in a 'moby wrap' to my chest and dance to the album humming the bass parts. That was 17 years ago. He has listened to the album EVERY NIGHT ever since. It eliminated his sleep terrors. So, ... doing the math... he has probably listened to that album more than anyone on earth. Over 6000 times. Ive worn out 2 cd's. I shit you not.
I listened to volume 2 at night, every night, for most of the 90s (I bought it when it was released) and well into the early 00s. I used to joke that it was the most played CD I had ever owned.
Windowlicker really is the epitome of everything he worked on coming together into one song. It's probably the song I relisten to the most because of how chopped up and sectioned it is but also flows together very nicely as well
@@anatta467 Was it intended as that? It's easy to laugh, it's easy to hate, it takes guts to be gentle and kind. It's easy to stand and point "ha ha!", but that's why nobody likes Nelson. Not everything has to be ironically detached and sardonic, just to prove you're clever by "fooling" people into... what... thinking you meant what you said? I thought we were past that horrible bullying attitude with irony and post-irony all over the fucking place, I thought that had died with the 1990s. OK maybe it lingered on a few years after. Perhaps he wanted to make a good song that people might like? Perhaps he wanted to see if he could do it, instead of making music for snobs and weirdoes and ironists. Wanted to see if, if he decided to, he could make successful pop music. And he can! Did it twice, to prove it wasn't a fluke the first time. Then went back to sampling badgers farting slowed down 100x with the "I Have A Dream" speech sped up 500x to use as a snare. Everything sounds like a snare if you play it fast enough.
@@damotheman4196 I don’t feel old, except for when I see teenagers giving me the side eye. Makes me want to seduce their dads so they have to cal me “mummy”. PS I mean none of that, I’m a nice person, I’m just autistic and say what makes me laugh 😘
@@Happinosis 😂 maybe they're giving you the side eye because they wanna seduce you! P. M.A (i employ it a lot in my day to day life, i.e- if im standing barking in the middle of the road shouting at traffic and a car beeps i immediately think "they must like my trainers" and continue to terrorise the traffic 😉😂) im 37, im starting to feel old! Glad i came up when i did though... Good music, good dancing, good drugs and horrid mornings. 😊
Aphex Twin was a necessary component of the development of electronic music. Rebellious and infinitely original. I don't always like his music, but in the words of Beethoven: music isn't always designed to be beautiful or give you joy, sometimes it's meant to challenge your perceptions and the way you listen.
Do you feel this way about all electronic dance music, or just his? Because if it's just his, then yeah, I get it. But if it's all electronic dance music, then there is truly something you dont understand.
I think my favorite thing from Richard is his self-awareness. He seems to have always known exactly what he wanted for his music career and stuck to it. A lot of producers would've killed to work with Madonna, but he blew it off because it didn't interest him and it went against his feelings. It's commendable for someone of his stature to be so true to himself.
I remember that story when i was living in the Netherlands back in the day. The story popped back into my head last week as i was listening to Madonna in the car.
still Chris Cunningham is a big part of his life and the fact he created videos for Madonna ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-XS088Opj9o0.html and Aphex ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-eRvfxWRi6qQ.html is something I really admire
Absolutely agree! Heliosphan is a masterpiece. The epitome of atmosphere for me. My favorite version is: (Live @ Shinjuku Liquid Room, Japan, Tokyo, February 1, 1997) [Proshot] . It's on youtube.
Met the man and shook his hand. Wrote the interview questions but wasn't allowed to do the interview. He did answer all the questions. Great dude. He was on a tour with Bjork. It was fantastic!
My gateway to Aphex Twin was Chris Cunningham. I wanted to make music videos when I was a kid and when I first saw his Aphex Twin videos it blew my mind…and then I thought I’d listen to more. Really loving lots of your recent NBC vids
Everytime I hear Richard's music in all it's forms I am overwhelmed by a feeling I can only describe as nostalgia. It's not that, and it is. At one point in my life I owned everything I could from him, singles, records, cassettes, cds, mp3s, from all his monikers. It changed the way I viewed life, the way I viewed myself. It was more than "what a brilliant song", it was like listening to someone speak to you in another language and yet somehow you understood on some primitive collective conscious level. Maybe this is too heady of a response for a youtube comment, but I thank you for leading me down this rabbit hole again so many years later, and revisit these emotions I've long connected to Richard's music.
