I like how they mixed Bonnie Fraser's vocals on bloodclot by Stand Atlantic. I think it sounded similar to this. It's crisp and punchy with nice low ends. ❤
This is dope, I’m gonna try this method out assuming it works on male vocals as well (it should since you didn’t use EQ anywhere except the channel strip). Love that you used the Distressor, it’s like hot sauce to me… put that shit on everything haha. Question tho: were you only mixing in solo for the purpose of this vid? Or is there a benefit to mixing vox in solo?
@@phildimopoulos6010 yeah it should work on make vocals as long as you adjust the hpf right and move the eq to according registers. At this point I know what I want a vocal to sound like on my sets up, and so I’ll just solo it until it sounds right then move onto the next thing. There’s a great benefit to not soloing track when you start out but I feel like that advice gets parroted a bit too much. It’s a real benefit to mixers to just know what the low end on a bass should feel like without having to decipher it from a Whole mix going
@@ProduceGuitarPopyeah! K so I fully agree… I mean I’m no pro, but I feel very similarly. I do go back and forth a lot, but sometimes I’m spending 10+ mins in solo EQ-ing/compressing before I even hear it in the mix. Thanks for the reply!
Seth, when the singer sings get “OUT” I hear some sort of artifact. I’ve heard it on my vocalists tracks sometimes and wonder if you can pin point the issue there.
normally it's just melodyne blending two notes together into one. there's normally a whole stage where i go through the whole take and make sure everything is split
