As someone who has been the frontman of a semi-professional band for almost three decades, I can say with confidence that one of the most simple yet effective things you can do as a frontman is to have fun on stage - and let the audience see/know that you're having fun. Joy is positively contagious. And it works - every time. Also, don't disrespect the audience just because there is a low turnout. The ten people that came out don't deserve to get shit on because they're the only ones there. Those guys are the troopers, your MVPs. Do right by them and the next time you're in the area, they'll bring their friends along.
@@scudz323 That's how Guns N' Roses started actually, Duff said in an interview that at their first show they only had some friends present and family members. But then at the next one, the number doubled and continued to grow in time.
You often put down Gibson tuning instability but Tony Iommi had so much trouble tuning his he would tell Ozzy to organize a raffle while tuning. This led directly to Ozzy becoming a great front man.
If true I like that idea. When the band has to change instruments or tune, the last thing the front man has to do is look bored, or announce the next song and then wait for the band to get ready. Although I disagree that Ozzy is a great front man. Running from one end of the stage to another, clapping, doing frog leaps, and throwing a bucket of water over your head does not make a good front man in my opinion. Although I am willing to admit that having only seen him in his later brain damaged years I might have missed something.
I recently went to a local rock event and I felt underwhelmed a bit. The music was great, but nobody except the singers would move around and had no stage presence (on one show, both guitarists just stared at their fretboards), so I think a video on stage presence for everybody is necessary too
My band mates never understood why I recorded every rehearsal on audio or video, I want to see where I can improve and how we look. Humans are visual animals.
The best tip I can give is to enter the stage with your mind set to: "I am a movie actor". This is a thing I've been doing for years and now I just step into an alterego of myself as a frontman. This has helped me with the fear of playing the center role in my band and having all eyes on me. Once you naturally step into the playing role as a frontman you don't give a shit about your mistakes or if you miss on the lyrics. You are free to do whatever you like as your mindset is an alterego of yourself and therfore it's not you who miss the lyrics and you can let go of your miss instantly and move on. I use a wireless mic live and now and then I run out in the crowd singing and engageing them to sing along. We play covers, and I do forget lyrics when I do this but who cares if the crowd likes the interaction. And by the way, I am a person who doesn't like to be the center of attention, but if I'm acting, I can do whatever I want.
I read an article about Axle Rose being a good frontman and Mick Jagger was quoted as saying something to the effect of, “No matter how you think of yourself as a person or offstage, when you step on that stage you’ve got to think you’re a god.“
100% this. I used to do photo shoots with a model in Oregon who immediately went into "Movie star mode" when the camera came out. As a result, almost every single shot turned out amazing. This mentality totally can transfer to any sort of performance!
"Don't insult audience" - yes! And be careful what audience and how to treat them. I once played in a 3/4-cover rock band. We played Judas Priest, AC/DC, some popcovers we made in this direction. In other words: biker party compatible music. And so we played through all biker clubs in our area. And one good gig lead to another. And biker clubs are very correct and not stingy. Once we played on one of the biggest party of the biggest biker club (not hells angel or banditos, a local but big club, that is still independed) in our area. And we played as first or second band late afternoon. Of course most people are sitting and drinking beer than an do not make party as much. But out singer want to animate them and said "what are you for lame fucking bikers?". Guess what happend? I heard this evening about 20 times or more from guests and the presi itself "cool music, but you singer sucks", "cool show, but kick this singer out, he's an ashole. And we never played in this club or chapters again ... (band split anyway, but this was one coffin nail)
By the way you worded the statement the singer made to the bikers, I'm guessing your main language is Dutch. That is a near suicidal thing to do though. Don't piss off your audience, especially don't piss off some bikers that'll likely be drunk later that same evening.
I’ve noticed that a lot of professional Japanese rock bands have a mirrored wall in their rehearsal spaces like you’d find in a dance studio. That’s a pretty smart idea.
There's one rehearsal space with the mirror in my city and we always try to get to practice there the day before the show. Really helps to build the choreography.