Same. No single artist has had as much impact in my development as a person as Richard's music has. I'm confident his works will be studied for long after he has left this world.
Totally agree. Like you, I too had all his music from an early age. SAW 1 was the first thing i bought back in the early 90's and it was soooo different to any other electronic music, it was clear this guy was nothing short of a musical genius way ahead of his time. I mean, here's a 16 year old kid creating tracks like Xtal whilst everyone else was listening to shite like 'C'mon Eileen'! I had the pleasure of meeting him a few times at various raves in London in the early 00's. And now, every time i hear his tracks, i too am overwhelmed with a sense of nostalgia. God i miss those days!
Not too heady at all. I'm sure there are plenty of people who are elsewhere in the RU-vids leaving similar comments about some Pink Floyd track they listened to over and over again in their prime. Personally, someone else's words that they honestly wrote for themselves don't speak to me as deeply as instrumental music. I have a lot of "post rock" music from my late high school and college days that was as essential to my day to day existence as food and water. But I evolved. Fifteen to twenty years later, I've revisited some of that music and have felt only echoes. Sometimes I feel nothing at all. Interesting how that all turns out.
I’m a particular fan of Xtal, and the story that the tape hiss, popping, and sound artifacts were caused by his cat getting a hold of the master tape and mangling it a bit. You can’t add that with plug ins. Also that he composed some of the music for that record in lucid dreams, woke up remembering what he made and recording it again. Unbelievable. Well, after watching, you brought up both those points. Grazi
@@djvoid1 the best i get from my dreams is a cat mangling my face, except the cat is my mom, and my face is made out of Mt Fuji and there all these miniature luigi's mansion luigi's sucking up all these ghosts at my feet. I made a song about it but it's not very good also if you finish your cat tape mangler vst plug in please send me a demo code, I could really use the help, I haven't been able to force my cat to mangle my tapes very much anymore
@@mobius273 i honestly got pretty into devo for a while when i was younger, before i had any clue what their deal was. then i got embarrassed about being into them. then i learned about the point they were aiming for and am half back on the train lmao
@@mirmalchik i find the total self awareness and the complete lack of shame they have about themselves super interesting honestly. Like they've weirdly made selling out as much as an artistic expression as anything else they do imo
Absolutely! One of the greatest albums I have ever listened to. It takes me to my happy place everytime. I love it so much! Also his Richard D James album is amazing.
Really enjoyed this video! I've been a massive Aphex Twin fan from a young age. I'm also very happy I FINALLY got the english translation for the french vocal sample on Windowlicker!
The difference in Aphex Twin music, is that he is not just creating sounds in a new and clever way, like the most experimental musicians do, He is actually expressing emotions, feelings and vibrations, making his music reach you, the way a good music manage to do.
I only got into Aphex Twin about 2-3 years ago and what astounded me is that even a lot of his work released in the early 90s still sounds completely futuristic today. His innovation in electronic music is absolutely inspiring.
All the clips individually make him sound like a narcissist, but when reassembled, they become a timeless critique of pop culture. About fame, and social heirarchy and how people bow down to the biggest and the most well known. To influencers. It's almost as if Aphex Twin wanted to punish obsequious music followers. But like any counter culture, it gets folded in and becomes part of the culture.
