I was WARNED not to give this away... CHEAT CODES for Liquid DnB 😮 

what is after the first month

Please do this for neurofunk dnb as well dude, would be so awesome!

@@kiliankeil1985Neuro usually does 1-2-1-2 etc. With the occasional octave in there. Also, just 1-1-1-1 is very common.

This is actually the worst ever piece of information online. What this does is misleading and making you think you got it by just sticking a bunch of pre made chord progressions. This is about making music, and making music is about making your own, so the advice I can give you is to go actually learn about progressions within a music environment instead of learning it from a random producer online.

@@leonardodruscovich2131 This is exactly learning progressions typical of liquid drum and bass. This is root note selection and certainly useful theoretical knowledge for any budding producer

This happens a lot. It really is nice when it does.

I've been using Ableton for about 3 years now and I didn't know that was a thing

Look up STRANJAH Elysium

@@STRANJAH Cheers! Nice track! :)

Seba's probably the most consistently outstanding DnB producer in the biz. And he's been in the game for So Long...

@@neurokinetik I agree. I also love S.P.Y., Visages and Mystic State

That gets played nearly everytime in my car when listening to Seba!! that's one of my driving tracks!! Seba is s legend 🔥🔥👊🏾😎

@@neurokinetik I see what you did there, even though it was Camouflaged.

If it doesn't hit the rote note of the scale you selected, it's hitting the root note of a different scale. Music theory is real.

There is no such thing as 6-7-1 minor progression. This is just 1-2-3 lydian progression.

Niiice!

You're most welcome

Supposing you're not on a chromatic scale, then build simple chords over your bassline, harmonize them by ear. Now you can break those chords down to various single notes to be used to construct a melody.

Was wondering about that. Alas I still have much to learn about music theory!

​@@STRANJAH No sweat man, we're all eternal students in this biz! I'm not sure if you know this, but the title of a sample usually contains the key it is in. For your vocal stem and keys sample, it had "Bm" in the title. I first noticed it on Tracklib in your breaks video though, where it said on the site underneath the song the key that it was in. Have a look in your last video when talking about Tracklib and your sample choice to see what I mean. :)

@@thenoobasaurus7840 Yes I knew it was Bm, but most of the basslines that sounded good to me started at F#, which made me wonder. Did they label the key incorrectly. Help me understand what's going on with my perception of the keys.

I didn't notice it. But I find it funny how easy I can tell when someone's bass is offkey, but when I get to work with a sample I'm always second guessing myself. It's a good idea to hide the notes of your own chords and then make a bass line to train your ear for it. It's definitely something that took me a while with no musical experience, but the best way I can describe it is that the bass should hit mainly on the least wobbly note for the duration of each chord.

​ @STRANJAH I got out my guitar to see what was going on with the original track, and you are right -- the song follows a chord progression of DMaj7 / E Maj / D Maj 7 / F Minor. So yes, the song is actually mislabeled, and it is in the key of A Major/F# Minor. The vocal lines are mostly sung in the F# Minor Pentatonic scale. The reason some of the basslines sound off is because of a chord building concept known as "inversions." The bass note of a chord is actually fairly important because it identifies which inversion the chord is. There are 4 common types, which I'll demonstrate with a D Major7 chord, since that's the chord this track revolves around: Standard - D F# A C# (Standard stacked 3rd chord) First Inversion - F# D A C# (Third in the bass) Second Inversion - A C# F# D (Fifth in the bass) Third inversion - C# A F# D (Seventh in the bass) If you notice in my example above, the order of the notes above the bass note don't actually matter, and you can shuffle them into different octaves to make different chord voicings. Some of these progressions may have sounded off because it didn't fit into on e of these inversion types, which can actually alter it into a completely different chord in some cases. That actually happens in your 3-7-1 example, since the sample is playing an EMaj Chord over that F# in your bass. You actually turned the chord under it into an F#7b5sus2 (thats a mouthful, lol) chord, which will alter the vibe of the track -- with this one being a very dissonant diminished chord in this case. If you aren't using seventh chords in your song, you can ignore the third inversion and just go with a standard, first, or second inversion. The reason F# sounded so good to start each progression is because F# is the third of the Dmaj7 chord, and the third is the note in a chord that has the strongest resolution. The 5th (A in this case) also would sound good, but not quite as good as the 3rd. This also applies to melodies - try targeting thirds and fifths in a melody on the down beat and see what I mean. This opened up my musical expression a lot when I was taught this particular trick when I was learning jazz. In any case, creating a bassline following these "rules" will ensure it basically always sounds good, and doesn't sound wonky. Search up chord inversions and functional harmony here on youtube for more info. There's tons of great info around it. And sorry if you already knew this, but it might be useful for someone else who comes along!

37 minutes in. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-zeD0g5xXo7E.html

@@STRANJAH Thank you very much 🌻

Recording was lost so I had to use the camera audio

@@STRANJAH aaah okay 🙏

That’s a huge complement. Thank you.

Tracklib... Can't Refuse by J.Lamotta

Thanks glad you like

It was harder to gatekeep back in the day..I'm all for sharing techniques also

I do. Any fave songs?

@@STRANJAH i like so much different music. I grew up in the 90´s i listened all Drum and Bass. Eurodance was big then, Trance....

Is someone telling you what to dress?if you dont understand...just dont share your opinion ;)

Fk nah brah. RU-vidr bullshit. It's like when an influencer or RU-vidr starts a vid with "a lot of people have asked me..." when what they really mean is one random dude.