A few years back a former friend of mine opened up for van Halen on the canadian leg of the tour. He told me that, he saw Eddie stand in front of a mirror before the show and practice rock poses. If Ed can do it at his level why not you… just a side note he also git to play Eddies guitar rig during soundcheck. He said Eddies tech was a great guy.
Good stuff Glenn, especially #10. Van Halen was playing to a crowd of 6 like it was a crowd of 6,000 at the Whiskey before they got signed. After that gig they got signed, in the audience was Gene Simmons of KISS who helped produce their first album.
Queen, 1985 Live Aid. Freddy Mercury put on a 20 minute master class in what it means to be a Rock and Roll frontman. He was literally playing the audience like a musical instrument. And to top it off, they completed their alloted 20 minute set in 20 minutes, 12 seconds.
Got another one for ya, don't let your ego speak for the band. There was a local band where I live that immediately got on everyone's bad side as soon as the lead singer bitched about how their first show they were performing wasn't a headlining act. This was for a popular local metal festival, so it would have been an honor even to be considered for an opening spot. It pretty much blacklisted all the members of the band until they were able to show that they weren't the problematic ones by essentially jumping ship. Last I heard the band dissolved, the singer kept blacklisting himself from venues, and no one talks to him anymore.
Our band got banned from a venue because we got moved up from our later time slot and our vocalist decided to air his displeasure on stage instead of actually talking it out with management like a professional. We're currently on undetermined hiatus, haha.
if there is one thing i can add that kinda goes with the moving around. CARDIO CARDIO CARDIO it is essential for being able to move around and still sing or scream well. for years i was just sitting around practicing but i would never have the stamina to move around the stage and id be out of breath all the time, now after doing cardio since january there are miles of difference between my stamina before and now and it also help my actual singing too now all i really gotta do is quit smoking.
I know that this is obvious advice, but just quit buying them. Here me out: I used to be in the Navy, where the kitchen would serve cake for EVERY. FREAKING. MEAL. I don't even like cake all that much, but when you're stuck on a ship, you don't have a lot of variety. I didn't need the empty calories and I found that all I had to do was get through the chow line *without* putting cake on my tray. If I could resist the sweet tooth for 2 minutes, I wouldn't eat cake. Cigarettes are hard to quit, but YOU are in charge of what goes in your shopping cart. Start by not keeping a pack in your car (driving), and don't take them in to work (so you have to go get them to smoke). Once you start tapering off, stop buying them. It's 2 minutes with the cashier, just don't ask for smokes. Pay at the pump when you get gas. You can do it! Good luck!
Hey man, I feel you. 20 years of smoking but had to quit because it’s expensive in the U.K. I got a little discreet vape that doesn’t look like a steampunk laser or blow plumes of smoke out and it’s working and my voice lasts way longer now. I’d be shredded after 2 songs before and lost all but one octave on the cigs but it’s back now. Trust me, it took over a month of having the vape before I went a day without a cigarette and I still had to have them around for the occasional one. Once you have one and it doesn’t hit the way it used to though, you’ll know you’re in a better place.
This is good advice for all of the band members. I play guitar in my current band, and our show schedule is increasing, and I've noticed I get out of breath faster than I used to, so now it's back to doing cardio again to get my stamina back up.
@@Lawrence330 thank you my friend, its sad to say that while i am still young i did start at an early age and as of right now in life it is hard but im down from one pack a day to maybe a pack a month and i can for sure tell a difference
Adding one more: Study the greats. In a day and age where RU-vid exists there is no excuse for a lead singer not to pull up videos and see how the legends and soon-to-be legends work an audience. You don't have to clone anyone, but study how they do all the things Glen mentions. Take notes, do what works for you, and hit the skip button if you somehow land on Pearl Jam or Oasis. And don't if you come across the Rolling Stones. Jagger may be geriatric but he wrote the book on how to be a front man and still does it better than 90% of the people out there.
@@footos8511 Eddie Vedder was the antithesis of the high-energy front person of the 80s. So that set him apart and got him attention. The right thing at the right time. But to Glenn's point, if you are a young band playing a club do you want the center of attention to have all the movement of a potted plant? Especially when the next guy up is channeling his inner Randy Blythe?
