How to Construct Strong Bebop Lines Using Approach Notes and Enclosures

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Once you understand this chord structure, your piano playing will never be the same. It's used commonly in both Jazz and Neo Soul, but you'll really hear it used in an absolutely gorgeous way in modern Neo Soul-Inspired tracks that cross genres as well. A really important part of this sound is the dim(maj7) chord, i.e. a diminished triad with a major 7. The structure comes down to being built like a block chord, but with a major 7 instead of a 6. Use this over any melody or chord progression for a modern sound. Enjoy this jazz and Neo Soul piano tutorial with Noah Kellman.
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Опубликовано:

25 июл 2024

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Комментарии : 60

@louispearson8306 2 года назад

this is exactly the subject matter that aspiring soloists need. but you barely provided any examples. would really appreciate a follow up video with analysis demonstrating more examples of these then just ti, re, ra, ti, do

@NoahKellman 2 года назад

Thanks for the critique, Louis! Will definitely keep that in mind for the future for a follow up that’s more advanced with more examples.

@FantomOfFear 2 года назад

Check out Jazzskills for good pretty basic examples

@kirbyjones8709 Год назад

Thanks Noah. The really unleashed a whole new freedom and sound in playing. There were things I was inadvertently doing but this gave me a way to totally utilize these enclosures. It opened up some of the mystery on how Herbie and others were getting these cool sounding lines.

@kareemakhtar6691 2 года назад

So cool - super practical!

@demorneezechiel4505 2 года назад

Just amazing that approach . Thank you.

@kirkreese2240 11 месяцев назад

Thanks for great content Noah. I'm a middle aged " re-bopper"and a lifelong student of music of all kinds, and a college music educator. Your approach is a perfect blend of intrinsic musicianship and academics. Thanks for teaching an " old dog new tricks,"

@NoahKellman 11 месяцев назад

Hey Kirk, my pleasure, thank you for your comment 🙏

@orochimarukishimoto6509 2 года назад

💯💯💯💯 real jazz piano lessons! Very well explained!

@deancol4080 2 года назад

Thanks for posting, excellent explanation, very helpful. This is gold...

@hamacaboy 2 года назад

You are awesome thank you for being really helpful!!!!

@lucianphipps5430 Год назад

Thanks Noah.. lots of useful technique again!

@-jq8gt Год назад

Great stuff excellently presented. Thank you!

@gallifreyandefense 2 года назад

Thank you for this video! You are wonderful! I am learning so much from you.

@NoahKellman 2 года назад

Hey Josh you are very welcome Mann! Appreciate the comment

@eugenestockstill7162 2 года назад

Thank you!

@clam_series 2 года назад

I love your content Sir👌❤

@oscarlaredo5035 3 месяца назад

Super!

@notyetskeletal4809 2 года назад

I like how this gets my focus to anchor the chord tone AND the beat. I've been sloppy with my rhythm without assessing it. I am very picky with the notes though. Thanks to your lesson I can trust my flailing fingers while shifting focus to hit that 3 beat with the chord tone. Compartmentalizing the most hazardous and troublesome areas of my meandering to maintain control in the urgency of bubbling inspiration.

@benjamindragon598 2 года назад

Maintain your flailing finger meandering

@solomony4339 2 года назад

Nice sir 👍

@djmileski Год назад

Excellent lesson

@DanielFilip 2 года назад

Great lesson on how you should be landing on a strong chord tone (i.e. 1, 3,5, or) on the strong beats 1 and 3. In between you can use approach tones and enclosures to add chromaticism to your lines. One thing that might be confusing here if I'm not mistaken is that some of actual played examples started with the 6th or 9th on beat 1. Of course any rule can be broken if sounds good.

@Julian7alejandro 2 года назад

Thank you for this lesson Master i appreciate so much , greeting from Venezuela

@SolarMumuns 2 года назад

Great info as always and unpretentiously presented. Thank you, Noah!

@Dimon.limon72 2 года назад

Thanks man

@Bookssful 2 года назад

Very useful

@buwanekamapalagama4245 2 года назад

I loved it send some more lines and chords on c7 scale Thanks

@elleondejuda4681 2 года назад

Amazing man, this was really good. Do you have similar or exact licks on a book that explain this same concept with notation?

@multicelled 2 года назад

Cool video! Could you share what software you use for the overlaid keyboard/staff?

@bandaversatil3929 27 дней назад

Você pode gravar um vídeo mostrando mais padrões de abordagem usando outros acordes?

@George-nx8zu 2 года назад

Hey Noah, I'm self taught and trying to get better at piano. Do you have any recommendations for beginner piano books, especially ones with jazz or neo soul voicings/progressions/practices for swing, groove etc?

@ultraparadoxical7610 Год назад

Hmm seems to me like he gives a lot of examples

@damousx6860 2 года назад

Can you do one for rnb?

@michaelstevens8 2 года назад

Hello from Kansas City Missouri. Great video as always Noah. I've read the other comments and I think an important point needs to be made. Their isn't just one way to teach or learn Jazz Improvisation. Their are a number of different ways. Learning the individual parts of the Bebop and Jazz Language then bringing those parts together is one way, and learning the importance of Approach Notes and Enclosures and their Rhythmic Placement is part of that. It's an important piece of the Bebop language. For any one thats interested, in my humble opinion the most thorough analysis of Charlie Parker's Bebop language can be found in a book called Bebop Guitar by Joseph Weidlick. Even though the book says Guitar, the techniques can be applied to Keyboards, Bass, and Horns. Thanks.

@andrewkellman7332 2 года назад

Hey another kellman!

@JoshGreensVLOG 2 года назад

I love this! What's the song at the end at the 7:07 mark?

@EugeneSherman Год назад

Hi Noah l have to learn The different type of scale Dorian,mixolodian, etc...

@toyotagaz 2 года назад

whats the song at the end of the video?

@sor0 2 года назад

Would you ever do tutorials for certain jazz songs?

@claudiakramer4516 2 года назад

I'm wondering if you are repeating a 7 note motif. Are you? If so, can you do a video about repeating the same motif to make runs

@fernandonardi262 Год назад

Target notes 1 3 5 7 must be played always in strong beat? 1 and 3

@noahjoo7231 Год назад

Hey I've been told that the strong beats are 2 and 4. I'm confused 😭 can you help me?

@alp9020 2 года назад

👍

@music7774life 2 года назад

Finger crossover techniques are tough

@blagamarcel0 2 года назад

How i get in touch with you ?

@NoahKellman 2 года назад

You can submit a contact form at jazzpianoconcepts.com!

@dr.brianjudedelimaphd743 Месяц назад

Sounds like Bill Evans younger years

@ajitriyapianistofficialvid951 Год назад

Did Bud Powell know about this theory?or they just played it?

@georgevouros Год назад

So you target on the one ( or any beat of the bar really) a note you don't want [because it doesn't belong to the set (13579)] and on the and (an eighth apart) a note you don't want and on the two a note which is fine or not• if not then you repeat the process. Fine in the harmonic sense.i gather. Would that work? Eventually this has to end on the bee or the bop Excuse the symbolism, peace ✌️😎

@gogoteca 2 года назад

I slowed the beginning down to 0.5x speed to better see what you were playing and I almost died laughing when you started talking, you sound so drunk at half speed lmao