At the end, the voice saying "It has always been here" makes me think of the Backrooms like a collective unconscious, a dimension of forgetting made manifest. Think about it, do you truly remember any of the types of spaces similar to the Backrooms? Office buildings, indoor pools, furniture stores. You might remember what you've seen in them, what's happened in them, but not the space itself, not like you'd be able to map out your home or even city. Maybe the Backrooms takes on its form because of what we've forgotten: "liminal" locations, objects like a specific couch or the giant chairs we saw in Found Footage... maybe even the monsters dwelling in the Backrooms are things we've forgotten. Maybe they're forgotten people trying to claw their way back into living memory, or maybe they're concepts like nightmares being twisted into a physical form. Accessing the Backrooms could be imbalancing its very nature, since you're sending something remembered into a dimension of forgetting, so areas where one can noclip are created in reality to try and balance it out. That's my theory, I admit I'm more of a purist when it comes to the idea of the Backrooms so I tend to stick to the original vibe of it over any other explanations.
So They’re in a simulation and they’ve found the back rooms like in a video game when you no clip. It would be cool if they could leave the simulation like in the matrix and find who created the simulation. Maybe it was the evolved ancestors of the simulation or aliens that created it which is what those things are that are chasing them
Immediate interpretation: the "sea/ocean" is meant to represent the Backrooms; Talking about a house and other things "cast down to the seabed with all the other forgotten things." As in objects or places that were forgotten becoming a part of the Backrooms. And the person talking, the person who "remembers" could represent Async, who rediscovered that which was once forgotten. An example being the Picture seen in "Found Footage #2" and the home video. This could explain why the Backrooms is the way it is in the first place: it's the physical manifestation of being forgotten. "Folding downwards, into themselves" "Forever tearing along the seams of the sky" Describing how the Backrooms molds these memories into something; only to tear itself and all reality apart-- creating a labyrinth of twisted halls that look like they were made by humans... but could never have been due to how unreal they are.
I think the house being consumed by the sea is a metaphor for how the backrooms will consume reality. At the end he says, “and you ask yourself, could there ever be anything greater than this?” Showing that Async doesn’t understand the implications of what they have discovered, and they think it’s an opportunity for profit.
This could very well be the person sneaking the secret messages onto the past recordings. He very obviously holds a tremendous respect/reverence to whatever the "seabed" is, perhaps the other dimension. Looking at the footage on this too, something has clearly happened at A-Sync which has caused much of the staff to flee in a hurry. I suspect the meddling that they've done in the other dimension will result in drastic consequences for the rest of the Earth.
its crazy how they never wanna support you until its to late.. all it take is right person to hear me give my music a chance i promise you wont be disappointed
From what i got from this, if "The Sea" is The Backrooms, that would mean that the "Manor looking over the sea" is Async. Given that, "The house was taken from the sea" hints towards that at some point, Async is destroyed by something in the backrooms or the backrooms itself. We can also assume that the man speaking worked at Async, since he claims the manor was his home. Also, I believe that the line "folding inwards, tearing seams in the sky" is a metaphor. If the sea is the backrooms, it stands to reason that the sky is the real world, and that effects of Asyncs meddling with the backrooms are still present even after their destruction, slowly tearing apart the real world. EDIT: This may be a bit of a stretch, but the speaker claims that the manor (Async) was a vestige calling on to strangled ears. This could mean that either Async used to be a much bigger organization, or (more likely, in my opinion) was something a group of people (the "strangled ears") worked tirelessly towards, and Async being founded was what sparked the project back into action.
