Phil, I just wanted to say thanks to you for the great teaching. Your explanation is very clear and certainly adds value to my painting. Thank you for sharing your vast knowledge.
Phil- of the hundreds of videos that I’ve watched of yours i think this is one of the best! Simple, to the point, and great visual of your various green mixes. Will use as a reference for a concise greens color chart to hang in my studio. Thanks!
The addition of the fence in the foreground leading the viewer into the middle of the canvas really ties the composition all together ! I have really learned a lot from your lessons and ebay videoes Phil,thanks,Michael.
Thank you Phil, this helpful for me. However I’d rather see you mixing the paint on your pallet instead of the photoshop blob but I guess that’s because I love the "feel" of the paint. Thank you again though, I love what you’re doing to help us all.
Thank you for posting a video on mixing green in oils. Very helpful to see the colors you choose and the mixes you develop from these. It is also helpful to hear your thoughts on coloring mixing.
Thank you. That was very helpful. I live in the Namib desert and I always have a problem with sand and more sand and always struggle to make that look interesting. I will use this method but in Yellow Ochres and earthy colours.
Thanks Phil! I would never have thought of mixing ultramarine blue and viridian for a blue-green. Lots of possibilities in this video. I have been wanting to explore colour temperature and this helps.
Hi Phil, I'm thrilled I found your site!! This information you've shared on greens it priceless :-) I'm working on a mountain scene with fall colours. Have you done one on autumn aspens, or do you plan to do one in the future? Thank you for being so generous with your time and knowledge ....and talent ;-)
This was extremely helpful. Thank you. I am having issues with paint strokes for a large grass area similar to what you show here. Do you have any videos that cover brush strokes for grass? Thanks.
Wow! A great presentation and explanation. I am going to share this video to my friends. Phil, can I know the software that you use in your presentation?
I have a question about color mixing. If you were to make a green from ultramarine blue and cadmium yellow light, should you first make a value string of the blue and yellow separately and only then mix each to make the green?
I heard stefan Bauman say he believes temperature is as important as value. While I understand value is number 1, I believe paintings can look a bit flat if the temperature is not correct. While my values are certainly not perfect, my paintings read as 3d, but look a little flat without being able to accurately see temperature.
