How do you identify different Ragas? | VoxGuru ft. Pratibha Sarathy 

The graphics guy makes you stand apart from the others.. Kudos to him/her

2:06 2:25 2:38 2:49 that's too much knowledge for free🙏 thank you ma'am.

My new found love for classical music is all bcuz of vox n Ms.sarathy 🙏👍

Nice lesson,Thanks madam. The best way of identifying the Raags is listening of Classical music either Carnatic or Hindustani. I used to listenCarnatic &Hindustani music for 10 years Continuously through Radio. I can identify any Raag for Both music. I am not learned any type of music then.So listening of music is best way my point of view.

Mam,with respect Your smile is so wonderful.In these sad years It’s a glimpse of joy.

Thank you for presenting an excellent overview of understanding 'raagas'!

Nice demo of differentiating gamakas. The title of the video readily attracted me. As soon as it started, it was clear that it is for people who can identify swaras, i.e., those who have formal training in music. However, there are people who, despite not being able to identify a single swaram (note), can identify over 50 raagas, sometimes within seconds through aalapana, kriti or swarakalpana be it vocal or instrumental. This is what they said about the subject: “The prerequisites are passionate and attentive listening along with decent memory built over a period of time. Here is the formula for identifying a raagam: If a song ‘A’ is sounds like a song ‘B’ and if the song ‘B’ is in raagam ‘C’, then ‘A’ is likely to be raagam ‘C’. (Mathematically speaking, if A = B and if B = C, then A = C; which is known as transitive property of equality). It requires skill to relate song A with song B, memory to recall song B with its raagam C and passion to link song A to raagam C. (The item ‘A’ need not have to be a song (kriti) but can be an item such aalaapana or swara kalpana.) This method has good success rate, though there can be exceptions.” Enthusiasts can watch an excellent video by veena vidushi Dr. Jayanthi Kumaresan about identifying raagas: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-g4llzlnr-AI.html

Thank you so much for this awesome video. It was very helpful.

also helpful are three or four essential phrases of a raga which needs to be memorised and listened to regularly until they become easy to identify.

Excellent teaching of critical things in an easy way 👌👌👌👌👌👌👌

Perfect ..very good ..God bless you....

Hello ma'am. Very nice presentation. The way you did for ga and demonstrated, could you show for other swaras as well?

thank you, mam. Your videos are very helpful🙏🙏

Thank you for such informational and beautiful videos❤️

Good info! Thank you!

Nicely explained Ma'am, thank you

Very useful information 🙏

Learned a lot. Thanks 🌷

Thnx mam 😊.... Very helpful 👍

amazing lesson thanks mam 🙏❤❤

Thank you, amazing world of Indian music 🧡

Interesting.. thank you

Very nice easy to to understand

Unique way of explanation 🎉 thank you...

Tq Madam,Learning alot from your videos.

Love the logical explanation !

Ur teachings r very useful as a composer I feel very helpful thanks u so much Rupesh

Very useful video, namaste 🎉

Nice explaination

Mam , I liked your teaching and enrolled me into one of your courses yesterday ,, but problem is your mobile app , its not opening the workbook seasons

So beautifully put!! I mainly identify raagas based on intuition!! So for example, if I feel like a song has the raaga of naatai, I would always go back and sing a line of mahaganapatim manasasmarami to confirm🥰🥰😍😍

Thank you sooo ma'am 🤗😊

மிக்க நன்றி அக்கா 🙏🙏🤗🤗👌👌

Tharivala kayyaalenne song which raga?

Thankyou madam good information

sojugada sooju mallige song is in which raga

Excellant tutorials

Do you have your music on youtube? I searched for raga songs and got avalanched with low quality content.

I al learning hindustani flute music for last two years but unable to extract notes from song please can toi guide ke?

How to find your voice scale Can you plz tell me mam

Respected Madam Sahiba Thanks a lot 🙏

Great inputs. It would have been better if some example was taken and explored . I.e exactly how that personality of the Raga is explored so as to identify it properly.

Just, wow, ma'am

Superb

Thanks Mam...... ❤

I think each raag his it's own color. As like i feel Raag kafi is Deep green with little yellow and red. Raag khamaj light green. Raag Raag yaman Mix of yellow and orange. Rag Bilawal off white.😁

I have a question...can a person learn both belcanto and Carnatic singing

How make own tunes pratical ga cheppandi

How can I learn from you in offline?

Kannanekanna..which raga

Thanks.

Great

Mam is voxguru app courses are free or settlement

Thank you so much Mam Your videos are really very useful. Mam is it possible for you to make a playlist of singing for beginners? If it is already there please share link?

The Ga originating from Ri is called Ga 3

Mam I am learning flute , Thank you so much mam

❤️🔥❤️

Fantastic explanation

Nice tips. Normally I could identify certain ragas like Sindhubhairavi, Mohanam, Revathy etc by comparing them with the standard set of krithis or songs. But sometimes, they become wrong especially with similar ragas.

Ma'am discuss the texture plz ma'am

Raga Revathi is really the first raga I’ve learned, and I am filled with excitement when I can identify it in songs I have never heard before. Thank you for your videos, they have given me a clue about basics. And now I will have my own guru, and I am falling in love with Carnatic music

Super madam 🙏🙏

It's "In-too-vision"

Dan clases en español???

❤❤❤❤❤❤

How to increase vocal range teacher??

you now so much music

Nice presentation....but What about beginners?