I think this async member is remembering when that happens, when reality (the frontrooms) combines with the backrooms, and now (the present) is when real life BECOME a backrooms level and everyone's in the backrooms
*"I had a home once, a manor, overlooking the sea"* - The manor is Async, the sea is the backrooms. *"Upon the world this was a vestige, calling forward onto strangled ears"* - vestige, a remnant of something forgotten. Async abandoned the backrooms project, perhaps when they lost funding. *"But when skies turned dark, the house was taken by the sea"* - I don't know. Perhaps all of Async's facilites were swallowed up by the backrooms. Or Async ran into difficulties with the backrooms, which in hindsight seems much more likely. *"A pillar truncated"* - truncated, to be cut short. Perhaps the US was too hasty in cutting funding to Async. Perhaps there was more to be found? *"Cast down to the seabed with all the other forgotten things."* - pretty self explanatory. *"But i remember. Fleeting shells sinking ever slowly"* - things, maybe even people, sinking into the sea of the backrooms. *"folding downwards into themselves. Forever tearing along the seams of the sky. Until nothing remains except the eternal ghost."* - more and more things are disappearing into the backrooms, until nothing remains except the incorporeal being, completely unaffected by the backrooms. *"And you ask yourself: could there ever be anything greater than this?"* - perhaps referring to the backroom's immense, maybe even infinite scale. *"we have always been here"* - The narrator is an Async researcher, that we already know, since he claimed the manor (Async) was his home. so why would he say "We"? It could also be "You have always been here", but who is he addressing? Looking at it more closely, i wonder what the picture at the very end was. There's some text in the corner: *"CR9-S8, R3"* (or 58 instead of S8 as TK1532 pointed out in the comments) I searched it up, and found a reddit post on Kane Pixel's subreddit. Someone on there said that "S8" stood for "Server 8" and that "R3" stood for "Room 3", but didn't know what CR9 stood for. I also searched for "CR server storage" if there was anything useful there. Nada. Maybe it means "Contents Router" but i don't know enough of web stuff, so i can't really judge on that. Also interesting how they show only pictures related to the backrooms, the sea, servers presumably used by Async, a building, maybe an Async facility, and then the actual prototype.
@Quinzerrak Just listened again and I still hear "You've always been here," but it'll always end here makes sense too! I wish Kane had written the transcript in the description.
I love that the rendering quality is good because it's not a recording from a person from the 80s 90s. And even so, the immersion of realism isn't broken at all. The scientist in the suit even looks way more realistic than any other youtubers 3d models. Kane's attention to detail is so great.
That’s because Kane does a mix of videos and cgi. He has actual actors in his clips with props and mixes them with impressive CGI. To the point it’s hard to see what is CGI and what is just normal acting and video. Not all his characters and sets are 3D models but he does mix 3D models and green screen with a lot of it
Yeah it reminds me on fortnite cause of the way they always say that and then it isnt like what how is that even, its just so cool how EPIC GAMES can really do thing like that and i wish i really could but, sadly i cant and it is really, and i just want it to be like this, like really dude wth this thing is not that its just over there is better like, come on man you know it is to but u always act like it isnt so stop playing these games and exept the truth, herobrine IS REAL and he IS coming for YOUR DIAMONDS so start running cause he will kill anything in his way really seriously this isnt a joke, look behind you its there the masked man, Dream.... is that you.... the man behind the mask..... "I wear a mask with a smile for hours at a time." OMG IT REALLY IS YOU DREAM wait you have weird face ...... wut..... its like troll face, u most bee trying to troll me, sigh , dream please stop trying to troll me i really dont know why you are doing this man, i love your videos and stuff and i hit the like and subscribe button, so please dream, just sigh stop following me around my house and telling me to " take of my skin" cause i need it to feel stuff and stuff and im not a teddy bear filled with stuffing like stuffing from thanksgiving i dont know why stuffing is even that popular its kinda gross, im so glad they didnt add stuffing to fortnite, on that note, DC recentlly made a movie around the fortnite character the foundation wich is really cool cause i love fortnite i just wish i knew how they put the foundation in real life in the new movie black adam, by the way make sure to like and subscribe plus buy lots of ZOA ENERGY cause that is fortnite foundations favorite drink!!!
As the weeks have turned into months the wait can cause frustration. I believe the proper way to look at it is that good things take time and that Kane will deliver us something pretty awesome. Patience is a virtue. Plus there are others doing some cool backrooms content to fill the void.
This is slowly becoming the greatest RU-vid series ever with every upload. The shear amount of depth and mystery these videos have, the amount of thoughts, questions, and theories they provoke.. leaving everything up to the viewer’s interpretation.. unmatched by any other series on RU-vid.
