I made an album using EVERY mode 

King David and the Lavid Wavid

This is insane, need to retitle: "I made an album in ONLY THREE HOURS using EVERY mode!!!" GLORIOUS!!!

just like King Gizzard

the amount of talent and knowledge just to make Locrian so euphonious and mysterious is huge

Honestly, Locrian was my favorite. Ive always liked the unsettling sound of it, and i just don't think it gets used enough. So hearing a nice, beautiful piece in Locrian that really captures it well was very nice.

I love seeing the creative process unfold. Thanks David!

One thing I like to do in Locrian that helps it sound a lot more "normal" (so to speak) is to make the tonic chord a minor 7th chord, but without the 5th, which is totally legal within the mode and makes the mode sound somewhat stable because you remove the tritone, which is very cool. It kind of puts me in the mind of jazz artists that traditionally sometimes leave out the fifth in their upper extension chords, and it still sounds like the actual chord because the mind kind of fills in the 5th sometimes. It might seem like cheating, but having that minor 7th in the tonic chord really goes a long way in making the resolution to the tonic sound "correct" and still gives you all those creepy intervals to mess around with! I have a song that I've written that goes from this fifthless minor 7th chord to a dominant 7th VI chord in Locrian, which to my knowledge isn't a chord change that's technically available in any other mode of the major scale. For example, if you're in B Locrian, you could go from Bm7(no5) to a G7, which is a very interesting sound that you can't really get anywhere else without borrowing from another mode (again, as far as I know.) Figuring that out really opened up my understanding and utility of the Locrian mode, and I've never heard anybody else use anything similar! If it sounds cool to anyone in the comment section (that includes you David) free to steal it free of charge 😉 But in all seriousness, if any of this makes zero musical theory sense, please let me know...because it kind of feels like cheating, but it seems legit as far as I can tell, lol. David, if you'd be interested in letting me know what you think of it, please let me know. It's something I've been thinking about for awhile and I haven't been able to get any professional opinions on it! Thanks! 😄

King david and the bennet wizard

Very cool! Mixolydian is an easy favorite, it’s honestly easy to sound amazing in that mode and you nailed it - really liked the 12/8 shuffle !!

The one that ended up being my favorite out of this set is actually Locrian. I’ve often had dreams that seemed like they had a post apocalyptic atmosphere because of what seemed like a color filter that codes everything in blue. That’s kind of the sense I’m getting with this track. Very dark and gloomy. And blue. Not in a melancholic sense, more in the sense of it being like a spooky post apocalyptic wasteland.

I should probably do this. Easy to learn the modes Assuming after i start learning the piano

Great video! Congratulations on making an entire album on such a tight time frame. Loved the concept!

Great suggestion in using all the modes David!! Well executed. My fave was the Locrian - very hard to come up with anything of substance here. But you nailed it.

5:04 - That 'i-IV' vamp brings to mind Coldplay!

Funny thing: I’ve had this idea of writing an epic with each section being in each mode of the major scale! The title I have in mind is a work in progress though: “I Don’t Particularly Like My Applejuice, Lucas”

I like how this teaches a lot about the composing/improvising process.

David, this is amazing, awesome work!!

Ok. Added to my Spotify library. What a treat! ❤

I just listened to the album. Veddy good, sir!

Fascinating!

Loved this video 🎉❤

Love the idea!

As a typical piano nerd, this video was like Christmas Day. ❤ Such gorgeous compositions and informative, too. Loved your aeolion piece best. 😊

I made a song using the Whole tone scale i appreciate these types of videos with the thought process behind it. I find that whenever i make music its very delibrate like im thinking about every interval and stuff so i appreciate more improvised style's of song making

David, you're a talented dude. Nicely done

My favorite was this 5th mode, G-Mixolydian😊Thanks hugely for a very interesting vid😊

Excellent idea

the locrian song is mindblowing, nice job!

Awesome video and makes me want to do this challenge myself

That was a super way to musically imprint modes on a guitarist because the context was more organic than using a pedal drone note as is often portrayed in guitar tutorials on this subect. A discussion on chord tones and progressions within each mode would be nice too.

my favourite was the c major one, I loved the sound of the cluster chords

Thank you for this amazing video I liked aeolian, Phrygian and mixolydian the best

Listening to your exploration of E Phrygian, I realized "This House Is Full of Noise" by Editors-which I've enjoyed for years, but have never tried to deconstruct-is in that *exact* same mode (for most of the song, anyway). Love when epiphanies like that happen. 🙂

Really big fan of your videos and way of explaining music David! I’ve been wanting somebody to explain each mode to me, the way you did it by explaining the feel and character of each was just what I needed! Many thanks!