you may be looking into it too much and thus becoming part of your synopsis.....he made music how he wanted, dead easy - FUCK THE REST - nowt wrong with that, in fact it is how it should be
@@jnbeatnik it depends on on our operational definitions of "narcissist" and "bad" LOL If we define narcissist as the DSM-5 "narcissistic personality disorder" then yeah, they tend to be at minimal rather challenging. And Richard James definitely DOES not fit the criteria for this disorder. He cares not for attention and is rather shy. He displays none of the 9 criteria for NPD (of which 5 would need to be present). As for "bad", they are not all like Trump or Musk. Allegedly Madonna Ciccone has NPD, but I think same thing- she is just a Leo. If she DOES have NPD, I would place her in the "NOT BAD" category, as she used her need for attention to become famous. However, I never dated her. LOL RDJ though- NOT a narcissist. Just a cool clowning around mellow dude, who is probably lying if he speaks. I personally think he does it to stop people from trying to interview him, because he does not want to talk, he just wants to make music. 😁 "Maybe narcissists aren't all bad?"
Aphex Twin lands exactly on my wavelength a couple of times, but I think "Rhubarb" is not only one of his best songs but also one of the best songs in general. I think that song has a transcendent beauty, that is impossible to describe using words.
Trippy ass video for sure, the trippiest one I’ve come across is “Rubber Johnny”. I forget the name of the song but it’s in Cornish with a lot of seemingly random characters
Aphex is my personal mental doctor for many years. I don’t know why, but his tracks are about my past, future and present at the same time. Thank you, Richard and Thank you, Author of this channel for this video!
Oh boy. "I like to make dog food ?" NO ! it means "I like to make dog crockets" or something like that, depending what "croquettes" means exactly. But this sentence is definitly way more tricky and bizarre than just cooking.
For me, it's I Care Because You Do. Growing up in rural Louisiana, that album, no hyperbole, changed my life. I still get goosebumps when Acrid Avid Jam Shred comes on. Very warm place for me.
It's good to hear an artist in this field reject the label "Intelligent Dance Music" based on the wording alone. It's kind of a shame a term that snotty is one that's used so regularly.
I can’t wait to finally dive in this man’s discography. He’s got such a diverse style to his music but it always has this methodical and contemplative demeanor.
It's probably a bit overwhelming but I'd start with Syro, then Selected Ambient 85-92, Richard D. James Album, and then Rushup Edge. Those four albums represent a few different styles that he's known for and act as good points of reference if you prefer one over the others.
The thing I love about aphex twin stuff is even when it’s messed up, crazy, noisy, kind of weird. It still has a certain groove to it and even has a kind of hook to it.
Epic documentary, i listen so much to his music in my teen days in recent time not so much, after this documentary i will revisited all of his albums, you inspired me to do that, and my favoritealbums are selected ambient works but i prefer more part II.
My entry to Aphex twin was by my high school art teacher. He first played us 4, I remember being so mystified and intrigued. Then he showed most of his other work. Truly genius!
His output is dizzying and often difficult to digest. That said, there's a genuine brilliance to his work. I appreciate that he took the piss out of the industry as clearly he was more into sitting at his workstation and making sounds.
Back in the late 90s - early 00s the Warp guys were VERY heavy in my rotation. RDJ, Boards of Canada, Autechre, Squarepusher. It's still some of my favorite music ever made. My favorite Twin track - To Cure A Weakling Child. I had no idea it was licensed for commercial use til this video.
@@futureshocked I can agree that Autechre was more hit or miss than the rest. But they put out so much music that it really didnt matter. It just took a bit more effort to curate the tracks that I really wanted to hear over and over.
I remember getting into Autechre for a little while cause I was starving for more Warp type stuff. I think the idea with them is that they've hidden a nice melancholic melody behind a metric ton of glitches and overbearing beats, and if you listen to one of their tracks enough you pick up on it and have an eargasm or something. I ended up falling off them cause it was too much of chore to get to that point. I still love Gantz Graf, Dropp and of course Eutow.
