Thanks for all the love guys! Glad to hear you're enjoying this one 😍 🤙 Let us know what other videos you'd like to see from us for your chance to win a ONE-YEAR MUSIC SUBSCRIPTION TO ARTLIST!
Great Video really enjoyed it! I would like to know how you put your effects back on the color graded video? After I flatten my project send it over to resolve and bring it back if I try to copy and paste attributes on the color graded footage It doesn't work. Do I have to manually redo all effects after getting the color graded footage back in premiere ? I would like to know how yo do it specially when dealing with complicated effects.
@@joseguillen6724 Hey, what you could do instead is just replace all of the ungraded footage with the graded one, in the original sequence with all of the effects. Just right click on the footage (in timeline or media pool) and select "replace footage"
Thanks for the information. What do you think of Red Giant Magic Buuelt Colorista for Premiere? It's a 1000 bucks but worth it if can save time editing i guess. What do you think?
This was super super super helpful!! Appreciate it tons!! I've been wanting to switch to davinci resolve for ever now for my color grading process but just the thought of having to learn a new software from scratch gave me anxiety but after watching this video i think imma give it a go!!
Would love to hear about how to correctly export / deliver videos from DR, in order for them to look consistent everywhere online - what the best format is and so on. A discussion about how to correctly setup the monitor you work on for DR would be great.
this was really helpful, i just started my journey as a colorist and this tutorial gave me more hope. i will like to see an editing breakdown of a commercial i davinci and mixing of sounds in fairlight.
@@artlist_io i recently switched to Davinci on the1st of January 2021 after buying my bmpcc 6k. i shot my 1st clip in pro res 422 and edited in Davinci, now i don't feel like goin back to premier after seeing what i could achieve with davinci within few weeks of watching some of your tutorials and practicing in davinci.
It's not necessarily the most visual or sexiest topic but I would like to see a video on Davinci's media management tools and best practices for staying organized.
So long as you have decent graphic card and a little above average cpu, you are good to go. Also you can go to the Playback menu and change the playback's resolution.
Thank you, Yuval for these tips for CC and roundtrip between Resolve and Premiere. I want to see a tutorial about matching colors and exposure for different camera clips. Peace!
Great video! I would like you to talk about your creative workflow ;) . How you guys get inspired and then how the idea transforms to get to be produced.
Thanks for the video. I would like to see some after effects stuff and how the workflow is for you guys between premiere and after effects. Also audio editing in premiere would be interesting.
@@artlist_io if I have to choose, a break down video of a music video scene, that has lots of colors or has a specific mood(Ex. green background, tunkxten key light) and one scene ,more cinematic, where you have to giustify the lights that you're putting in(Ex. a wide shot of any movie scene). thank you, Jacopo.
Super great overview from start to finish! I appreciate your approach to instruction and the tone of your instructors. Next topics I'd love to see would be how you approach lighting (choosing gear, placements, and color), or "working with talent" on camera. Thanks!
For the next video: Tips and tricks for one room shots (lighting/grip/camera/lens etc)! Love your content keep it up! We also use Artlist all the time!! Great stuff!
Next vid plz: log vs primary wheels for log grading. 8bit "breaks" pretty easily (manageable) but may be some helpful pointers. Hard to repair if not "perfect" out of the camera. Just subbed, looking forward to more great info! 🤙
A video of most overlooked area - audio: How to match audio with video, how to use effects, how to apply EQ, how to EQ voice, what to look for it. how to find use and apply foley sounds. Applications and implementation for efx for audio for different scenarios. On davinci or premiere.
MAN! I am totally in love with your workflow! It’s very similar to mine but still I could find something new. I would love to see other parts of editing workflows from basic timeline build to adding effects.
I think it would be cool if you show more about sound effects and music editing. So that we can work better with the music of Artlist and customize it. Great video!