"The bar supplied the sound guy." And it's likely a bartender. I was at a friends show, talking to the "sound person" and she said "this is bullshit, I mix drinks, I don't know anything about this!" She slams the faders all the way up, twists random knobs and storms off to smoke a cigarette.
That's when a bit of chat before the show is vital. Sympathise with the crap the barstaff have to put up with. If they don't mind someone else doing basic sound (and if they do, then be even nicer to them) it mean they can deal with the dickhead punters and not get pestered by the dickheads who don't do sound but seem to know exactly what's wrong with it. As for random knobs etc. -- I get asked to adjust levels and eq by audience members while I'm running lights -- I'll click on a few things, move a fader or two and it does the trick every time.
I went to go see a friend's band at a bar. During one of the opening acts, one of the band members rushed over to us and said, "Guys, the sound in there is TERRIBLE!" Eyes turned to me... "Do you want me to mix your show?" "Would you please??" So I did. Afterward, the house sound guy asked me what the hell I did to make the mix sound good. I told him, and he listened!
@@soundman1402 In small venues we usually had our bassist do the mixing (he was a sound engineer). But I still remember one of our shows in which we had a sound guy supplied by the venue. And he was absolutely great, we had a wonderful sound on this evening and our bassist went over to talk to him and ask what he did. I really don't know why everyone shits on them, some sound guys are employed by the venues for the simple reason that they are good.
Yeesh, how many gigs over the years you find a guy standing there half dressed in his rec softball team uniform, he was late arriving, for sound check? "Been doing this for 20 yrs.." Insists you use the encrusted sm58s the house has used for 18+ yrs because he knows how they sound and has the EQ 'dialed in'. (Plus he thinks he won't have to change any settings) Uh huh, I'm not really looking to get herpes thx. F'n gross....No. By the beginning of 2nd set, monitors are blaring thru FOH timid sound, everything WAY too loud for room and people. Dude blames hot new modern mics (never did change the channel eq settings, the dust wasn't disturbed) along with that inverted barrel sound from the room mostly filled by stage monitor sound and low rumbly non descript FOH. And NOT thinking maybe not having an eq on the monitor system to catch bum frequencies, let alone never ringing out a room on an eq at some point to find out what the room doesn't like.😬 And that was only ONE of those guys we ran into cyclically. Awesome stuff Glenn, f*cK you very much.🤟 Also, has no idea what a DI box is. Club owner loved us, booked us 4+ times a year, dreaded every drive there. 😅
Some buddies of mine who were in a band used to review their performances like "game tapes". It was hilarious! They had NO mercy on themselves whatsoever. "Oooh, look, I'm a rock star", "Let's not do THAT again!", "Nope, that didn't look as good as I thought. " 🤣
*IF YOU'RE GOING TO BE A FUCKING ROCK STAR GO BE ONE. PEOPLE DON'T WANT TO SEE THE GUY NEXT DOOR ON STAGE: THEY WANT TO SEE A BEING FROM ANOTHER PLANET. YOU WANT TO SEE SOMEBODY YOU'D NEVER MEET IN ORDINARY LIFE. - Lemmy Kilmister Yea I’m pretty sure he yelled it.
Want to know how to be a good frontman? Watch Freddie Mercury. Guy was the ultimate entertainer. When he came onstage he had thousands of people in the palm of his hand. And I'm not talking about prancing around in spandex. It doesn't matter what your genre is, you take the basics and adjust it to fit your image.
Naah when you've done bohemian rhapsody and stuff like that ten years before hitting Wembley it's obvious you can get ppl in your pocket rightfully so, as much charisma as Freddie did have, thing is, he earn the right to getaway with that, and it didnt happened overnight, being at the right moment can make history, put Freddie in another band and he wouldnt made it i bet. There s a difference. And certainly Queen wasnt freddies band.
