@@MyAudioAcademy What I would like to see personally would be to see engineer Jason Goldenberg in this channel teaching us how he deconstruction of the nba -Vette motor song 🔥🔥
@@MyAudioAcademy I would like to see in the next video how to work the voice with the adlibs to leave them in their place, if possible it will be in the dababy vibez project from the kirk album
Great question. You can just bring some of the transient detail out in the top to balance out the bottom end. I wouldn’t recommend taking it away with a transient shaper because you’re going to lose some punch at the mastering stage BUT every situation is different. Sustain is really useful on individual sounds but I find there’s too much information happening in a 2 track to really isolate what you want it to affect so I typically leave it alone. Hope that helps!
I would not typically, bordering on never. Most two tracks are already over compressed so soft clipping them will cause you to lose headroom and dynamics (even when clipping is presented as a way to get loudness without sacrificing dynamics, but not exactly the case) the goal is to get more dynamic range out of the beat and not less. if I do use a clipper it would be in the mastering stage not directly on the two track but you never know. If I needed to I would.
@kevinmccloskey48 Thank you Great response by the way... So if you soft clip on the mix bus or mastering stage is there a certain amount of clipping you aim for or is it just until it sounds punchy?