Thanks! :) We have a video on sound effects - ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-8LV1bqf8ZVo.html And also on music choice and editing - ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-jgrNQNKhBeY.html
I would like to see more videos/tutorials about Davinci maybe about sound design and more tips about color correction/grading. And by the way, thanks for this video there are some coll tips
I personally like to use another workflow between Premiere Pro ans DaVinci Resolve. After editing my footage in Premiere I switch to Resolve and import the original files and only grade and export the videofiles which I have edited with in Premiere Pro. Then I deliver every clip with the same file name like the originals and switch back to Premiere Pro and right click on my footage in the library and go under proxies to relink the "original files". The only issue with my workflow is that I cannot see how the next shot looks like with the shot before. It's harder to match all clips like you do with your XML workflow. I would like to see more videos about the workflow between DaVinci and Premiere and more content about color grading on this channel would be nice too!
More about different looks! Like Which look do you go for music video and which look for commercial stuff. Is there a difference and why? Maybe how to achieve teal and orange look :)
Ok now this is very specific but I recently saw this movie Loving Vincent and every frame in that movie is literally a hand drawn oil painting in van goghs style which was so cool to see these paintings move. Now theres this short film I'm working on which is about a painter and theres this one shot in it I want to make it look like an oil painting just like in the movie so I was wondering if it can be achieved in after effects maybe!? And if it can then I'd be so so grateful if you can make a tutorial on how to do so!?
Look into EBSynth. It's a free, AI-based software that allows you to paint over a single frame and have that 'painterly' image interpolate across the rest of your shot automatically
Very useful, wanted to give this a try for years now. Next time I would like to hear something about some of your all time artist like Rex Banner or Ian Post or.... Cheers 🖤
Very cool. Would love to see a full walkthrough of the Audio panel in Premiere Pro. The basic editing is pretty straightforward, but I feel like the automation tools in the clip and track mixer work differently from other NLE's that I've used.
What about some pre poduction tips, about planning, gear and location scouting. In addition how to make the best coffee for keeping us up while colour grading :D
As we know Pr has great features for Audio. But maybe you can show as a Sounddesign Tutorial which works perfectly with the Color Grading workflow? I know there are crazy editings skills for Audio in Davinci! :)
Thanks for the demo! Nice tips. What I’m always looking for and can never find is a workflow that assumes you are handing your timeline off to another system/person/company/city. I understand how easy the XML handoff feels when it is pointing to the same media. But try taking a 100 hours of footage, cutting it down, and sending the sequence (only) off to a colourist somewhere ‘else’. That’s when Premiere really shows its flaws because the consolidate features are buggy at best and usually don’t work at all. I have a workaround, but it is clumsy.
@@artlist_io Well first, as I said…Premiere is SUPPOSED to help you to consolidate the footage of selected timelines through the project manager. You can, in theory, do this with or without handles. But I’ve never been able to get this to work. Inevitably it ends up copying ALL the media it can find over to a folder; even stuff not at all related to the sequence. And, as one might expect, it takes a very, very long time. Then, when you create an XML after it is complete, after you waited alllllll that time to copy stuff you don’t need, it links to only to a few random bits of it in Resolve leaving lots of 'media missing' errors. (Cut to head slamming against desk repeatedly). And it is way worse if you have proxies because even if you tell it to ignore the proxies it copies all the proxies. I and I mean ALL of them. My workaround is 1) create a sequence of just picture to be colour timed 2) select everything, strip off all the effects except time related ones, 3) restore any clips that have already been rendered and replaced to the original and 4) then select all again and render & replace every single clip. But when I do I make sure they are rendering to a unique folder. Then the XML I create from this sequence will link to this “flattened” media. But I can only do one sequence at a time so there is a lot of baby sitting if you are preparing multiple sequences. Warnings: Resolve can still have trouble with frame rate issues and media that was originally H265 (which makes no sense. Why is there a problem with flattened media? Yet, there can be). Also, all this assumes you have previously transcoded your media that you were editing with. If you are working with the original footage there can be issues, especially with H264 & H265. This only demonstrates to me that Premiere CAN do what I need it to do but the coders simply don’t bother to fix the issue with a broken function. Probably because most Premiere user don’t hand things off to a different system, so… who cares? Which is too bad because if you want to consolidate the sequence for archiving, which we always do for safety, this technique is not applicable - you’ll lose all your references back to the original media. And before any PP users say the code to do this would be difficult, I point to Avid Media Composer and the fact that it has had this ability since 1994. Thanks for listening. Love the channel!