@@nathaninostroza7655 the whole point is you have to start somewhere just like Freddie. He didn't just pop on stage fully formed. But like Glenn said, you have to move around, you have to interact with the audience. You won't have 100 thousand people singing back to you, but you have to have that level of confidence that some day you WILL be there. You've heard the phrase being "larger than life", that's how you have to carry yourself. I remember when Pantera was just getting rolling and they hired Phil Anselmo and they were playing shitty little clubs. But Phil, dude acted like he was 10 feet tall and bulletproof. And they got noticed because of that. No question the whole group was talented but it was Phil's presence that shot them up the charts.
@@rbilleaud at first you didnt sounded like that, but here you ve explained it better, and phil Anselmo is a better take on what you re trying to convey. The larger than life thing is clearly essential when it comes to this matter for sure.
13:08 Twisted Sister handled not getting good audience reactions well in their early days. Dee would say something to the effect of “if we’re not you’re thing, that’s fine, all we ask is you sing along on this ONE section” then the whole place would sing with him.
Dee and Twisted Sister grew up not to far from where I did and played a lot of local clubs on Long Island in NY for a long while. They paid their dues before they made it and they’re really cool guys. I knew them and the guys from Zebra before they recorded their first album.
Not a front man, and I can't sing to save my life, but I do frequently present to large audiences (conferences, meetings, etc) and I can doubly recommend the practice in front of a mirror and recording yourself to get better at the gestures, facial motions, and overall emoting. Great advice Glenn
I agree with everything in this video 100%. I will add that the frontman should never turn his back to the audience and sing while only looking at the drummer. That happened to me during a show I played with a tribute band as their drummer during "Master of Puppets" and the video my buddy took looked ridiculous! Also, the frontman should move to the side of the stage during a guitar solo or any other soloed instrument. It's awkward and distracting if the frontman stands there during a moment he is not the central foucs of the music.
Im lead singer in a rock cover/bar band, we play and practice in small spaces where I'm basically blocking the drummer. When my band goes into a long instrumental I'll step aside and use it as a moment to give the band some shine while i just get out of the way. I have found people love when they can actually see the drummer going off!
I know it has been a while, but here is a question for you…. How do you deal with small crowds and empty rooms ?? How do you judge how much “energy” you throw at them ?? It’s a weird one, but how do you come across as authentic rather than try hard
I sing and play guitar on stage. I always have issues with talking in between songs and connecting with crowd. Once I prepared my in between song speeches and tried them on my band mates on rehearsal. Obviously I felt terrible and stiff, but it prepared me for shit that people do and say when You are on stage. And guess what. Next gig I was so relaxed and cool in between songs, that not only it helps my performance, but I go with the flow with people and came with not prepared parts like a boss. After the show more people came by to high five or to take a picture than ever before.
@@kimo63kimo1 yeah dude. Its always better when people are laughing and smiling. There’s a chance that people would laugh on Your not funny joke, than admire Your 16 min balls to the wall guitar solo. It’s because they came to have fun.
My choir director emphasized planning what you will say, even made us write it down and show her. It was a good lesson. That same director asked me if Symphony X was satanic though.
When it comes to audience reaction, give it your all no matter what. Henry Rollins told the story of how he was playing a show with Black Flag with like 3 people who didn’t care and said into the mic “here’s another song if you give a…” before being knocked to the ground by bass player Chuck Dukowski who said to him “you never give any less then your best with this band”.
I sure wouldn't want to see my first shows as a frontman back in the day. Yikes. Eventually I learned how to work the crowd, move around etc. But then all of a sudden we had some shows on really big stages instead of smaller venues and that was a total mindfuck. So one time I did too much on stage and the other too little. To be fair: the same goes for playing guitar on stage. I used to be too focused on playing perfectly. Result? I didn't move an inch. Now I just go with it and move like I feel. Do I play some more minor mistakes on stage? Sure. Do people hear them? No. Do they remember an energetic show? Fuck yeah. Great video once again, Glenn! Keep up the good work and never stop screaming passionately.
I was preparing for a gig and someone asked if I was the singer, and I said I was. They noticed I was lugging around guitar gear, and they were like "WAAAAOOOOWWW I NEVER saw a singer move real music gear before!" I retorted: "It's my gear, as I also play guitar."
