I have watched about 200 serum videos and tutorials and today I finally learned how to use it, and then i stumble upon your video and everything ive been watching for the past 3 months clicked at once. Its game time baby.
I just want to thank you from the bottom of my heart. I just dream of making wubs and I've been producing for awhile now.. I just love the way you teach its very helpful to understand what is going on and there are thousands of tutorials but your love to us makes the dif. You care. And I just hope to make some wubs that make you head bang as well
I have the Yamaha Reface CS synth, and I did the exact same thing you just described. Usually I use it as a midi controller, but once I learned how to use the LFO I sat there for three days without even turning on my computer
I have some roli seaboard rise 25 and some blocks and another keyboard. Maybe I can make some sick bass vibes with the MPE midi interface. (Multi-Polyphonic-Expression)
Hey Ahee, could you please do a video explaning how the fab filter l2 works please?, i have watched allot of videos but they never explain well what the atack, release,''channel linking'' transient and release knobs do and how to set them. in my case a video like that would help me really alot🙏🙏🙏
Hey I could do that, but honestly I don't mess with any of those settings for my own music I just use the default settings and have "Layers" of them. I describe this technique that Skrillex uses in a couple of my other videos.
Hey Ahee -- I have a tutorial request / suggestion for you -- goes full circle with your routing template and best mixing advise video Separation of Sub Bass from Bass / Guide to choosing crossover point (Hz) and Means of separating the frequencies (EQ / MultiBand / ect) Choosing Frequency for cross over point - key of the track relevant? - any sort of visual indicators to help assure best choice of frequency? (ex. mixing advice with span) Means of Separation -using an EQ 8 -- if so -- type of slope (x4 cut of regular cut) -multiband dynamics ? Application to your routing template - I noticed that you put a low cut at 120 on you basic chain -should that be mirrored with a low cut on the hype chain for the sub? - If not, is there a reason that it is beneficial to have overlapping frequencies in the seperation? Other related - would this same cross over point typically be the same that you use for "bass mono" on utility? - Main concern is with sub to bass but any other useful application to other areas of the frequency specturm? ** These videos are highly appreciated. Never experienced as much personal growth until I started implementing these techniques / tips Thanks man!
There's lots of videos on RU-vid covering these types of topics. There's not many hard and fast rules though, a lot depends on the track. So you can't really say: do X,Y and Z and it will always sound good. I'd say, reference tracks in the style and genre that you're producing. Use analysis tools in your DAW whilst listening to them to see where everything is kind of sitting on the spectrum. There's different rudimentary guidelines depending on the type of music. Stuff with a 4\4 beat: mix to the kick, that has to stand out most. D&B/Jungle uses less weighty kicks and the bassline is more prominent. It's the choice of sounds/samples as much as it is mixing them too. Better getting sounds that work well together from the start, rather than trying to mess about with competing sounds/frequencies in the mix.
HI! someone please help! I am EXTREMELY new to Ableton and Serum, I followed exactly what you did but no sound came out when I hit the space bar. is it because you have to already have an original sound behind it that you're distorting? If so, how do I do that? I've been watching hours of RU-vid videos on Abelton and Serum, but I can't quite figure it out. Like I said I followed what you did exactly, so am I missing a step you did before doing this? any time I try to drop an audio into Ableton on the serum line that i want to distort it wont let me. someone please give me some tips or extremely begginer videos that i can watch :) thank you
H Ahee, thanks for this nice tutorial. I was thinking about to buy your dope magic racks, but the price was a bit high for me (I´m a student) and 79 bucks is like a punsh in my face, to be honest. Please make discounts for students or at least give us a chance to buy your items during sales times (.e.g. summer sales?)
You just shown me a huge help in my sound design and simply for that I’m gonna buy your racks at the end of the month. I don’t even need them all at the min but I’ll always back the guy putting the work in. Thanks bro you shown me something that’s gonna help massively with FM. Curious question if you don’t mind helping. With regards to the percentage numbers this will apply to all tempos correct? This wouldn’t alter its 175bpm would it cos it’s just the speed of the bpm. No of course it would be the same right ? If you have any other tips along the lines like that for FM if he massively grateful.
im so happy i found your help channel :D thanks for all the videos.... i need your help though im a reason user that has gone ableton. i use both together. and for the life of me i can't find out how to retrigger the envelopes. in serum make a basic bass patch using a square. enable and load a LP filter drag env.3 to the filter. make a no sustain and decay about 700 ms set the voice mode to MONO. don't press legato. notice how when you play legato style notes the envelopes retrigger. why can't you do this using ableton's wavetable, operator, or any stock synths????? what am i missing.
Hey AHEE!...how come my wobble doesn’t sound anything like yours at 1:30 even though I’m 100% sure I’ve followed exactly what you did step for step? Is there any processing done that I’m not aware of? The only difference I can tell between us is I’m on FL instead of Ableton
Ok so your the only video ive found in months that covers the wobbles im sort of looking for maybe you could make an add on for how to make same idea but older like tsimba hugo or blunts and blonds that lighter lead rez womps idk appreicated
Love the video! On the topic of compression removing the dynamics...is the only option to remove compression? or can you apply a series of distortion/compression/post processing to add compression and keep the dynamics? or does that not even make sense in your mind?! Also like your music man, Splattermouth is so good!
@@OfficialAHEE ...nice, yea I've known Stephan for a long time and Mark from the events. I live in Prague now so I haven't been for a couple years. Do you know Stephen? He did a bass remix of one of my tunes
I have this tut engrained in my brain by now lol, although I have been trying so hard to achieve those very deep wubs that you’d hear in a lot of deep dark and dangerous tracks, also a lot of tsuruda’s stuff and anytime I try it either seems to be super quiet because if I add too much saturation or distortion it becomes more buzzy instead of that clean deep womp. Or it starts clashing super bad with my sub. Any tips would be HUGELY appreciated thanks man ❤