Maby talk about how to edit your artlist music the best in premier pro or audition (like how to end a song or cut inbetween ec.) Greetings from the netherlands :)
Awesome vid guys! Would like to see something about audio editing using audition or fairlight, also something about special effects using blender or after effects
@@artlist_io Just think of the time wasted in rendering could be spent working in the edit or cut page of DR. After years working in Pr the jump to DR isn't that much of a learning curve. Hey each to there own and we of course everyone gravitates to a preferred method of working.
I'd like something about audio editing and mixing. Pro tools oriented!!! Thank you guys
3 года назад
That was actually sooooo educational! I'm moving to Resolve and I'm still learning and to be honest this was pretty interesting. So for the future I would like to see how would you use sound effects and how to work with audio especially in Fairlight more specifically how to make bad audio from a cheap mic sound at least decent.
I'd be interested if you could you talk about gear rigging, gaffing (i.e. how to light up on a mid level budget different scenes/objects with some creative simple solutions).
How to level up from solo and building a team. Who to look for first. What makes a solid production company team. I would love a break down of something like this.
@@artlist_io Yes I am. I'm trying to start bringing on more people to reach for bigger projects. Knowing which way to go about it to actually then land those jobs and line it up with the new team's availability is the tricky part.
Why not just use lumetri in premier for coloring? I don’t really see a difference in the finish product on any videos on RU-vid. Colors look great in both programs
I am very interested in the question of correctly saving databases for later use in new versions of DaVinci and in the case of reinstalling the Win/iMac system. Which folders must be saved so that you can open projects later? 🤷♂️
I was going to say something like this also. After working extensively with it for eLearning across different servers, etc., we had to troubleshoot some issues when working with a team. You and I are thinking along the same lines, it appears to me.
@@carlgregory5787 definitely... I must say for the past months I've been wanting to get back to resolve, specifically for Colorgrading and it was so hard, I had invested 2 years day and night into premiere pro but this dynamic link with XML finally got me started and moving forward I will be using resolve for my grading, I will also pick up the studio version today!
What about how to make proxy files in Resolve? If you are using proxies and Premiere Pro and transfer them to Resolve for color correction, does it transfer the proxies or the high resolution footage?
if it doesnt transfer the proxies, and you want to use those instead (not a great idea when colour grading, though) you can relink your video to proxies in resolve.
Perhaps, showing DaVinci options and optimization for working in teams across different computers and different servers. It isn't as "cool" as color correction, grading, or compositing, but there are some technical aspects which professionals run into and cause hangups for creation and delivery, those things are in areas file, preferences, and project settings. For example, if someone on a team has their DaVinci resolve set to have their cached file stored to their local computer, and someone else has it pointing to a server, when that person opens up DaVinci with their local machine, it will overwrite the preference of that file and then cause broken links when reopened by someone else on their team. Also, there are multiple fields in which cached files can be set to point somewhere, but there appears to be a hierarchy because the Preferences>Media Storage>Media Storage Locations field seem to drive the other fields in other windows for this, and when you change that cached location in a subsequent menu, it reverts back to whatever is actually set in the Preferences. Something like that.
Great video, being new to this field, any idea about fixing or work around poorly recorded footage or audio could be useful. Thanks for the great video.
did this great workaround a few times with success. but this time i had a problem. my clip are with slow motion in premiere (25% velocity). when i go back to premiere after resolve speed is 24,79%. what i'm doing wrong?
