How to use SYNTH NOISE to make music more exciting 

This channel is gonna blow up. Keep it up mate, quality content as usual.

It's essentially like a rock drummer going hard on cymbals on chorus sections. Adds that chaos and excitement. Also playing open hi hats to add excitement to say, the B section of a verse or pre-chorus.

i make noise unintentionally while trying to make music, so i think thats why i was recommended this video. great video

Three AM Eternal! Big crowd noise in the chorus there and veeeery exciting!

Many thanks for giving us the keys to the castle of those mysteries. Love it. Working them out on my MPC.

dam man, you did it again, another banger of a video lad, love from ireland

Wow, instant sub after that intro ❤️ Will be referencing this video as the most effective way to make an intro for a RU-vid video.

Great story telling, and a bit of a banger in the creation bit.

I watched one of your videos for the first time last night, I've since binged all of them and subscribed. You are brilliant. These videos are as entertaining as they are educational. Can't wait to see what else you have coming!

Just found your channel via the Drawmer video and this is another good video. You are definitely the king of gate - subscribed!

Ah Brixton Academy must be one of my favourite places to see bands and raves. Those Megadog raves were trully legendary.

Pink! Pink noise, everywhere! lol It was always ontologically obvious to me that pink is the most abundant noise. So happy when the James Webb telescope confirmed. lol The universe is indeed, mostly pink! ∆ sounding awesome 👍

Loved your gated pads vid and this one is great too

Man, this chanel f amazing! I'm mesmerized by the programming part!

Fantastic video a real treat to watch you work!

Absolutely loving your videos, and I’m glad to someone else using a Pyramid, I love mine.

High quality content. Bravo

Great video, keep them coming!

Absolutely love your mic decorations haha

Another great video by an intriguing fella

Just discovered this channeled. Subbed! Thank you!!!

This sounds good 👌

Great stuff!!

This is absolute 🔥! Your videos have inspired me to get back to making annoying noises with my computer after I'd stopped for a bit. Also, March 19 is my birthday too! So I guess I share something with this channel! Jealous of you seeing the Smiths. Must've been amazing.

Wow great video. I think this is why I like the strega by make noise so much. The delay circuit is so noisy it creates waves of white noise that sound great and are entirely playable with modulation. It is down right gorgeous.

GUP was such a Fantastic Album! Moving Pictures, Signals. GUP and Moving Windows saw the Integration and Progression of All that Awesome Synth Hardware! Rush did it right! This was a Great Vid with reference to sampling regular everyday noises and turn them into music!

According to the subtitles the Ian Stanley Exciter advice was your " Urea Moment!" LOL. Sorry man, great video. Every technique you've suggested so far I've found really useful and inspirational. Thanks!!

Amazing video! This my favorite music channel.

Seems like we are of the same ilk!!!! I enjoy ALL of your content!!!!

You really are an inspiration. I can actually envisage a use for this technique for lifting sections in prog rock tracks where ride cymbal usage is less prevalent. Thinking on, artists such as Van Der Graaf Generator and Hawkwind used a lot of filtered noise in their music way back in the early 70’s, so there is form there. Many thanks, and that’s a subscribe from me !

'You See The Trouble With Me' by 'Black Legend' uses this philosophy to the max!

Giant arena EDM synths always have that big white noise added specifically for that excitement and it's amazing how well it works. I remember figuring that out and suddenly hearing in EVERYTHING lol😋

Great memories

my man can tell a story!

Has a bit of a Thrill Kill Kult vibe, even. 👍..also, get yourself a Roland AIRA S-1. It's AWESOME at white, and pink noise effects. Really, it's all-around amazing! 😉

Gotta love that Lately Bass … and … Everything else.

You are one cool dude!

Wow, gonna try this on my Behringer blue marvin 2600, sequenced by tne Korg SQ 64.😊

That's what cymbals are for. Especially in jazz.

1. There are no mistakes only happy accidents. 2. There’s nothing wrong with having a tree as a friend 3. You can do anything you want to do!

Fun to watch you make this in real time with your stream of thoughts as you go. Are you making the cinematic doom hit with the R-8?

Oh you mean white noise. There's some really cool examples of synths that are specialised for noise music. The Ekdahl Polygamist is super unique but is as rare as hen's teeth. That thing can make some crazy cool evolving noise. Of course it can also be used for regular music and it's great at bass.

I'm glad I found your channel. It will become one of my favorites for sure!!! I have some questions: you said filter below 85Hz and above 255Hz, right? Because I'm trying, and I can't the same result, but instead 255Hz around 2500Hz I can get closer to your result. What filter slope you are thinking of, a 12db/octave? Thankyou! Loved the video and your 80s bass one too!

I do love NOISE, I love NOISE on my modular and I even love the NOISE tracks from my Gameboy using LSDJ and Nanoloop Mono. Noise is key to making Modular Drum Patches. Noise and Sine are underrated ... saw waves I almost never use except for modulation

EXCELLENT. THANK YOU. INSTANTLY SUBSCRIBED!

Loving this channel, the thoroughness, the enthusiasm and the sounds! Just wondered why you’re not sequencing in the Arturia Keystep? I bought a Keystep recently for sequencing - but found it responded better to programming - rather than performing into it. While live recording it misses some notes. Have you found that?

That is a very astute observation about the grunge element to their music , not something I had previously considered, I just had them as a band combining synths and guitars.. But the final track on the album a song named Sence is an even heavier version of grunge meets acid type synths 👍

Reamp through a guitar amp in a room not in the box & multitrack synth & guitar played live & use a lot of noisy old analog guitar pedals. Things sound exiting when they are imperfect. I call it the perfection of imperfection.