Nothing could be greater than to realize how intricate the back rooms really are Kane pixels I hope you see this not just to fanboy but without you back rooms would still just be another creepy pasta now it is a full on movie category in its own way. Everything you do is amazing and I have no doubt whatever comes next will be too
The world you've created and the amount of lore that it has is absolutely incredible, I'm always excited when I see your videos because I just know it's gonna be masterly crafted Lovin it man keep it up
I think I have the metaphor of this. The sky is the real world, and the backrooms is the sea. Things that are forgotten fall to the sea, "cast down to the seabed with all the other forgotten things". When Async started investigating the backrooms, they built a manor. They changed the horizon, causing random things to clip into the backrooms. Then, Async shut down their backrooms operations, forgetting about the manor. Most of it crumbled down to the seabed, but the ruins permanently changed the horizon. This would make sense, as the backrooms is a collection of liminal spaces, spaces we recognise, but have forgotten, places we think we have never seen but we have, we have just forgotten. The name the backrooms even applies to this, the backrooms of any place, a restaurant, a cinema, even a hotel. Places we only travel through momentarily, and forget. What if when people get forgotten, so do their possessions? What if the reason for the distortion of the voice is because the voice is one of the bacteria monsters? What if the bacteria monsters are people who have been forgotten, lost to eternally wander the backrooms, decaying but not dying? Maybe this is why they kill people who have noclipped into the backrooms, to stop them living an eternity of torment, as they have to. I think that whatever is speaking in this video is the Async researcher that tripped off the alarm. I think that maybe time works differently in the backrooms, and he set off that Async alarm some amount of time after Async closed. Then the video ended. He was forgotten. His manor crumbled and he was left to decay eternally in the backrooms. Edit: Ok, so maybe the entity speaking isn't that particular Async researcher. I just rewatched presentation and it makes sense that the researcher was found before Async closed. I have another theory. The video shows a researcher, so I'm assuming that that is one of the entitiy's memories. The only two entities which have seen researchers are the level 0 one, and the null zone one. But the video is actually following the researcher, moving. either this is a hella small entity or the researcher is the entity. The only problem is that no researchers are recorded to have died. So what if, ladies and gentlemen the entity is none other than the body that was found much earlier in the series. This matches with everything. The entity would have seen a researcher carrying it to the autopsy room. And then, they placed the body in a metal chamber, and forgot about it. That is why the voice is so ravaged. A half decayed voicebox and the echo of the chamber walls, it's final tomb. It describes its previous life as a manor, which it would seem like compared to the Claustrophobic tank it is trapped in. Someone asked about noclipping, now this would be caused by, as I said the horizon being changed by Async. It's the equivalent of someone getting swept out to sea by a tidal wave, the one caused by Async and their meddling. Finally, someone said about the green cracks in found footage 2. I think that as you travel further out into the backrooms, the more familiar things get, until they are things people actually remember. The room disappeared like that because either she, or somebody outside the backrooms, remembered it. Edit Edit: I know that we don't know enough about the bacteria, but scientifically, bacteria multiply, so if someone is found with a mutated bacterial infection, then it's safe to assume that that infection will grow to be just like what caused it. Also, it is just a theory and could be totally off, just trying to make sense of it. As for noclipping, away from the metaphorical sense, I think effectively async broke something in reality and now things are going missing which shouldn't, things which people remember and care about.
"I had a home once. A manor, overlooking the sea. Upon the world this was a vestige, calling forward onto strangled ears. But when skies turn dark, the house was taken by the sea. A pillar, truncated, cast down to the sea bed with all the other forgotten things. But I remember. Fleeting shells sinking ever slowly, folding downwards into themselves. Forever tearing along the seams of the sky. Until nothing remains except the eternal ghost, and you ask yourself, could there ever be anything greater than this?"
As someone with an auditory processing disorder, who struggles to hear distorted voices, I actually appreciated this comment. The closed captions are auto-generated on this one so not much help. Now I know what was said. Edit: The closed captions seem to have been updated since I first watched?
the neat thing about this is that the video, while most likely a part of the backrooms series, could be interpreted as going in an entirely new direction. this is a fascinating idea, and i can’t wait for what we see next from you edit: for all the people telling me in the comments that it’s obviously backrooms adjacent, i know that, it was just a thought
I would argue there is too much tying it too the backrooms series to be a spin-off; same wanted flyers, the original machine that got rid of the marble, and the same style suit of the researchers.
