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Iannis Xenakis (1922-2001): Nekuïa (1981) 

Thorsten Gubatz
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"Mute inanimate Nothing! Chill eternal Necessity! Insane Chance! Do you know that which lies beneath you? When will you destroy the edifice and me? -- Chance, do you know when you'll stride with hurricanes through the flurry of stars and extinguish one sun after another, and when the sparkling dew of the stars will be quenched as thou pass? -- How alone each one is in the vast sepulcher of the Universe! Only I am next to myself -- Oh Father! oh Father! where is your infinite breast that I may rest upon it? -- If each self be its own Creator and Father, why can it not be also its own destroying angel? ..."
(Jean Paul, "Speech of the dead Christ from the Universe that there is no God" from the novel "Siebenkäs", 1796 - the "Sternen-Schneegestöber" in "Nekuïa" is the "flurry of stars" from this passage)
"Listen / to the wind / High in the trees. / The wind that disarranges the hair of the dead, / while helmets have rolled far away."
(Françoise Xenakis, from the novel "Écoute", 1972 - her husband Iannis quotes from this passage: "le vent qui décoiffe les morts, / casque roulés au loin")
WDR-Chor & -Sinfonieorchester Köln (WDR Symphony Orchestra & Chorus Cologne), conducted by Michel Tabachnik
recorded in Cologne, WDR-Studio Stolberger Straße (March 24, 1982 - i.e. two days before the first performance in the WDR-Funkhaus am Wallrafplatz)
painting: Hieronymus Bosch (~1450-1516), detail from the "Haywain" triptych (Madrid, Prado)
This recording has already been uploaded on RU-vid, but from a vinyl rip. Here it is from a CD.

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15 окт 2024

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Комментарии : 14   
@josephgerard5473
@josephgerard5473 Год назад
It is intriguing how, in his works that include human voices, his style / idiom is slightly (and sometimes radically) different to that adopted in his instrumental and orchestral works. I enjoy Polla Ta Dhina, Ais, Cendrees and the shamefully obscure Anamoessis but this remains my favourite Xenakis choral work
@andreassmith7773
@andreassmith7773 5 лет назад
I remember attending the UK premiere of this work at the Royal Festival Hall in 1987. Xenakis was in attendance and took a bow at the end to a standing ovation. It was the first time I had heard any of his work and I still remember how thrilling I found this piece.
@nicolassimion6967
@nicolassimion6967 4 года назад
wow, this is deep, crazy sounds but very organic, there is a story behind and between the notes, it's just moving me.....! there is another musical grammar, syntax and semantic! what else....? that's mister Xenakis, an original and great inovator of the late XX-th century!
@Tetsugakusha75
@Tetsugakusha75 4 года назад
Not only was he born in Romania, but he has kindred spirits there: Aurel Stroe, Nicolae Brânduş ...
@MrBahafire
@MrBahafire 2 года назад
I have managed to find a version of 1981 but it doesn't sound as clear and well mixed as this one, this particular version is astonishing and moving. Are there any ways to find this specific version online ? Even buying a CD of it would be amazing, I don't have what it takes to transfer it properly from a Vinyl...
@pavlosagatzan8697
@pavlosagatzan8697 4 года назад
Υπεροχο!
@didiergaugain
@didiergaugain 6 лет назад
SUPER MUSIQUE
@didierschein8515
@didierschein8515 6 лет назад
Wunderbar
@Markus_Breuss
@Markus_Breuss 3 года назад
🙂👍
@teddydog6229
@teddydog6229 2 года назад
So is this the actual creator of ‘math rock’ ?
@Tetsugakusha75
@Tetsugakusha75 2 года назад
😄
@joaopaulocasquilho1102
@joaopaulocasquilho1102 2 года назад
Hi can u give the reference of the cd?
@Tetsugakusha75
@Tetsugakusha75 2 года назад
Hi! It's a CD which was published as an attachment to this book: Frank Hilberg & Harry Vogt (eds.), Musik der Zeit. 50 Jahre Neue Musik im WDR. Essays - Erinnerungen - Dokumentation, Hofheim 2002.
@joaopaulocasquilho1102
@joaopaulocasquilho1102 2 года назад
Thanks!
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