How to Unify Your Watercolor Painting 

▶︎Free Downloadable Guide: 5 Steps to Plan a Successful Watercolor Painting www.learntopaintwatercolor.com/5steps

I love this video format! It is so helpful to see the reference photo, you pointing at the parts of the photo that you’re referring to, and hearing your thinking process and decision-making. This was really instructive. Thank you!

Love the breakdown and how you point everything out. The middle value is where I struggle. This is helpful.

Details are the easy part, it's the drawing and overall large shapes and values that make the painting.

I follow your tutorials with great results

Great job Matt. 'love the speed play-by-play!

Love the way you teach. so simple yet very helpful .

Very useful video ! Thanks a lot !

Excellent tutorial, thanks. I will try to implement this in my next painting

Extremely helpful. Thank you

Another great one. Thanks.

감사합니다.

Keep up the high quality content!

Thank You

This is cool❤ tks Matt

Thank you so much!

I get it now! 💡 😮thank you 🙏🏻

Thank you for all your tutorials, you are a great communicator and so consistent in your tips and techniques. One question, how do you save the whites of your paper for your lightest lights/highlights when you wet both sides of your paper? It's a great technique, especially in Colorado where the paper dries so quickly that getting nice wet in wet and flow is very hard. But I have not figured out how to save the whites without masking or wetting most of the paper on both sides but strategically trying to leave some of the paper dry - which is quite a challenge!

I love watching your process... I would love to paint engaging city scapes or landscapes, but have mainly worked on florals, animals and portraits (which were my reason to begin watercolor). Is it important to connect mid value shapes in any type of painting or primarily in landscapes?

Could that be implemented when painting a foliage???