It's part of the backrooms, the object at 0:59 was featured in a previous backrooms video. This is most likely building towards the story related to that object
Things i love about this: - Throwback 90s visuals (i love it ❤️) - Kaleidoscope effects, reminds me of opening of the show DARK. - i am sensing a timejump of sorts (not sure) - not much explanation, so that the viewers go haywire with possible story threads✌️ Personal note: Dude, seriously, when you become a big film maker one day, make this a feature series. The endless possibilities are huge 🙌
Mad. Honestly mad. The talent. This is becoming a whole universe with a incredibly mad supporting series. This started as one photo on a website, just incredible. Also, SEVENTEEN YEARS OLD this guy is going to the moon
Man i have replayed this one a lot of time already. This is just absolutly well made... the ambient, atmo, music, voice, editing, choice of images... just pure talent. You created something very BIG and this univers is just terrifyingly awesome 😯
Well that was quite an interesting installment in the series. My theories on this sinister voice are that it could be… A. James Esma- (the missing poster) B. The creator or supervisor of the Backrooms experiments C. The Backrooms itself (or at least the green lights from the last found footage D. Something other evil presence that we may or may not have seen before Quite another creepy and mysterious addition to the series. Well done, Kane.
Yeeeees! And this probably doesn’t relate because I’m not too deep but in pitfalls we still don’t know what the guy saw in that room on the other side of the pitfalls. also there were green lights at the end of this video. 🤷♂️
I swear, Kane Pixels is so incredibly talented and I get so hyped for all of his new projects. I hope you continue to strive doing what you love! Keep up the great work!
I'm in awe of how good this is. "Could there ever be anything greater than this?" Absolute poetry, visually and emotionally. You're really taking this beyond a simple horror trope and I'm so grateful you were able to craft something like this. I'm so appreciative of art that gives a sense of connection beyond its form. Thank you!
This feels like a trailer for a “season two.” The way it’s shot, the music and the voice talking, it all feels like it might be changing gears. “Season one” had the creation/discovery of the back rooms, alongside some found footage. What will this “season two” bring?
Live action, maybe. Or we could get an extended universe based off victims of the backrooms and their journey/demise. We could probably also see some other rooms (obvi). I'm going off my imagination but. really think it'd be cool to hear some stories from survivors, stories from async and maybe the fbi (or whatever bureau) involving themselves when they see the project really is getting out of hand.
Omfg you literally outdo yourself every time! This one is so amazing how the music is blended with the beeping noise from the first episodes really wonderful! If there was ever a backrooms movie this would be the perfect first teaser
Your backrooms series gives me life. I've been dying to see what comes next after that last found footage video. This has really made my day. Thank you Kane! :)
I think this is honestly my favorite backrooms video. The loneliness. The hopelessness. The despair. Just the sheer amount of existential horror as the very fabric of reality seems to have collapsed.
I still hold strong that your vision of the backrooms has been the most interesting and exciting so far. I appreciate this less is more approach. As much as I want to learn about Async and the universe surrounding this story, I often feel better off left guessing. I really appreciate your vision and look forward to more insights into this fascinating world. I often wonder what things would have looked like if Async was successful, What life would be like.
I can imagine the amount of implications the backrooms would have in our world. Like, would the us mantain sole control over this dimension, or would other world governments find their way inside it? If so, would there be a huge dispute for territory in there?
"we've always been here" That picture shown is much much older than what we saw on the archive.tar.. its black and white and looks like 1950-1960 tech. So lets add it up Daisy Bell = 1961 song added to a computer to sing. (IBM) Photo = looks super old and not color or late 1970 or mid to late 1980 tech numbers at the bottom = needs to be deciphered. so this tells us that there was already an expedition in the backrooms and it failed with those researchers trapped inside. he is probably the one or entity sending the backwards messages in the videos giving warnings. In short, events are repeating themselves. Figuratively and quite literally.
While I think the metaphor of "a manor overlooking the sea" could apply to Async, I would like to propose the idea that this narrator had nothing to do with them. The photo at the end is grainy, devoid of color, and depicts machinery much older than the kind Async uses. I worked in a computer museum for a long time, and, while I can't pinpoint the exact era the machines in the photo were made, they appear like older, more primitive models of old magnetic tape computers built in the 70's, which we happened to have a lot of. Possibly placing them even earlier than that. Which might imply another research institute found their way into the Complex before Async, but they were ultimately forgotten after some kind of tragedy--and/or the whole thing was covered up. This narrator might be someone who's been in the Complex for decades, if my theory is right.