Maybe you could add an inset in the upper left of the Pyramid screen when you do these Programming Speedruns.

the bob ross pic hehehe

I'm always trying to slip some shaped static in, cheers mate

❤❤❤

dude, fantastic sties, fun to hear about Tears for Fears.

Art angels by grimes has some sick crowd noise that’s sidechained to the kick

The Beatles used white noise on I Want You (She's So Heavy)

Speed the whole thing up to 130bpm and you yave every Motiv8 remix, ever

Intro to Moving in Stereo by The Cars music.ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-y5oPZFDci80.html&si=a5nuSk3uyFOanf61

If you get time have a listen to the synths on this record, I contacted the Producer to find out what synths they used on the song , they used Pro Tools was the reply. Band name Inaura , song title Coma Aroma ( Radio Edit )

I think the best "noise adder" synthesist I can think of is Thomas Dolby, I'm always knocked out by what it adds to the track and think how the hell did he think to do that sound there???

👍👍👍

The amazing Bob Ross. A total icon.

Could you get to the bassline to Relax by FG2H using that gate effect ?

Just had a listen to Inaura - Las Vegas Leg, the singer is doing his best David Sylvian / Japan impression.

I wasn't there, but I wonder if the gig started with The Queen Is Dead???

Big drum, Crowd noise. This is in danger of sounding like Steve Wrights old opener!

When that single Coma Aroma came out it was at the same time as the Spice Girls , I thought Inaura would be massive but sadly it was the Spice Girls that broke through

From the all people that walked behind him, just 10% looks like actual english people 😂😂

It's a little dated now, but to hear some gratuitous use of distorted noise, screams, etc, being processed by noise gates, check out, - Strap Down Part 3 - by Meat Beat Manifesto god bless

Best example would be every Track of "Scooter".

It really is a great sounding bass line but then again the bass line on Two Tribes is really good but not as electronic sounding. I did hear an interview with Trevor Horn about some of the production and cost of making Relax. Those musicians you mentioned turn up on plenty of bands from the 80s a lot of bands using the same session musicians - Wham, ABC, Go West, Fuzzbox, Annie Dudley also plays on some of the tracks by those bands

JOHN FOXX -- UNDERPASS

I was supposed to sound engineer them with Martin Hannett producing but the money men said, they would have to change there singer first. true @0:25. I was the same, a electronic musician who by luck listened to Rush ,spirit of the radio. When back to Manchester to watch them do there 30th tour. best gig i have ever been to.@4:40. Here at the beginning make good use of noise but with the rez up high so half noise and half filter oscillating ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-i7YUrRhrg14.html

Wish by Nine Inch Nails is a great example this

I don’t get it.

You should have listened to Abbey Road instead of Sgt Pepper!

WTF is a Wok Wecord🤷🏼‍♂️

Your first problem is you’re being an engineer not a musician. Yes, crowd noise deserves a piece. SPEAK UP. But thanks for reminding me I’m supposed to be having fun and exploring, not digging in to YT.. 10:11 Oh no. You’re using the Dr. Who Filter. [They don’t work over here. The Johnny Marr filters almost work like the Thom Yorke Filters without gating]. 15:25 How do ya play incorrectly when you’re making up a chord progression? Dare me to make you a no-music beat for your edification, AND a chord sequence for this. 19:31 Worried about a clap instead of your next chord. Wish I could jam with you. Forget quantizing, you’re fine with clocks. 21:57 Forget the glistener. This is a jam. But maybe we’ll do the complimenting for you. Oh, wow, use a Yes or Skynnard album for crowd noise. In the 70s, bands were shameless about mixing in crowd noise. Explore with your colors of noise (they’re on the net: brown, blue, red, green, etc. noise) There’s no reward in manufacturing noise. No, your problem is the noise itself. It takes up tons of room in the mix. 32:15, Yes, you said that before, a noise solo, but how will you restrain it? 33:25 Comb filter? High pass filter if you don’t have it. Main problem is noise has unlimited bandwidth. I like your gating, you’re on to something. But I’ll bet you £5K the whole noise thing has been done; if not in Japan, then in London. But NOT as rhythmically! I can help with rhythms. I actually program them in my sleep. Lush, Shmush. I’m 70 and I was playing, interviewing that band when you were thinking about f**king your babysitter. You know, the only thing standing between you and the Trevor Horn Beyond is time. How bad do you want it? jedthefish@mac.com Put TIME CLOCK in the subject line if you’re serious. I will get your email if you tell assistant Rebeca I’ll for sure want to see it! ; ) Look me up. Jed The Fish, KROQ Los Angeles, fired in 2012 after music sucked. Serious, stop jacking off and decide what success actually is in 2024.

Cool mid way video but way too much talking get to the point

Nice, a clear demonstration, sir, this is, of the uttermost important thing in playing/recording a piece of cool music is a human touch. The grove, right there in that pocket, yeah.. Also a fine demonstration, sir, of what's the first thing in writing anything cool, story or music, to go out there, discover things, goof about. lDo all the lolly joygaging, get some tiny amount of experience, like, just a bit of it. Later when you'll be in the usual daily hallucinations, fabricating delusions, falling into deep meditations while you shower, rest, lounge about, remember the things that touched you, or at least find one thing, if that true gold within you is not shining through yet. The thing that's been glittering back there in the mystical labyrinths of childhood memory coral caves, where everything is green and I'm an aquamarine by now (if not all the time). So, now go, and find that dream lost that you thought you'll never be able to have again. And at last, sire, if I may say, a superbe demonstration of the use of gates, volume knobs, filters and mute mutton as a really important and a serious instrument, no less. I wonder how one would notate all that sheet music. Hmmm. I think I'll go myself, now, and write me a song entitled Mute Mutton