Thanks Omri. A friend of mine once mentioned a scientific paper, which found that in one swampy region, where there are multiple different species of frogs, their calls have more than one resonant peak. They use formant filtering, just as humans do to produce vowels! So experimenting with a formant filter, instead of a band pass, might also give some interesting results.
@@timnordberg7204 I can't find the original paper, but there's one called "Finding Your Mate at a Cocktail Party" that gives the peak resonant frequencies for three species.
Having watched so many Omri videos I’ve become used to a lot of the Omri-isms such as the early on classic ‘hey guys.’ But just this time I turned on cc to see what he’s saying about halfway through, ‘opala’. Google says it’s a car or a bundle of leaves or other stuff. I still don’t know what Omri is saying but honestly how could anyone turn down a video on how to Karplus Strong frogs?! Honestly I flashed back to me as a young boy when my dad make a siren out of a simple ujt transistor circuit and I was in heaven. Long life my friend, you and the frogs 😂👍
Tremendous! I agree Dash Glitch’s channel is excellent and he has some top notch sound design techniques on there… Bitwig guy as well if I recall correctly. Cheers Omri, I’ll have some fun this weekend with this. Going to see Leftfield tonight so tomorrow will be a slow and chilled day 😉🍄
where is my comment? opalah.. using this technique in almost every patch for years 🚀 you can try to use short voice chops instead of noise for some alien sounds 👽
can anybody help me ? I'm not able to synchronize with my track like in the last example shown, I think I'm doing something wrong when connecting the clocked module with the btg1
@@OmriCohen-Music I'm using VCV on Daw, I believe I'm not routing the clocked, ADSR and Btg1 modules correctly, could you help me with this? I would be very grateful