The psychology aspect of being a frontman is something I'd never considered. Currently just a solo guitar player writing songs in Reaper (which I did pay for), and dabble in some singing, but working on finding a group to play with and front for. I'll definitely be making note to study how people behave in groups, that seems like a powerful tool to have as a frontman
I know a guy who's played lead guitar for a long time. Not a front man but did say this about performing on stage, which made it "click" for me: In his day job, he interacts with people one on one. He likes what he does, but said that interacting with one person at a time gets "boring", and that's why he plays on stage. "Interacting with hundreds of people at a time" keeps him going. Before he said that, I'd never thought of playing live as a two-way experience (I know, stupid in retrospect). I'd only thought of it as one-way, like "look what I'm doing." But it's not like that. It's a relationship.
It's tricky. A lot of singers have huge egos because actually wanting to be a front man is a huge ego trip. People are always telling you how awesome you are, and when you're onstage, you have to act larger than life and command the crowd. The trick is being able to switch that off once you step off the stage. Some people are really good at it, but some people are not.
11:42 Tell that to the Greta Van Fleet vocalist! I went to Firenze Rocks last Sunday to see Metallica, but I arrived earlier, and they were playing. I don't really know them but boy was the concert boring... the vocalist didn't really interact, he just stood there doing his thing and so did the rest of the band. On the other hand, Metallica has a *huge* stage presence. It might've seemed less boring as I actually know their songs, but they still have a lot more crowd interaction.
Er... I'm guilty of leaving my amp on standby for the first song of the set.... Thank God there was two guitarists in the band. I am in tune most of the time and don't keep switching up the volume on my amp after soundcheck in my defense!
1) cup the mic. 2) spit water on everyone up front. 3) make a lot of bad jokes no one understands. 4) SLAY IT. Edit; my bad I thought you said how to be the vocalist of trapt.
Having over fifty years of experience in music, I've grown to love these rants. I'm watching as I have my coffee at noon (I'm still a working musician). If you get through to one young (in some cases, not so young) singer, this will be worthwhile. Keep fighting the good fight Glen.
Saw a video recently of Matt from Trivium even rehearsing what he was going to say as he introduced a song. Plan it out so that it flows well. Adds confidence to what you’re doing because you’ve already done it.
Matt was live on Twitch a lot over the big "C" pause, keeping his chops up on guitar, honing his audience interactions, keeping his voice in shape and training his body to stand up for hours in order to perform. He told stories, kept on chatting as he switched instruments, showed things off etc - all incredibly useful for a return to festivals and stages.
OMFG yes on help carry! In all my bands, it was a rule that EVERYONE offloads the drum kit and PA first. Everyone. After that, you go back to the truck to get your own kit, and everyone helps each other because you can seriously injure yourself trying to carry a full amp stack on your own. If you only sing, you aren't done until everyone else is done. Period.
As a frontman in a rock cover bar band, i see myself as one of four instruments. I am not the most important person on stage, but i am the voice and it is my job to read the crowd, interact with them, and be fun. Its a fine balance between being confident and "extra" while not being too self indulgent. Alot of this is because i joined this band, they brought me in, so I never forget that it's a privelege for me to hold that mic (not cupping it lol). I do lean on my mic/mic stand alot though. I think it is most important to visibly enjoy performing, the crowd picks right up on that and lets them know its ok to cut loose and have fun too. If were not having fun onstage, aint nobody having fun on the floor
The only person I can think of who insulted the audience and succeeded was Iggy Pop in 1981 in Toronto. Look Up Iggy Pop and Irate Fan on RU-vid. But also it was Iggy Pop and dude was known for doing wild shit. Most folks don’t have the charm or nuance to pull that off. I mean…DUDE CUED THE BAND WHILE ROASTING THE GUY!
