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How To Use Modes On The Blues 

Fretboard Confidential
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For organized, ongoing weekly lessons that help you learn tunes, turn them into complete songs and start improvising, join the Fingerstyle Five membership at www.fretboardconfidential.com/.

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27 окт 2022

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Комментарии : 18   
@restlessmusemusic
@restlessmusemusic Год назад
I suspect that, if 95% of the guitarists who surf you tube watched this lesson , it would revolutionise their playing. So good, as ever 🙏🙏🙏
@TheHarmonicaBarge
@TheHarmonicaBarge Год назад
This is dynamite. Your channel is perfect for my guitar playing right now. Wish I'd found you sooner. Greetings from London.
@wyonglow3834
@wyonglow3834 Год назад
what a incredible lesson this is.. thank you sir !
@Livyatan1988uk
@Livyatan1988uk Год назад
That's a well loved guitar you have there.
@user-kq7gc1eb8f
@user-kq7gc1eb8f Год назад
Thank you!
@voronOsphere
@voronOsphere Год назад
Brilliant Lesson, David! Thanks!
@TheStringDojo
@TheStringDojo Год назад
You used all my lines for the solo!, jajajja, now I have to start all over again!
@fairenoughthenwhat
@fairenoughthenwhat Год назад
Good one again. Thanks.
@QBRX
@QBRX Год назад
Sounds so nice, I gotta be able to pick up my speed though.
@davidfurnival176
@davidfurnival176 Год назад
Hi David, I'm working on this month's membership song Lil Surly and whilst learning the Em Dorian scale and felt more like it wants to resolve to D. After scratching my head a while I saw that the F# and C# are straight out of the Dmaj scale, interesting, but my ears won't let it resolve to E. More work required.
@mdyerlrb
@mdyerlrb Год назад
David, from my understanding, E Dorian is the 2nd mode of the D Major Scale. It contains exactly the same 7 notes as D Major but starts on another note......E. Maybe our fearless leader can clarify which notes are the best ones to resolve to besides the root. Hope this helped.
@Michael_Malice_Music
@Michael_Malice_Music Год назад
I think it might help if you start using the more as passing notes at first. For the c# for example, I like the sequence b-c#-e to get used to the 6th sound of the c# rather than Maj7 (in a Dmaj context). for the F# you could try e-f#-g/g#-e. Another thing that helps me is putting a pedaltone over the scale im practicing. So, let the E string ring out while you play the scale from E to E and try to slide into the color tones (c#.f#) from time to time to really get a feel for how they sound different over E. Or play a steady bass and do the same. Generally it helps to add notes that resolve to E more strongly like the 3rd and 5th, into the run. Hope that helps :D
@davidfurnival176
@davidfurnival176 Год назад
@@mdyerlrb Thanks Mike, very helpful, I have a lot to learn which is fantastic
@davidfurnival176
@davidfurnival176 Год назад
@@Michael_Malice_Music Thanks for taking time to share your insights, I'll give those exercises a go.
@voronOsphere
@voronOsphere Год назад
@@Michael_Malice_Music Helpful for me, too. Thanks!
@John-ic6zo
@John-ic6zo Год назад
Yes David,but which string at which fret do I play!
@MrJamlee88
@MrJamlee88 Год назад
Love the “bad jazz” comment.
@joesheehan5475
@joesheehan5475 Год назад
so hard to follow with all the talking, Im sure its helpful but just so distracting w all the interruptions. Just show it man
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