As a slight addendum, I would also like to posit that the voice at the end seems to be saying: "We've/We have always been here." The first word has a long e sound, and the rest kind of follows suit. Though I suppose people will debate about that last line forever, haha.
Also look at the missing person video. It claims someone named Margaret drove a 1967 Ford. Which would make nore sense if the company from the 70s caused accidents.
This reminds me of the poem "Ozymandias" by Percy B Shelly, but instead of time taking away something, it replaces, and what it replaces... is something far more grand or something incomprehensible to the reader/writer.
This is my favorite Kane Pixels Backrooms video. It gives me a inside fear, idk where it comes from. But it makes me fear it. And idk how to explain it.
I am eternally grateful that you are advancing the backrooms in such a graceful way. The amount of precision in your work is awe inspiring, and an absolutely great example of how to create a world full of wonder and terror. Keep up the good work. I cannot wait to see where this all goes.
This brough an amazing shiver down my spine, felt like the first season of stranger things, with so much being unknown. Fear of the unknown is terrifying: and I hope this series manages to continue being so amazing!
I am from an Arab country and I am working hard to translate this series so that I can understand the story that you built Really, the backrooms you provide are very cool💜 and I hope we see them in the movies someday💜
"I had a home once. A manor, overlooking the sea. Upon the world, this was a vestige. Calling forward onto strangled ears. But when skies turn dark... The house was taken by the sea. A pillar truncated. Cast down to the seabed with all the other forgotten things. But I remember. Fleeting shells sinking ever slowly. Folding downwards, into themselves. Forever tears along the seams of the sky. Until nothing remains except the eternal ghost. And you ask yourself... Could there ever be anything greater than this? Even the hallways end here." (That last part is the hardest to hear but I believe that's what it says.)
Last line is mostly up to the mind. It can also say “you have always been here” but I couldn’t see “even the hallways end here” until I read this. That’s probably why that part doesn’t have subtitles.
A letter to Kane Pixels: Im 34 yrs old... Ive made music and videos since I 10... I HAD GIVEN UP HOPE... I heard your interview and it amazes me how clear your focus is. How your drive is motivational... to older and younger generations. how you created something dark to show the light. ... Im just thankful... I used to think so big of me until you shatterd my ego and its amazing. hope to seee more stuff.
Here is a theory I've thought about.: The backrooms every since A-sync opened the threshold has been becoming more and more unstable. Opening up in more and more places swallowing people, cars and possibly even homes. It is like the sea. The narrator I feel is a third sort of faction aside from A-sync and normal people. He knows about the backrooms and a-sync and is trying to stop the complex from swallowing the world. The few evidence I have is texts you find in the videos where these(found) tapes seem to have been edited. The text reads in a mocking manner towards a-sync. Perhaps an insider in the company is exposing them.
I saw a leaked image of kanes new video of a new type of hazmat suit that was different, it had a bunch of protective gear, and it had some sort of tank on its back. Idk if its real but it could be and I’m very exited for the new video.
This was the most beautiful, intense, dark piece of art I've experienced this last days, this made me feel so alive. Thank you Kane, from the bottom of my heart.
As the mysterious voice talks about the seabed with all the forgotten things he's talking about the backrooms. He's talking about the forgotten things that fell into the backrooms. Forgotten objects, people, vehicles, and structures. It's pretty cool how kane puts little secret messages in his videos. We love you kane!
Hahahahaha, sure, dude. Yeah, the forgotten elements of human society, super esoteric. Hahahaha. The forgotten biomass and flora/fauna of all the past eons dwarfs this ten million fold.