I remember when my singer wouldn't help me move "OUR" gear because I was "late". I wasn't late, we were headlining and didn't have to be on stage for another hour. I had just worked ALL day and had to haul most of "OUR" equipment to the show because our band was using my amp, my guitar and I played MY drums (I was the drummer). He said, "you're late" I said "okay, I just got off work and most of our gear is in my car. I'll just go home then". That's how you get the singer to help move your drums. Don't fuck with me. We're playing a shithole bar, I've had a LONG day, and I've got no fucks left to give.
i'm a vocalist/frontman/keyboard player in a 80's cover band .... so i'm the total opposite of metal, but I still watch your videos because there is always something to learn from "almost" every genre and pro musican/advice giver/engineer... blah blah blah. Awesome video and great advice that can be applied to every performer and front man no matter what style of music you're playing.... and agreed, Steel Panther are fricken awesome (and that coming from a 80's Europop/dance music guy!)
Glenn, if you really want to see the greatest frontmen….and women….in the world, look no further than Cuban salsa music. From the old school to more modern bands, these people sing their hearts out, they generate hype, and they NEVER stop moving. Even the backup singers never stop moving. Check out singers like Tirso Duarte. Mandy Quintero. Mayito Rivera. Celia Cruz. Pedrito Calvo. Vanessa Formell. Yasser Ramos. There are countless examples. It’s not metal, but metal singers sure could learn from them. Even as they age, they still move just like when they were younger.
As a frontman I am proud to announce I already did all of this stuff. Yes I even carry my weight with the packing and unpacking of gear (mainly because I own most of the gear and don’t trust the other boneheads enough to touch my shit). Glenn please pat me on the back!
I do too man, and I'm 6'4 270lbs size 16EEE feet, so I am more than capable of loading in and out . Tip, get a high velocity fan for the front of stage. Keeps you cool and with long hair or loose clothes gives the illusion of more movement and imagery. Got the Idea from Jeff Walker of Carcass
My bands have turned around so many shit shows by simply saying to each other "let's fuck them up. Crank it to eleven and and make them dance". And it works.
I'm not a soundman, (my brother is.) and I'm barely a musician (although I have taught myself Blues Theory as a way to understand guitar better in the last couple of years.) I used to be a wanna be rockstar but now at 60 I just like telling people to get off of my lawn. All that said, you are entertaining and informative, and I refer my musician and sound-hippy friends to your videos all the time! Keep up the magnificent work!
If i turn 60 although i'm a fulltime musician and i'm 30, i wanna yell at ppl to get the fuck off my lawn too. Thanks for sharing the right values in life Frank.
How the mighty of fallen. I went to see Crue in the 80s (Dr Feelgood tour) and a few years ago. They were far superior back in the 80s. Age is no excuse as Iron Maiden and even the Stones are still pretty good live.
Couldnt have got it more right with Steel Panther being the masters, I saw them a couple weeks ago and the crowd interaction was incredible, I had so much fun being a part of the audience
if youre from Pittsburgh n play Cleveland, dont give your drummer a mic. if so, in between songs, be ready to do crowd damage after he sings "here we go steelers" and when i said "but go Cleveland too" he did a 'bah dunt piss' rim shot.🤣they hated us🤣🍻
I want to talk about the first thing on the list. As a frontman who hasn’t been able to play a show in 3 years (drummers in Nashville only want to play deathcore or 70s covers not punk rock, which is what I play) I feel it is extremely important for everyone who can move around to do so! I am lead singer and the only guitar player. And I only stop moving when I’m stuck in front of the microphone. I’m always jumping and talking to the crowd. Trying my best to be entertaining. But damn is it tough to be the only person moving on stage in front of robots! Even if your bass player is mouthing words and looking like he is enjoying himself goes a looooonnnnnngggg way! Great advice Glenn!
A friend of mine told me a story about going to a Who concert at an Air Force base. There was some kind of alert that called all personnel to stations, so the theatre was nearly empty. My friend said The Who came out and did an amazing show. That is consummate professionalism.
My band is looking to hire a studio bum. One that hails himself as a producer, says he has a million ideas, sits on the couch and smokes all of our weed. We can't afford Rick Rubin. Any advice?
Haha, I don't play metal, I don't even perform live, but I really enjoy your videos (could you say "hi" to my big brother in one of your shows? He's a bass player 🤪).