I was in fourth or fifth grade when Girl/Boy Song came out. I overheard my oldest brother listening to it and fell in love. It was entirely enthralling to me, everything felt so unpredictable but intentional, it was like sinking into another world. I'd never heard anything like it before and I couldn't get enough. I remember recording a copy by holding a walkman-style cassette player up to the speaker while it played, and then I listened to that on the way to school and in my room. That was the last year my older brother lived with us, as my parents caught him using drugs and he ran away from home. Afterwards, anything that was even remotely aberrant was strictly banned from the household, including all of my brother's music--including Aphex Twin. But I never forgot that song, and the melody of the pizzicato strings, much like the trauma my family endured after my brother's absence, continues to haunt me 25 years later.
Such a great guy. Met him in Orbit in Leeds. Sat off my head next to his feet whilst he played tracks. He let me stay there. Wasn't bothered. 😂😂 Met him in Manchester and the doormen wouldn't let us meet him but he told them to let us on stage. He spoke to us whilst he started packing up his stuff. He said are you going to the Leeds gig and said I'll put you on the guest list but we had already got tickets. A top guy.
Back in early 2013 I was a dumb teenager listening almost exclusively to pop-punk. Somehow or another I kept seeing the artwork for Richard D. James Album and finally decided to figure out what the hell I was looking at. The night I BOUGHT the album on ITUNES (zoomers will never know this feel lol) I had to go dig my car out of the snow and decided "Yeah I guess I'll listen to this now." I was digging the snow out, but as soon as 4 started I was blown away, this was nothing like my beloved 90s alt-rock. I think I must have replayed 4 a dozen times before I even got to Cornish Acid. As soon as I got done with shoveling I went back inside and started searching the internet for more stuff like it, eventually branching into all different types of genres of dance, rock, hip-hop, and even world music. Aphex Twin is a living god to me, if it weren't for him I might still be listening to only Green Day, Bilnk-182, and Fall Out Boy
One thing that still annoys me is that despite its popularity, Electronic music still isn’t as widely respected as it should be. Innovators like Aphex Twin and SOPHIE are musical visionaries on the level of people like Jimi Hendrix or Paul McCartney. Hopefully that changes going forward.
it has 2 problems: the makers dont usually wanna do proper interview or public image so they are just a name and the artist's life is short in the big lense, rockstars get recognition after being 20-30 years in the public lense, in electronic music 10 years old stuff is just too old for the media.
There was so much I'd forgotten that he'd said and many things I didn't know about RDJ's life in this documentary - Good work man. I'd have to say that "Drukqs" was one of my favourite collections of his work: It has it all from the mashed up beats, haunting & beautiful melodies to serious compositions. It's possible that "Mt. Saint Michel + Saint Michaels Mount" is a favourite one from that. It's a beautiful place, I ended up visiting the place years before I knew of his music.
I really like the way you speak, it's so easy going and understandable for non-native persons. Thanks for your work. Your documentary was so interesting!
I love his resentment of "influence". When I was studying creative writing, we talked about how influence is inescapable. When you consume another artist's work seriously, it becomes part of your own art. Contamination is unavoidable.
Pretty well-researched, nice work. There’s room for a few more things too: the epic Rephlex records; the poor initial reception & later recognition of Drukqs; the quietly huge Analord series; The Tuss; fan covers by the likes of Alarm Will Sound, The Bad Plus, and tonnes of RU-vidrs; the recent SoundCloud releases and several huge live gigs connecting back to the fanbase etc
Yeah it would be great to keep adding to this film.
2 года назад
I once heard a recording of Aphex Twin slowed down by 800%...and I thought, wow, another dimension. And so it is with all his music. You can always find a new dimension in his work.
I was a teen when i first heard about Aphex Twin, i was in a Virgin megastore (closed since then), listening to his whole "Drukqs" album. Musically the biggest slap i've ever got in my entire life melodious, powerful, abnormal, mysterious. Then got back home and checked Richard's discography i was amazed by the diversity of his projects, no linearity unlike "normal mainstream music", like he said instrumentals are not limited by words hence a wider creativity. That's a thing i like about this type of music, to be surprised and not get stuck in a routine.