Sweet u g. i m a Pashtun and njy ur video . Regards

Mem I'm a big fan of you Im becoming better day by day

Super

❤️❤️❤️

Mam Please Sing Om... maha-praana deepam... shivam... shivam.. Mahon[kaara roopam... shivam... shivam... Maha-surya chandhradhi nethram pavithram Maha-ghada thimiranthakam soura gathram Maha-kanthi beejham... maha-divya tejam... Bhavani sametham... bhaje manjunatham... Om… Om… Om…. Namah shankaraycha... mayaskaraycha... Namashivaycha... shivtharaycha... Bhavaharayacha... Mahaprana deepam shivam shivam Bhaje manju-natham shivam shivam Adhvaitha-bhaskaram... artha-naareeshwaram... Hrudhasha-hrudha-yangamam... Chathuru-dhadhi-sangamam... Pancha bhuthathmakam shat-shathru-naashakam... Saptha swareshwaram... Ashtasiddhishwaram... Navarasa manoharam.. Dasha-disha-su-vimalam… Eka-dasho-jwalam eka-nadheshwaram.. Prasthuthiva shankaram... pranatha jana-kinkaram.. Durjana-bayankaram... sajjana-shubankaram.. Prani bhavatharakam prakriti hita karakam Bhuvana bhavya bhavadayakam Bhagyathmakam... rakshakam... Eesham suresham rushesham pareshem Natesham gowreesham ganesham bhutesham.. Maha-madhura pancha-kshari mantra-maarsham… Maha harsha varsha pravarsham su-seer-sham… Om…..Namo-harayacha swara-harayacha pura-harayacha rudra-yacha bhadra-yacha indra-yacha nithya-yacha nir-nithya-yacha.. Mahaprana deepam shivam shivam... Bhaje manjunatham shivam shivam... Dam-damda dam-damda dam-damda dam-damda Dan-kaadhi-naadha nava thandavaa dambaram Tha-thimmi thaka-dhimmi dhi-dhimmi dhimi-dhimmi Sangeetha saahithya subha kamala bham-bharam.. Omkara ghrinkara shrinkara ayinkara Manthra beejaksharam manju-natheshwaram Rugveda maadhyam yajurveda vedhyam… Sama prageetham adtharva prabhatham… Puranethi-hasham prasidham vishudham… Prapanchaika-suthram virudham susidham… Nakaram makaram shikaram vakaram yakaram nirakara-saakara-saram… Maha-kaala-kalam maha-neela-kantam.. maha-nanda-nandam maha-ttatta-hasam… Jhata-jhuta rangaika ganga suchithram.. Jwala-drudra-nethram sumithram sugothram.. Mahaakasha-basam maha-bhanu-lingam… Maha-bhartru-varnam su-varnam pra-varnam… Sourashtra sundaram soma-nadeesh-waram… Sri-saila mandiram… sri mallika-arjunam… Ujjaini pura maha kaleeshwaram… vaidhya-nathesh-waram Maha-bheemesh-waram… amara-lingesh-waram… vaama-ligesh-waram Kaashi vishweshwaram… param-grishmesh-waram… Threyambakadeesh-waram… naaga-lingesh-waram… Sri…. Kedara-lingesh-waram… Agni-lingathmakam… jyothi-lingathmakam… Vaayu-lingathmakam… aathma-lingathmakam… Akhila-lingathmakam… agni-somathmakam…. Anadhim… ameyam… ajeyam... achithyam… Amogham… apoorvam… anantham… akhandam… (2) Dharmasthalakshethra vara-param-jyothim… (3) Om….Namah Somayacha… soumyayacha Bhavyayacha… bhagyayacha… Shantayacha… shouryayacha Yogayacha… bhogayacha Kalayacha… kaantayacha… Ramyayacha… gamyayacha… Eeshayacha… sreeshayacha Sharvayacha… sarvayacha ....

👍👍👍👍

Talk with example in cinema song

I'm curious about time signatures in Indian music....in Western music, there is a clear pattern of how many beats per bar there can be. It's second nature for me to pick out a time signature when listening to music...Unless it's Indian. Does this concept exist in Indian music? It must, humans love their patterns, I'm curious to learn more about it.

Some examples would have helped illustrate the principles talked about....

hi mem, you great. I am a very poor man, I am fond of singing. I have been doing Riyaz too, the medium of Riyaz by you is very beautiful and effective. i am very poor man i am not able to pay money,, i can do riyaaz with you,, if you can give me full video of riyaz by serial then,, i can pray to god for you,, you in your life Make a name in the world of happiness and music. thanks,, happy every day,, with your family, 🙏🙏. Prithibha sarthi. You great teacher. 👍.

In 'Kalaivaaniye' song.. Avarohanam left the chat 😑

An

How to identify you didn't tell

Hi Anil jaiswal this side

Telugu 🙏🙏 legavge

Im not any wiser ....

Long time no C ma’am , from Nepal

Hi mam My mam Name: Sangeeta Lahari I am Sangeeta Lahari student mam my name is Tanusri mam I am studying 4th standard "D"sec mam Sangeeta Lahari your friend mam Bay mam 🤗🤗🤗🤗🤗🤗🤗

Please give your videos in Tamil mam please

almost all is right.. except the use of the word "Right?" so often,..right?!

That was not a clear explanation. Honestly it comes down to experience to understand the ragas.

Sory ..very Unclear techniqe u discussed...the techniqe is only listining power..

amazing! unfortunately your expressions are different to western..

It's very disappointing. The pronounciations of various words take them away from originality. Like सम्स्कृत is pronounced as सन्स्कृत (in North India) or सौङ्स्कृत (in Maharashtra and down South) or Sanskrit (san pronounced like can, ban, ran - by English medium people). These are termed as अपभ्रम्श. Like योग has become योगा and राग has become रागा. Very sad.

3:48 "What would he or she" -> "What would they" 3:51 "Would it be a man or a woman?" -> "Would they be a man, a woman or a non-binary person?"

More of talking and Less of learning..

Aap hindi nhi jaanti kya

Bakwaas

Very useful information 🙏

Great