Before I watch the video - there is one thing that I wish wannabe rock stars would finally stop doing, because it makes an extremely bad impression and I've seen it more than enough times at local music festivals. Please, do not hit on girls in the audience while you're on stage. Do not make comments. Just... Don't. Please.
If I want to be bored I'll go to a jazz show. - My sentiments exactly regarding jazz music. Incredibly musical and technically excellent, boring as watching paint dry to listen too. Also getting a singer to invest in a good mic or in-ear? Good luck with that. They're even bigger cheap skates then bass players. Addendum: If you want to observe great front men or women, go to a gym and join a group fitness class. Those instructors sink or swim on their ability to get a room full of people to jump and move with enthusiasm.
Jazz can seriously kick ass live. It does originate as dance music after all. Just avoid the fancy-pants crowd and orchestras and go see a quartet at a bar. The energy can be extreme.
One thing I see musicians doing that looks amateurish- they get the wireless mic/guitar system and get so carried away showing it off that they leave the stage. They think it looks like better audience interaction but it really tells me “they’re off the stage and they should stay there.” Saw a guitarist one time showing off that he could go all over the club wirelessly. He decided to jump up on the bar while he was playing and walked right into a ceiling fan.
I remember, back in 2014 I was at a folk metal concert, and the opening act was dressed in all suits and ties. Looked quite interesting and created a dissonance between their looks and tone.
"Don't insult the Audience", is spot on advice. Heh... I saw Nitzer Ebb open up for Depeche Mode back in like 1991 or something. I remember Nitzer Ebb was pretty freaking dull on stage. It seems the took their club show and did exactly that in a huge arena and people didn't get it. And at one point the singer says in a gothy stoic kinda voice, 'nobody is dancing... why?' So, right there, he's asking why the audience sucks, or whatever. A bunch of people shouted back to the stage, 'because you suck!' Don't ask questions when you don't want to hear the answer, especially at large crowds.
I didn't want to wear corpse paint when I played drums in a black metal band, I would just sweat it off 3 songs in so why bother, they photo shopped corpse paint onto my face for the record cover. 24 beers, I had a vocalist that refused to even show up unless there was at least 4x24 cases of beer. I had a vocalist pull every don't on the don't insult the audience list lol.
Tip: Stop asking the audience "How're Ya'll Doing!?!? after every song. That and mentioning the name of the venue, or the town, or state you're in all the time , combined with #1 above.
Practice and rehearsal are not the same thing, you practice songs, and rehearse shows. When practicing, you pick a song and work out the kinks, if someone screws up, stop, fix it and start over, tighten up songs. When rehearsing you PERFORM the whole show, top to bottom, end to end, without stopping, as if there is an audience. nothing stupider than bands who look like they don't know what they're doing next. They haven't rehearsed. It matters a lot FYI I ran sound in a popular metal venue for many years, 5 different bands a night 28 shows a month for many many years. I've watched, and mixed, hundreds of metal bands play, and only remember a handful, why? because they were cool to watch
Back when I was a DJ, I'd do this bit on the mic... How the hell are ya? And get the nightclub to yell back FUCK YOU! 300 drunks screaming fuck you Good times
#12, if you can't sing the same high notes as you did 40 years ago, either have your band tune down or better yet, just call it a day. Nobody wants to pay stadium ticket prices just to hear Axl Rose and Vince Neil making baby piggy noises on stage, pretending they're actually singing. That is truly insulting the audience.
sometimes i hear vocal bleed in a song, and the bleed comes before the actual vocals, if that makes sense. listen to the very beginning of "the pot" by Tool and youll hear the vocal bleed faintly in the background just before he starts singing. what is that? why is there that apparent delay?
I could see how Glen's schtick -- being unrelentingly hostile and insolent and just not giving a f--k -- could be amusing and entertaining to some people despite being like nails on a chalkboard to mild-mannered, level-headed folk like me. Problem is that it's not truly a schtick - it's Glen's actual personality. I can only imagine how badly he must have gotten bullied as a kid.