Wow, such a helpful video! I have no words Tatyana, thank you for sharing your knowledge, I will definitely try all of your advice❤️ I send my greetings to you and to all passionate guitarists seeing this
I just played Fauré Pavane op. 50 on my guitar with my eyes shut, I have been playing for 40 years and have never tried this, I found I could concentrate more and play it better without visual distractions. Thank you. I love your videos and you play extremely well.
Дорогая Татьяна! Я не начинающий гитарист, но некоторое время я не мог заниматься регулярно гитарой. Сейчас мне 78 лет. Я хочу восстановить навыки игры на моём любимом инструменте. И вот я нашёл Ваш канал. Вы прекрасный педагог. Спасибо Вам большое за Ваши уроки. Я постоянно открываю для себя много нового. С глубоким уважением, Николай из Санкт-Петербурга. ♥♥♥
Learning a new piece by heart, I 'play' it mentally when in bed before sleep. In this phantasy I 'play' it several times concentrating on LH RH score story etc. Works great and makes you sleep soundly.
This is highest quality content. Ok also adding my experience, I would have people show up in my mind in certain songs and parts, for no apparent reason, I didn't even want to memorize it that way, it just happened and still does. Also visual memory is very useful in improvisation to see the chord tones in playing changes. Also one thing to be aware of, while all memories are useful, music is still primarily a sound medium, because you can get so into other memories and senses that you barely hear the music you're playing, but the people do, and can't access all your other sensations. So remember all memories are useful, but while playing music the primary focus in senses should be sound.
Hello, Ms. Tatyana. Good evening for you. I've just finished this stunning tutorial in a nice moment, I guess. I've been practicing for some months a Brazilian popular piece, a "choro", and I'm sure its topics and suggestions of yours will change forever my vision of studying guitar playing! I hope I can show something about it in a short time. Thanks for your encouragement and attention. Regards from Brazil...
Tatyana magic woman //the first concertist clasical guitar in my heart//I love you 💙 thanks thanks thanks your friend forever //from Bolivien//Mario Alexis //trovatore bohemian man//My house is your house//please remember sometimes//congratulations my darling💖💛💚
I can learn a theme from hearing, but audio memory always make a joke on me, and I can't play exactly as the original ones. Muscle memory and visual memory follow what audio memory understood.
Luv your enlightened take on music and your detailed instruction that is so helpful for all musicians or any kind of student learning any subject. Many thanks!
I REMEMBER YOU (By Eric Wayne Thomas) Most things I can not recall By my captivated mind of thrall Shirt inside out, left foot, right shoe But I never forget to remember you One day I was so entranced I left the house without my pants I sometimes do things I regret Because it's you I can't forget Yesterday I thought of you Today I even did so too Head cocked, of a dream-like stare But I'm still here when I'm also there It's just you're always on my mind I know how to read and I'm not blind What's it about? I have no clue But I never forget to remember you Sometimes I forget to eat I dream of you, from your head to your feet My brain is fine, so is your eyes It's you that I do memorize
What helps the most for me is understanding the theory and training your ear, so that you can recognise a theoretical concept just by hearing it in the music... I guess that would be intellectual and audio memory. I'm a jazz musician, so I always hear/think of chord functions when I learn something, even if it's not jazz and it's not improvised music. That helps a lot... Relying on your muscle memory alone will always be too risky. Visual memory also helps, mostly for the left hand, but that is really the most intuitive type of memory, you don't really need to do any special work about that.
I memorise in chunks and nail these then join them together. Longer pieces take more work and I need to go through the whole piece many times until it feels like my hands are working in automatic mode. I don't like getting to a part where the technique to play it is alien to me. These parts take so much more work until my hands get it and the penny drops. It's nice to play a piece I haven't played for yrs and at first I get stuck but it comes back faster than learning from scratch. I once learned Vinnie Moore's entire Time Odyssey album. It took months.
Very didactic explanation. Your voice, very clear and kind. The five points, with excelent explanation, one by one. Now we need to practice, un order to mix it un a property way. Thank you very much teacher Tatyana.
Татьяна, большое спасибо за это видео. Очень хорошо систематизированные советы и очень верно сформулированы. Особенно, о типах памяти/внимания и их перераспределении при "слепой" игре. С удовольствием и вниманием слежу за Вашим творчеством!
I'm exactly this type which is use the imagination to see the piece of paper then follow it to play. Even when I was a kid, use same way in the exam by having a very fast look then close my eye and read it all in my head.
Listening to recordings: only after you develop you own interpretation. If these things don't happen automatically you are probably not a born musician. Useful and clever analysis.
