○ Find this preset in the Analog Preset Pack (in case you want to support me): payhip.com/ToneFuentes ○ Follow me on Instagram: instagram.com/tonefuentes/ ○ Follow me on VERO: vero.co/tonefuentes
Fantastic!!!!!!! Tone, thank you for this useful information! I made kodak portra filter as you said and this woooow, really woooow. Wish you all the best!
Thanks for the tutorial. Just a question on these, can these calibrations also be done using normal HSL tabs? Like reducing the saturation of blue and moving it to cyan, and changing greens and reds, can all be done as HSL. How is the calibration tool different then?
Calibration changes the RGB, hence the entire colour pallet of your photo. Meanwhile, HSL is used to refine the edit with changes to specific colors. I go more into detail on the differences in this vid: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-gTVFDW5Shdg.html
@@ToneFuentesENGI tried to copy the values of the tone curve, but facing some issues. The output put on my tone curve is maxed at 100, and in the tone curve you’re using, it’s 255. Is there an option to change that?
Awesome stuff, you got a new sub here :) Never done film presets but do regularly shoot analogue on a Hasselblad 500CM, if you put the porta preset and a shot taken on film would be hard to tell them apart. Potential giveaway would be the way the older medium format lenses render the image vs full frame modern lens but definitely going to give this a go :)
Hey man, thanks a lot for your videos, i've been trying to improve my edditing and they have been an amazing help. They've been such an inspiration and a great motivation to go out there and improve further. I really wanna suport you by buying your preset packs but being a student its a bit tough right now. I'll do it once I'm in a better place for sure as a thank you for your content !
I'm glad my videos are helping you! Thanks for watching and don't worry if you don't purchase anything from my shop, at the end of the day this channel is about education. So as long as I'm helping someone, I'm good.
Lighting conditions also play a role here. I shoot digital and analog and while I appreciate his work (he really knows what he's talking about) I don't think that you can create the analog feel just by slapping a preset onto a digital photo. Sometimes it works, sometimes it doesn't.
Thank you, Tone!! I really appreciate how you shared both how to make the presets and the rationale behind everything you were doing. I learned so much!
I've found a simpler way which guarantees me to get the Portra look. I grab my analog camera and load it with a Portra 400 or 800. And what can I say? It works. All the time.
@@ToneFuentesENG Maybe it is anyway, since I shoot digital and analog. And I've to admit that your color grading knowledge is outstanding. But as I said somewhere below, it's rarely sufficient to use a preset to get "that analog look", because even the same film tends to look differently, depending on light source, time of day, lab development etc.
Is that not that I said in the video? That many factors come in to play that affect the final results in film photos 02:44 ? Also, I agree, as I say in the other videos of this series: analog to digital is not a direct comparison and viceversa. At the end of the day, people asked me for this video (that's why I made it) because they're interested in how to translate film looks into digital photography. Never did I say it's the exact same results, just my interpretation.
sorry bro but tooo much talking, and mention that you have a in depth video over here and here. keep it sharp, you explaining mostly to people who work lightroom for years and we just wanna get to the point and see if we extract value from your video.
No, I'm explaining to beginners. If you've been working with Lr for years, you shouldn't be in this video nor looking up tutorials. Go find another channel that teaches more advanced stuff. I will always prioritize newcomers into the editing world. So bye.