I think the backrooms themselves may have been created from faded human memories. I often get dreams involving bizarre architecture and seemingly endless rooms BUT it doesn’t scare me because I actually become aware I’m dreaming and I can force myself out of it and back into the waking world. I can only imagine the fear if efforts to break out of it were useless. 😮
My theory: This is Ivan Beck many years later speaking about the backrooms. At the end, the person speaking seems to share some satisfaction about how things did end up (or at least some nihilism). This poem does imply that the backrooms did end up causing some seriously world altering shit, even more than thousands of people going missing over the planet. Once again, the person speaking could just have extreme nihilism because after all, the backrooms does seem to be permanently opened after the threshold was created. If A-Sync did end up getting funding and going with the colonization plan and creating multiple thresholds, I could see the no-clip rates skyrocketing to the point of millions of people dying.
Oh, Kane, you legend. You manage to create videos that trigger such strong emotions and yet you aren't even an adult. You produce quality comparable to Hollywood. Imagine a house along the sea, swept away into darkness, forgotten. I envision a vast ocean with nothing left but remains so unluckily swept into the sea, never to be seen again. This video is filled with a monumental amount of mystery and mysterious vibes, and it is just an emotional masterpiece.
So many different interpretations can be made and that’s why I love this series so much. Way to breathe a gust of colorful life into a subgenre that was quickly becoming stale
Man, the backrooms is so interesting. I have so many questions about it, like whats above and below the ceiling and floor, and what powers the lights? This is such an amazing series!
That answer depends on if you guy by classic lore or Kane Pixels lore. From what I understand, Kane doesn't know the deep lore of the OG backrooms, this is his own creation inspired by the backrooms and his cursory knowledge of it
@KnightInShiningASMRYes, it's possible. Do you remember the "Presentation" videos where they presented A-SPACE™ project? They even wanted to "industrialize" some zones in the backrooms. Big machines consumes big energy, and maybe the backrooms itself is the source of the energy. I'm imagining there's a large (and highly creepy) powerhouse zone deeply hidden in the backrooms.
i love this video, and for the past 2 years; i have found myself attempting to find the meaning in it. My first theory was the infatuation with what is lost; what cannot come back, and can only live in memory. More, admiring something BECAUSE it’s lost, wrapping yourself in a loop of your grief: “could there ever be anything greater than this?” However, this could instead be a poem in adoration to the unstoppable decay of everything: entropy. A love letter to the consistency of rot. “fleeting shells sinking ever slowly… forever tearing along the seams of the sky” I know i might be way off, but I just love Kane’s work, and the concise nature of this poem is admirable
I don’t get chills often when watching something. I can watch some of the most emotional and important movies and such out there and nothing. But man, that final shot of the guy standing there as the lights go crazy, the music getting all triumphant and loud, and the narrator (up until now showing not much emotion) saying in a meaningful, passionate voice “can there ever be anything greater than this?” Chills me to the core every time. Very well done, Kane, this some of the best horror and sci-fi fiction I’ve seen
The amount of effort you put into your work is outstanding. You always keep us on the edge of our seats wondering what will happen next. Keep up the great work kane
I'm 43 and have been through some troubling times in my personal life and military career which destroyed my family. This both haunts and soothes me. And I'm torm if I like it.
There's something very "dreamy" about this video. Like something I might have experienced as a child as I slept at home on a lazy afternoon, peacefully recovering from the flu and feeling thankful I didn't have to go to school that day.
Have similar feeling here, like its really hot summer, im at my grandmas country house, its afternoon and im laying on the bed, and feeling like time almost stop.
Goosebumps, tears, bellyache. Nothing has made me feel like this lately. I don't know why I feel it, but it's so strange, like I'm fascinated by what I see and hear. I can't exactly describe what's happening inside of me as the video goes on, but it's like a storm or a huge wave that collects water. I will watch it over and over
This is a complete bonkers theory… but. maybe we are collectively, subconsciously creating the back rooms for real. It will become like another version of heaven or hell… a place that’s only as real as we imagine it to be. We are powerful creators after all. Not sure if I want to end up there after I die though… I’m just going to create a place with rainbows, sunshine and infinite ice cream just in case.
We’re spoiled, 2 new videos so close together! I absolutely love the vibe from this. It feels like a legit theatrical teaser for the series and what’s to come. “You have always been here” 🙀
I love how Kane pixels just bring something simple from the internet into a little series like this shows what he can really do. I'm young but I also like how this is a little teaser for a movie, Can't wait to see more of his content
This little snippet is such a piece of art. Just imagining going to the movies and this exact clip playing at the trailers section. Ending with: "Playing in your cinema November 30. 2024" Id go and watch that movie.
