○ My Utility Conversion LUT pack for SONY: payhip.com/b/ipMB2 ○ My Cinematic Cine-Log LUT Pack: payhip.com/b/WSNw ○ My ENGLISH ONLY Channel: ru-vid.com/show-UCZU12Pbc1UBIqg4LaJew6eQ Si buscas la versión en español, sigue este link: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-K6iUkTaH4dA.html
This is by far the most understandable color grading video out there. Coming from lightroom and changing to videography was made much more easier with this vid! Thanks man!!! :D
In every video so many people saying this is the best video blah blah blah. But to be honest this is the best of best video I’ve ever watch regarding colour grading. You are a legend mate. Good on you ❤
Honestly the best color grading tutorial I’ve seen. All the other ones just do basic correction and then slap a lut on it. Thank you for actually teaching us
I am so happy I found your channel. You are absolutelly amazing at photoshop. Helps me greatly as you teach really how and what to do. You are amazing. Thank you
Such a great video, I always edited like in lightroom and did all the corrections on one Layer of Lumetri Scopes. What is the overall advantage of this technique?
I am so happy I found your channel. You are absolutelly amazing at photoshop. Helps me greatly as you teach really how and what to do. You are amazing. Thank you
I am always looking to learn more about this art form! You should do a video on shooting and color grading low light environments like night time, that's be awesome.
Bro, loved it. This was one of the best color grading videos I have ever come across. I Every minute was informative. Thank you. Looking through the rest of your channel now.
Thanks, bro. Just a small notice, that I've made a dedicated English Channel. There, for the last year, I've been uploading my new content in English. ru-vid.com
Hey, the shots on this tutorial are not in LOG, but in a Cine picture profile and I tweaked the settings to make it as flat as possible. I recommend you to go into the menus and bring up the shadows, bring down highlights, reduce de saturation and sharpness. Just make it as low-contrasty as posible so your maximizing the info that the camera captures.
Great video..!!! and knowledge ...I have subscribed ....make more MOODY creation ...with sony and premiere ...Keep it up ...your channel looks very promising ..!!! Cheeerrrsss...!!!
muchacho!! yo vine para aca a aprender a hacer un mood a todos estos dlog videos k tengo, pero me enseñastes a usar color scopes and lumetri in a way i was not even aware of. thanks a lot.
Muchas gracias. Te copio el link para la versión en español: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-K6iUkTaH4dA.html Por cierto, cada video que veas, tiene ambas versiones.
You're more than welcome. Just a reminder that the English version of this video (and all other videos that I've created this past year), are in the English ONLY channel: ru-vid.com
Solía hacer cada video en ambos idiomas ( tengo un video donde lo anuncio y explico), ahora he hecho otro canal solo para los de inglés. Si te encuentras con un video mio en inglés, puedes checar el comentario de hasta arriba o pinneado. Ahí estará el link a la versión español de este video.
@@miguede.m como te acabo de mencionar, todos los vídeos tienen su versión en inglés y español. Aquí está el link si es quebuscas la versión en español: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-K6iUkTaH4dA.html
Great tutorial! I switched to davinci a while back and this will work perfectly there too. Just one suggestion to the premiere people, name your lumetri color every time so that if you want changes , you know which one to change. Just a habit I am also learning.
Thanks man alot for the tutorial, my question is how do you make it to add a lumetri effect and the clip doesn't require you to render?(turning red) Thanks eager to receiving your reply
Hey. What do you mean bu "turning red"? Premiere Pro only renders your clips once, and it's when you export it. There is no rendering process when editing.
Hey, Prim. I just use Cine2 or Cine4 normally. Because on APS-C the noise in S-Log2 is a bit too much. In Full-frame, I'd use S-Log2/3 with the exception of low-light situations, were I'd go for HLG.