It’s funny that Come To Daddy was seen as a NIN parody because, as a huge fan of NIN, that’s the exact song that got me into aphex twin. Even funnier, I’ve always felt that NIN’s The Great Destroyer sounds heavily aphex twin inspired; but maybe it was a case of Trent being inspired by a parody of himself, lmao
Aphex the goat! This video was spot on! Gnarly little mention of Spectrum48K beats too which is wicked and crucial to his time! Aphex twin is our modern Mozart!
Hey thanks for making this, I've been a fan of his since 1993. As an American, he was the most notorious and difficult musician to track down his work in the states. Also, it was quite maddening to try to figure him out as an artist, since he mostly stayed in the UK, and his interviews were nonexistent even in the early internet days.
Windowlicker Little clarification about the 27.50 bit : "J'aime faire des CROQUETTES au chien " "J'aime faire des croquettes" -> it means " I like to make DOG/CAT FOOD " because croquettes is the generic name of these dried bits of veg-meat mix, and is a name used for dog or cat food, in French. Then, "AU chien" -> it means "out of dog", or at least "dog flavored", like when we precise the aroma of a dish (chocolate cake -> gateau AU chocolat). So these bits (croquettes) are destined to feed either dogs or cats. So it means either the lady enjoys making croquettes out of dogs (meat - what else ?) to feed it to dogs (rough canibalism, makes me think of Soylent Green) but maybe to cats, (eating the mighty dogs ennemies prepared with love by our human ally) which makes me wonder which one is the weirdest, and both is also possible. It could also just be DOG FLAVORED., fed to dogs, fed to cats., fed to both. An ersatz, so to speak. The sentence sounds weird in French, enough to vaguely catch your attention until you realize what it means, which is gradual due to multiple interpretations. Well played, lady, well played...And her guy obviously likes details. Unless he isn't himself fully aware of these multiple possible interpretations ? It's a subtle language, a misstep and you'll sound either crazy or perverse, quickly (aren't we all when speaking foreign). So in short, it's not as gibberish as the voice says, although sure, it has fuck all to do with the title itself, but it's not totally random, just a clever funny confusing little sentence whispered between confusing beats and sounds in a funny clip made by clever people. Love the california mocking general vibe of it, glamour, pussy, coke and long cars ridiculed. I'm French, of course (de vélo). Class dismissed, bisous.
Hey, in fact this isn't the correct sentence, idk how the video can be wrong and give a wrong explanation to it. His girlfriend said "J'aime faire des craquettes au chien", which means hugs. So basically just hugging the dog. I just want to add that A.G Cook might be the new Aphex. I would advise to give a ear to Naked Flames, too. Two young talented artist that might grow up. I am eager to see what they gonna bring to the music world.
In 2002 I was in college, tripping on mushrooms at a friend's house. He threw on the video for "Come to Daddy" and it felt like I was being sucked into a pool of madness. I was on the brink of actually losing my mind, but I overcame it, yet it is still vividly entrenched in my head 20 years later. Like or hate Aphex, you cannot deny his effect on the music world.
'Come to Daddy' was a horrible piece of trash and that video traumatised me at the time. I'm sure I'm not the only one. Some of his stuff was memorable and there's no doubting his talent with hardware but he made more bad productions than good, in my opinion.
Selected Ambient Works Volume 2 will forever be my escape of this mad world. I've have listened it everywhere I went and I still listen it in all kinds of mental, spiritual, land and urban scapes, currently in some wild wild desert in northwest Argentina while doing my field ethnographic inmersion - it allows me to create and think in kind of every physical and mental state possible. Thanks James, for real. We will probably never meet and I really don't care... still I think of you and Boards of Canada as good and closed friends, the ones that get you without a word. And I don't really care if you keep making music or not, what you have done is eternaly present and I thank you for that. Cheers!