Thats awesome! l love how you can have so much to explore with modes. I've been playing around with modes for a little while, i learnd about how to use them from one of your videos a while ago. Once I could understand them I had a blast playing around with the modes.

Aeolian- loved the Latin spin you gave it! If I took on this challenge, I might try to make track 3 (if I tackled them in order) sound Middle-Eastern- that, Phrygian Dominant, and Double Harmonic are all typical of that area, as you've said before.

Hello, David, love all of these solo piano. It's so amazing what we can do with these modes. I just have a question, Do you think there should be signs (like treble clef, bass clef, etc.) for all these modes?? One sign for one mode each. By the way, Love your videos, They are amazing!! Looking forward to the upcoming videos!!!

Thank you for making these lovely videos, always a fun way to learn!

What a fun idea!

the 2nd of october

I tend to pair modes, so ionian with mixolydian, dorian with aeolian, phrygian with locrian based on their starting notes, and often swap between them when improvising. I had a problem with lydian, in that its start notes are unique, but then realised it's only a #3 away from ionian, so pair with that too. Recently I've also paired with finishes, mainly descending, so dorian with mixolydian etc. It's good for the modal interchange stuff, but there I also include melodic minor and harmonic minor with aeolian and dorian, just try the same note order of what ever I'm currently playing, through all four.

Why aren’t they in the order from darkest to brightest? I love that idea, and you introduced me to it

Damn. That’s inspiring, David. As it happens, I’ve got three tracks in the works, each in a different mode (Ionian, Aeolian, and Mixolydian). I will probably want to transpose a couple of them to keep to the spirit of the challenge. Now you’ve got me thinking, but I know that bloody Locrian is going to be a challenge. Still, thanks for the idea! 😁

Could you talk about Augmented major seventh chord?it sounds interesting!

Locrian could've been in a silent movie scene where an unhappy farmer's daughter decides to go to the big city, maybe persuaded by a silver tongued huckster.

Only just started the vid, just up to track one and you mentioned it being Philip Glass/Steve Reich minimalism time and i had to stop to ask have you heard The Divine Comedy's Philip and Steve's Furniture Removal Company? an insane piece of music that is is supposed to be the theme tune to a fake sitcom idea based around Philip Glass and Steve Reich starting, you guessed it: A Furniture Removal Company. If you haven't i highly reccomend checking it out, the way it just loops and builds is stunning and bloody hilarious. Headphones highly reccomended.

Wonderful job, I love it. I think many had a similar idea at some point and I think actually sitting down and doing it is a good exercise.

The other reason why you have to work at making each piece sound distinct, is because you are the composer and performer of all these pieces! But that is a good thing as that is you represented by your music. 😁 phrygian & aeolian I liked the most.

Ice, David, Planets, Bennett, Mushrooms and Piano

Rather than being “Halloweenish” , I felt the Locrian mode was somewhere between Debussy and Stravinsky

Can't be a good album if made in a day, but you do you. Thunbs up.

Vibes of Locrian: spooky, scary, unresolved (both in terms of music theory and the way it sounds).

D dorian and A minor were my favorites

My favorite songs of yours were the locrian one and the Dorian one

The Locrian one was great, ethereal, atmospheric (fir being a Locrian)... Almost ambient/new age like.... But in any case (in my opinion) not really scared or immediatielly identificable as Locrian .. You made it Dave👍🏻

This is like the best idea for an album I've heard

love the bossa nova feel of the aeolian piece

I am very fond of the Lydian mode, but with this video you just seduced me to write something Dorian next time.

I predicted you would choose 12/8 for Mixolydian! 😅

D Dorian and G Mixolidian were my favourites well done!

Id like to see you explore locrian more

The E Phrygian is glorious

Just downloaded ‘White Notes’ off Apple Music. Really enjoyed listening to it straight through.

That is exactly how Randy Newman and Brian Wilson compose. And I do, too. Only not as wonderfully as the previous two.