It felt like I was watching a trailer to the Netflix serie “Backrooms” by Kane Pixels. This was soo good! 👏 I also love everybody theorising in the comments! Super excited for what’s to come 💛
I think i know how the Low proximity Magnetic distortion system works, Like we seen in prototype the system appears to function through high magnitivity and gravitational pull, the prototype is made up of 8 cylinders around a steel ball, these cylinders are filled with super high powered magnets, these magnets create such a high gravitational pull where the ball is that it tears a huge hole in spacetime that leads to the backrooms, the system is either located on top of the door, or there are 2 of them on each left and right of the door, distorting the spacetime even further to create a bigger opening into spacetime. on kanes "first contact video" we see an added list of items, most importantly "mV/G", i searched it up and it appears to mean millivolts+Gravity or it means millivolts+velocity+Gravity which i think will relate to the LPMDS, ive worked on a sketch of the threshold and prototype for hours to see if it would work or not. I think mV/G is connected to the KX fields seen in null zones, perhaps these equations could be added together and well see what we get from this addition from equations, perhaps this equation of both mV/G+KX equals a high magnitivity field? or a high gravitational field? ill do more research and edit on this later. Edit : mV/G stands for milivolts + gravity + velocity this equation fits into the kx field, a kx field measures the aerodynamics and gravitational pull and magnetivity of an object, and the kx equation goes into the null zones formula. and the mvg equation goes into the kx field, i cant wait to see what can will build off of! 2nd Edit : i asked my uncle what he thinks of this (he looks into nuclear and physics and science and stuff) i think i finally understand the equation if anyone will ever read this. mV/G stands for megavolts and one megavolt is one million volts this seems reasonable for the power required for the threshold to work. V stands for velocity and the velocity part of mV/G in the backrooms must go intop some kind of magnetic equation of sorts. G stands for gravity or either stands for gravitational pull of some object.
HUGE THEORY: back rooms and oldest view are connected! When a new level is created, it is when a place is forgotten. This can be seen in the mall from the oldest view, it sunk into the floor and became backrooms-like. It even gained an entity. A quote from this video saying, “I remember the shelf’s folding into themselves” may describe the process of it turning into a back rooms level.
Its always so refreshing to see these beautifully constructed masterpieces, every time I watch one of these videos I feel so amazing and fascinated. keep up the outstanding work!
Nice elementary school quality writing bro “I feel amazed, fascinated, in fact flabbergasted” I know you wanna get a bunch of likes but it’s not a big deal
I watched this over 50 times it still gives me goosebumps......it's not typical horror or some stuff , it's something wayy more different than anything.... And this shot video changed the whole perspective of the backrooms.....it's just something that's fascinating, fearful yet it's amazing...ahhh I can't explain by words
A lot to unpack as usual. I'm seeing a disturbing implication that reality itself has been irreparably damaged, with the fabric of space being bent so horrifically out of shape... the world can't possibly be the same again after thr actions of Async
Okay Okay Okay. A bit of a stretch here... what if the entity speaking here is a "Kane Pixels Tweaked" version of The Clocksmith? Entity 95 has enhanced memory and intelligence, so the whole "I remember" motif of the video is sorted. Also, The Clocksmith does have his fair share of secrets, (According to the Backrooms Wiki) so one of his more personal secrets could have been that he indeed had a home in The Frontrooms before. The Clockmaker is also incredibly old (According to the Backrooms Wiki) so it would make sense why he uses wording like "I had a home *once* " and "all the *other* forgotten things."
The green glow shown at 1:15 might be the same glow as shown at the end of “Found footage #2” and the scientist not showing a fear to it could mean it has something to do with the creation of the backrooms perhaps? Maybe they can edit the rooms and the green glow is the effect it gives when a change is made
Holy fuck. I just remembered something. On the video Pitfalls, when the first guy crosses the pitfalls and opens the door on the other side, we don't know what he saw, and he didn't said either, he just asked for the camera to be brought there, but there was a green glow coming out of that room.
@@spray_cheese On Kane Pixel's second channel, there's a video called "IVN" and the image in that video has the same green glow as the ones in FF2 and "I Remember" video.