@@austins.2495 hope you feel better now my friend... just take it all out and do yourself a favour by listening again to Selected Ambient Works Vol.2. If you need to keep judging I'm here, I'll give you attention. You're not alone. Let the hate go. Ups, my crystals are calling, some important astrological event is coming! Have to go! Bye bye and good luck improving that need of yours! Listen some good music and read some Levi-Strauss, or Roy Rappaport, or Durkheim, or maybe Ernest Gellner, yes read the Gellner essay on Wittgenstein and Malinowski, it will do wonders for you!
@@austins.2495 hope you're feeling better now my friend. I'll give you attention, I'm here for wherever you need. Approval? Cognitive superiority? Comic validation? Afirmation of the self by destruction of the other? I'm here brother, no matter. If you have ever listened to Selected Ambient Works Vol.2 you should know we belong to a certain category of people who finds sound more insteresting than music, so no need to judge like a low self esteem kid growing under domestic violence who feels insecure in a desert rave. Now...oh, sorry, my crystal is calling! Aparentely some major astrological event is about to happen, got to go my friend! There is money to be made out of desperate people! For social judgment and recognition of "types" of "dude" (being type an archetypal category of the psyche and not a social class) I recommend you reading some Levi-Strauss, or Roy Rappaport, or Durkheim, or Max Gluckman, or Evans Pritchard or maybe Ernest Gellner. Yes, defenitely go read the Gellner essay on Wittgenstein and Malinowski, it will do wonders for you and it will improve your ability to judge others in social networks with scientific basis rather than with emotional burst of whatever is happening in your life. When projections of self criticism are this evident is never a good sign my friend. Cheers
I've been listening to electronic music since 1991. Saw this man live in 93. He gets a lot of props, and rightly so, for his broken beats but he also made some great techno. One of the greatest tracks back then was Polygon Window - Quoth. Absolute steamrolling banger.
Yep, I think people misunderstand his role in the very influential more melodic UK Techno too. In fact that whole era isn't recognised so well imo. Black Dog, B12, Stasis, Degiorgio, Bernardi, Nuron etc, that early 90s to mid 2000s was on fire, release after release of timeless stuff really!
Ambient works Vol2 is probably the best album I own. To come back to again and again, it feels fresh and always hits the same spots without fail. I can take or leave a lot of his more manic stuff - but I've never heard anyone manage to reproduce the kind of texture and nostalgic magic of that album.
Richard D. James might be the best musician of my lifetime. The awe and respect I have for his music and the impact it's had on me is immense. As someone that didn't get too deep into electronic music, his stood out above the rest when I first discovered him in the mid-late 90's. He's right, there are no words for his music, you just need to listen.
I still listen to a heavy rotation of μ-Ziq and Aphex to this day. Brilliant soundtrack in any situation, fantastic soundscapes from these 2 composers.
I'm going to have to do a dive on μ-Ziq soon. Richard is favourite artist but I think I've heard like one track from μ-Ziq. Can you recommend a couple that might be great introductions?
@@gimmedimmy6533 Expert Knob Twiddlers. It's Mike Paradinas and Aphex. A great album of absolute nonsense. Also, check out the early works of Plug/Wagon Christ. Very amen-heavy but has the same vibe.
@@thirdkind1543 Tango is his best work until today, when I heard it for the first time, I was completely blown away. Also listen to Kosmik Kommando - Freaquenseize.
when i saw the orb play in detroit they did little fluffy clouds but without any of the samples! no "they went on forever...you might sill see them in the desert." - no nothing. it was completely different and i don't know if they were sick of it or what but that just really surprised me... pomme fritz was my favorite.
I remember the first time I heard Xtal at my friends house... It was mind blowing, it was so beautiful and magical for me at the time (I was around 17 years old, so in 1999), this music was touching me in a way I've never felt before. Aphex Twin opened a whole new world to me in music, with Selected Ambient Works 85-92 and love him to this day because of that. Also got completly addicted to Come to Daddy and Windowlicker, of course!
FINALLY! Been asking for an episode on AT for ages, not that he made it because of me, but I'm so happy for 30+ minutes worth of history on this interesting guy
I lived through the 90s and remember having to endure FKING "Children" and otehr garbage. Donkey rhubarb (which I still love) was the first I heard of AT. I still listen to him.