Dorian Dorian Dorian!!! Also Lydian and Phrygian. And the others. Hard to pick really, isn't it?

Fantastic David 😅

Hi David, was delighted to see your new album on Spotify 😊😊. Hoped to ask if you had considered creating public Spotify playlists each containing a single musical mode, or specific time signatures etc. I struggle to intuitively identify or distinguish modes by ear. I'm sure such playlists would help tremendously.

Lydian 🤤

🙌

Great video as always! If you were to play in D-Dorian would you then use D minor as your home/tonic chord or would it still be C major and only the melody would return to D as a sort of homebase?

Maybe a bit late now, but maybe bookending the album to finish it off with a reprise of some sort in C major would add a sort of resolution to the album?

Mixolydian reminds me of complete freedom. Imagine being in Cali somewhere on one of the mountains, shooting off fireworks.

May come as a surprise but the Locrian piece really stood out to me, it's precisely because it's eerie and dissonant by nature that it sounds so good and has so much potential. And you nailed it!

I keep getting inspired I don't know why.

The white only album ;)

Thank you.Your channel makes me and my brain happy. I love to learn new things!

Glad to see you have plenty of fire extinguishers. Excellent video - I’ll mark it “watch again” 🎸

Hey Dave what inspired you to make this video?

Hi - I have a question that's unrelated to this recording; On the Beatles' song "All You Need Is Love", George has a short guitar solo, and he does this thing where he comes in a good half-beat or more late. In fact the whole solo is just a little bit off, which adds a lot to the song, I'd say. I noticed that Maria Callas does almost the same thing with her rendition of the Bellini song, "Casta Diva", I'd say - even more exaggerated! (She might do it in other songs too -- I'm no kind of expert on opera, or any kind of music.) Anyway, I'm just wondering if that kind of "behind the beat" singing (or playing) has a special name, or annotation in the score? Thx.

Thank you David. Your tutorial are on FIRE judgin by the two extinguisher in the room. 🤓 Keep'em coming and much respect from 💙💛💙💛 SWEDEN 💙💛💙💛

Have you done a I V VII IV chord progression video?? Or as I call it the Unforgettable Fire progression . U2 - Unforgettable Fire (Chorus) offspring- She’s got issues Men at work - Overkill (verses) Duran Duran - Rio (chorus) Green day - Prosthetic Head

Could "Sober Optic" by Art in Exile possibly at least partly be in the locrian mode? I don't have the knowledge to figure it out myself, but it sounds rather dark and scary and unresolved most of the time.

awesome video!!! great job!!

I got a David Bennett ad on a David Bennett video

I wouldn't say that the lochrian scale is "unusable". It is very limited, though (if you think standard western tonality), so it requires more creativity. But I've heard pretty nice stuff in lochrian, and it's an underrated and undervalued scale. It's way more pleasing to the ear in the higher registers than in the lower, but you could make sweet lullabies in lochrian as well, if you have the right mindset.

Thanks

Truly enjoy your content.

Cool

If you put your mind to it, you can accomplish anything! - Dr. Emmet Brown, 1955

I love what you did with locrian, man such an awesome sound. As well as your lydian piece, both unstable and hard to use but done very well, keep up the good work.

The Mixodilian piece reminded me of George Winston

hi david, i found a really beautiful chord, idk if you'd want to check it out, but it's aflatmaj7add#4. it has to be the most gorgeous chord i've heard personally, probably my favorite overall

Im doing the music production course next year in college. I sorta want to do something similar to this, but i cant even write a song in 6 months rn. Anyone got any tips, cos im getting a bit scared

11:58 The fancy lick

Digging Graves..Indeed🤣🤣I feel like digging one too after hearing that! Ab Fab Dave really enjoyed that.

Which one of these pieces are you most proud of / enjoy the most?

what bout the hypo- modes?❤

Wow this is so interesting bro

Here are some of my favorites. A aolean (natural minor) really like the sort of Tango inspired sound you were going for there. A lot of Tangos are use minor scales, usually harmonic minor, but natural minor is there too. B locrian: Really like the use of the tritone in the arpeggio, and the occasional diminished chord in the right hand. That made it sound more spooky than the songs that use scales like double harmonic minor and Lydian flat 3. I like the haunted house vibes you were going for there.

The aeolian one needs an electric piano to really get its groove on.