How Leonardo da Vinci made his underpaintings - part 2

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Part 2 ,of a video tutorial ,describing how Leonardo da Vinci used a reduced palette ,for giving form and a strong base to his wonderful paintings.
The starting point was Leonardo's Treatise on painting ,the paragraph describing how to paint a face on a canvas.
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Опубликовано:

11 сен 2024

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Комментарии : 27

@Splatterpunk_OldNewYork 3 месяца назад

This showcase of your workflow is Wild. This just upped my underpaint game tenfold. Thank you Dan.

@christinechevalier6877 Год назад

J’ai eu beaucoup de plaisir à suivre les deux vidéos bravo et merci

@parpalacus Год назад

Thanks ! With pleasure

@patriziainnocenti8793 2 месяца назад

Bellissimo ❤

@nathaliechavieve7055 3 года назад

Looking forward for the next color layers ! Excellent work !

@parpalacus 3 года назад

Thanks ,dear Nathalie. I will not add color over ,it was made just as an underpainting demonstration.

@jordangrace8257 Год назад

please make a full tutorial on da vinci sfumato technique please this is so well done.

@parpalacus Год назад

Thank you! l would really love to ,but l have some other projects and commissions to finish ,so less time for this particular subject. Still experimenting with this kind of tempera ,and will do it probably, in the near future. Best!

@jordangrace8257 Год назад

@@parpalacus Yay thats great news! its just your so talented, I haven’t seen anyone get it as close to how Da Vinci did it as you did, your painting could be in a museum and no one would question it 😊

@douglasgiovannini8568 7 месяцев назад

Thanks Dan.

@perytaher5140 5 месяцев назад

Excellent and wonderful muzic

@elianerogers811 Год назад

merci beaucoup

@oilartworks9124 2 года назад

Reminds me somewhat of an unfinished Bouguereau portrait piece bringing awareness to Leonardo's Academic nature.

@parpalacus 2 года назад

Thanks.Well ,it must have something to do with the academic concept (not the actual techniques) ,because Leonardo probably had pedagogical skills. Of course .Great comment

@oilartworks9124 2 года назад

@@parpalacus Yes, the concept definitely so, you got it. Although layered, beyond flat surface painting, they are completely separate in techniques. Hope to see more work!

@ach0645 2 года назад

Hi. I do paint in this way as well, cause I've been researching the way of how da vinci paint for couple years. The grisaille he use I also believe that he only add white on umber underlayer, not just use black on the dark area, that's more look like 18th century grisaille: black grey white. But I stuck on how he do the glazing after that.

@parpalacus 2 года назад

Depends . National Gallery's Madonna of the rocks has more grisaille on top of umber underlayer. The 18th century grisaille is not the same Leonardo might have used

@franciscosalvacao5853 3 года назад

Great Ianos. I wonder if it was really his way of doing it, but your work is remarkable. I will try myself to do it too, following your footsteps. How did you get the Leonardo´s Treatise,? I have a lot of books on Leonardo, but it is hard to get the real stuff. I will be in touch with you. I have a few things to show to you, but i need some time. Your comments will be very much appreciated indeed. Thanks.

@parpalacus 3 года назад

There is a paragraph ,on Leonardo's treatise on painting ,which describes "on the way of painting a face on canvas" .

@rogodoy100 2 года назад

Thank you for your excelent video. Two questions: 1)The large brush you use for spreading is it a hard bristle? 2) Do you use some medium with your paints?

@parpalacus 2 года назад

My pleasure. It's a synthetic brush . I used tempera grassa for this painting. Half oil ,half egg emulsion.

@rogodoy100 2 года назад

@@parpalacus Thank you very much