How to Master in Logic Pro X 

So all this is done after mixing the track , exported and before mastering right ? That’s what i failed to understand .. thanks 😊

How to split it in 3? And do this tracks already mix?

@@Emotikonsjah yes, Mastering takes place after all the mix is done. To seperate it into 3 busses, create 3 busses and add "sends" in the original track to the respective busses, make sure you set the send-level to 0dB (so that you send the original audio in the same volume as it was mixed). Now, after sending to those 3 busses, add EQ to each of the busses, as shown in the video. Don't forget to set the original track's output as "No Output" [by doing this, you are disabling the original track's output and only getting the bus outputs]

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Thanks for watching! Yeah try it out and let me know if it works for you!

Thank you! Try it out and let me know if it gives you more control

Like do you bounce the mixed track before doing this process ?

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-NFxmPglXlos.html i asked the same thing and this video helped. you just gotta remember to set to no output on the track with the buses so ALL the output goes to the buses

you use three different buses, then use an eq to solo the different frequency spectrums on each one

Create 3 busses with their respective eq curves, on the main track, set the output to "no output", so that whatever output you're getting, is only through the busses. Now send the audio to all 3 busses by using "sends" section in the track, don't forget to set it all to 0dB, so that the same level as the original is being sent

on the main mastering chain(first chain), you’ll turn off the output. clicking to set up 3 buses is sample but where you have to understand is once you separate & create the eq for lows, mids & highs is once you’ll actually hear the difference between the 3. it’s sample use the Pink To Lows / Red & Pink for Mids / Red for Highs

Thanks for watching! Great to hear it's been helpful 😊

Check this one ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-L5kIDiUt2_c.html

Awesome! Hope it works well for you

@@sageaudio first time didn’t work, started from an open session where I had aux drum buses that were not 100% of the output, so I was getting a blend of the original. May be have to start fresh with the buses so full 100% of mix is going to the mix bus , still got to work that out . Maybe I’m just doin it the wrong way Thanks

Great to hear the video was helpful - thanks for letting me know! I'm not entirely sure without hearing the mix/master, but I'm guessing the limiter is cutting some of the transients. Maybe place a clipper before the limiter to give the transients some edge (add some distortion whenever clipping occurs). This should help the transients stick out, and help it sound louder. Also, EQ may be playing a big role. Try the plugin Fresh Air (it's free from slate digital) and boost the mid and high bands to brighten the sound. Usually a boost to 3kHz and above will make a track sound louder.

@@sageaudio Awesome! Thanks!

I guess not, no reply

Some people like to master from within their mix session, but I recommend importing the stereo mix into a new session. It's easier on your computer's CPU.

if you do it in the same project, create auxiliaries and do this technique

It's possible! Maybe the original gain is too low. I'd recommend raising the gain with clip gain before introducing processing.

Thanks for watching Chloe! It's a regular channel track. So I just import the stereo mix into a new session, and then create sends from the channel track.

if you do it in the same project, create auxiliaries and do this technique

Thanks for watching the video! Our rates start at $54 a song, mastered by our head engineer Steve. If you have more questions, please feel free to reach out to him: admin@sageaudio.com

Step up to logic

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Thank you!

Thanks for watching Peter!