@@mirellatorrisi1397 Big up for being an OG fan. Speaking of "Children" I still like it although I'm more of a dnb/jungle guy, and on that note I thought only The Prodigy retaliated "against it" with "Poison", but cool to hear dnb inspired AT too to make something radically different.
I remember as a teen, how mysterious this scene was. We were warned by many preachers that this was the new Rock and Roll. This only just added to the mystique.
The Come To Daddy EP is exquisite, especially Bucephalus Bouncing Ball. I’d never made the connection between Aphex Twin and Minecraft music, but my youngest loves things like C418 and Stahl or whatever they are. Maybe this is my window into getting him into good music!
I discovered Aphex when my dad's friend played "...I care because you do" that had just came out, in the car on the way to dinner and I instantly fell in love. been listening to him ever since. I love the Richard D James album most of all of his LPs, but The Tuss and the AFX Analord series was also under incredibly heavy rotation. I love all his work and can't wait for whatever he puts out next.
Like a lot of Americans, I was introduced to Aphex Twin through Come to Daddy airing on MTV. I was more taken with the video than the music. Around 17 when I started getting into electronic music is when I discovered his other music, which I preferred and loved. I've always been curious about James and his career so this doc is fantastic. Thank you for putting this together 👍🙂.
I remember crowding around the TV with my friends when the video debuted! I had never heard Aphex Twin before and couldn't even comprehend it at the time.
so glad you did this vid. early uk dance music (acid house, jungle etc) be a rlly good companion to this vid and would bring some attention to the black roots of a lot of afx music
Who could pick a favorite? He's put out like thousands of hours of music for every mood, quirk, phase, or moment. I love it all, it's been one of the most enduring presences in my life. My friend sold me the Nine Inch Nails album "Further Down the Spiral" for $10 because he didn't like it, and the moment "At the Heart of it All" came on I was like "oh that's the best fucking thing on this album by far" and I look through the liner notes to find it's from "Aphex Twin", and I went to a local alternative record store the next day and was like "give me everything you have form this guy." 25 years later, I still listen to everything from Power Pill to his Soundcloud dump. Thanks for making this episode. The more people find this music, the better.
fantastic video. aphex was a huge part of my high school years. listened so so many of these albums on repeat. this video was definitely made with a lot of respect and passion for his music. i learned a lot i didn't know as well. much thanks.
Man I have listened to most all of his released stuff , and to hear he has stuff unreleased that's even crazier makes me want to cry. Think of the all the sounds we haven't heard
He released a bunch of tracks on soundcloud and a webpage which address can't remember now. It is funny, most of its music can be heard on that webpage he did.
Aphex Twin is one of the greatest who ever did it, no doubt. I've got instantly hooked on his "Xtal", which popped up on RU-vid randomly (thus becoming the first song I've heard of him) becoming one of the best songs I ever listened to: it's beautiful - that beat makes me wanna dive into something very essential and of a big importance as well as making me feel melancholic. There are certainly not so many artists like him and I'm glad I got to know more about his persona
The only whole record I really loved of his was Selected Ambient Works Volume 1. His other records , I loved selected tracks. But just last year I discovered that he's made so many recordings that I don't think anyone will ever hear it all. I like his style though- he always does things his own way all the time. I love the way he talks about music. He's quite intelligent.
I have a good friend who's a HUGE Aphex Twin fan, and has a great story about the time he met him. So, my buddy gets on a train to London, settles in his seat, looks up at the guy sat opposite him and without thinking blurts out "Holy shit! You're Richard D. James!" to which he got a surprised "Yes I am". Now, being an affable type, my mate got over the shock and engaged James in conversation. About a half hour into the journey, James rummages about in his bag and comes out with a brown paper bag which he proffers- "Would you like a sweet?" "What are they?" "Steak and cheese!" comes the reply with that trademarked giant grin. James explains that he "Has a sweet guy" who makes him sweets of various weird flavours. So my buddy takes one. And sure enough, tastes like steak and cheese. Sweet steak and cheese. My buddy excitedly phoned me to tell me this story after getting off the train, and capped it with "Honestly, I'd have been a little disappointed if they'd been sherbert lemons or something".
me too, it resonates at such a deep level to me. takes me back to the quiet summer nights, behind my computer, with the window open, feeling a breeze, hearing distant noises, while the track meanders through time.
