You can make some money but it's a hard and long road. I been in sync for over 10 years and the most I've made is 6k in a year. It's easy to sell the potential of sync licensing but it's hard.
Know your audience. If pitching a particular client it helps to understand the company and its audience. Research past campaigns to get a feel for what they’ve marketed previously.
Versatility is key! Listening to music that has been placed through a library or publisher can also help to see if you're tracks are missing something.
This is great opportunity for upcoming artist and to boost their careers with such amazing packaging is a great and plus I am very happy to be part of ditto world This is a great lesson and possibility to be known across the globe
I am an independent artist, just starting to learn about sync licensing. I’m excited that now I can use Ditto to do sync licensing which would make it so much easier. I got a question, does it work with released music or unreleased or both?
Sync tip: Make it as easy as possible for music supervisors to find your music, try to also do research on the supervisor and find out the kind of sync placements they have already done and try to make sure it aligns with the kind of music you submit to them.
Artiart hot banger in the building and big up to ditto for there hard work they are doing,thanks for allthe info that you have provided to we your fans
Would it be worth having a recorded acoustic songwriter version of a song to follow up with to showcase its flexibility within a feature? Or extra work that’s unnecessary?
First off, HAVE YOUR CONTACT on all your social media and make it clear that you are looking for music supervisors. They need to know on a glance how to contac you and what you are here for. Second, be part of the conversation . . . look actively for music supervisors, follow them, participate on the topics, There is a ton more of things to do, but it starts right here!
Short answer is no and it depends. Let's say you belong to a music library. If any movie wants to use your music all they have to do is reach out to the music library and set a rate deal. However, let's say you get a theme song placement they might make that song exclusive and nobody else can use it. But starting out you will more than likely be with a music production company so songs being in multiple places isn't an issue.
One key tip for submitting music for sync opportunities is to make sure your music fits the specific needs and style of the project you're submitting to. Research the types of music they typically use and tailor your submission accordingly to increase your chances of being chosen.
We are a colloquia of producers at Sonicsono. We produce various genres of music for Film, TV, Games, etc. Can we get a deal with you or other publishers with a non-exclusive agreement? Please keep us posted.
Ok, Ditto Music. Can you mention any of your subscribers have synced something in a movie, commercial or TV series? Because... all this... is smoke. It's a one in a million chance. This is all rigged. They are always the same.