I watched this the whole way through. So inspiring and a real insight into an outstanding artist. The quotes really added to the authenticity. This really inspired me to make music. Thank you
Brilliantly put together. Love Aphex Twin which is what brought me to this video, but had never heard of squarepusher. Got me well into him. Absolutely mind blowing. Thanks for that.
I was in this band in 1983 ,we formed in outside Jaffa Israel in some depressed part of town . I was a typical thrash punk drummer but the other guys were influenced by Brian Eno Chrome and other stuff i never heard of .. they said they wanted to make music for the next century. The guitarist was a music sound tech grad and the other guy was just out there.. we used Synth distorted guitar, heavy bass and i played psytrance-thrash tribal beats. We moved to SF and was well received.... Band name ,PMS. I never really understood where they wanted to go with the music until later about 15 years later when i started to hear stuff like this....those two guys were way ahead of their time and had a distinct vision of musical creativity
I was lucky to see Aphex live around 2005, 2006 I think. I don't remember much about the gig, just an overwhelming euphoria at getting to hear one of my absolute favourites live. Windowlicker will always be, in my opinion, one of the best songs of all time. Awesome video 🙌
My story with the AFX began with the recommendation from a friend, who suggested me to listen to Selected Ambient Works 85-92, which I did while doing some homework, but I couldn't remember anything from that listening session, so about year later, in mid-late 2020, I've came across some article about AFX and his music and got really impressed, so I've decided to give it another, proper full-focus spin and it clicked, it just clicked. If I had to describe the AFX to anyone i'd call him a mad sciencist, the perfect mixture between a complete freak and genius.
I remember first discovering aphex through Further Down the Spiral, and I Care Because You Do came out around that time, so I listened to a lot of both, coincidentally around the same time I tried LSD. I still remember my friend James yelling “STOP THE NOISE!!” when we were all listening to Ventolin during an early trip… hilarious… I was 15, and all that Warp stuff was our soundtrack for those formative years (in the US btw). I remember going on a trip to Europe in 96 and being blown away when our British tour guide told me they were so big in the UK that there were Aphex beach towels etc.
This is by far the best music channel on Ytube, you guys create amazing and diverse content, it’s just perfect ❤ If you could just do fade ins/outs on the musical excerpts, that would make the experience much more enjoyable - even though it already is the best content on RU-vid 🏄♂️ Thanx guys 😎
I love your videos. Not only do I get to intimately know the main subject artist, but you introduce so much additional artists I’ve never even heard of that my future watch list just keeps getting longer and longer. Great stuff, thank you!
His ambient tracks are ridiculous and beyond words. Used to listen to selected ambient works every night to fall asleep. Thanks mate, your music helped my onset insomnia for years. Simplistic, gorgeous and intuitively soothing. Bizarre how some of his tunes feel as if you heard them for years but just did for the 1st time.
Aphex is a musik God for me. No other artist has made my ears and my soul travel that far. My heart raced for 36 min. = really great documentary. Thank you so much🙏
Aphex twin blew up worldwide with WindowLicker the video. End of story. The Orb was equally pioneering as him with ambient. so was Autechre, Aphex FOLLOWED the jungle IDM styles with his own interpretations, as a re-invention of his ambient style in 95 or 96. Aphex has more counter culture style and has worked with world-leading shock-art video producers. THAT's why he's very famous. He also didn't produce any famous tracks in rave styles whatsoever, even though he wrote only rave styles for quite a few years, which were completely similar to other acid techno at the time.
