Salle Gaveau - Paris ___ If you enjoyed this and wish to support me: paypal.me/IdaP... Thank you! ___ Where to find me: / pianist.idapelliccioli / idapelliccioli
Un caso di riferimento di come il rigore della struttura nulla perde in limpidezza nonostante la capacità della pianista di mantenere sempre una certa cantabilità persino nella mano sinistra, a questi livelli merce rara. Veramente, veramente, veramente brava, "idee chiare e distinte" eppure sempre con un certo... sentimento. Buona anche la timbrica dello strumento - appena forse fuori tono, peccato per la registrazione che non rende giustizia a un'esecuzione... bellissima.
She articulates the bass notes with her left so perfectly. This is the only performance I’ve heard which does this which such precision and musicality.
Ce que la grâce de votre interprétation m'a inspiré ce matin sur la page de mon profil: "Trame charpentée parcourue d'un fluide lumineux. Reflet de nos zones d'ombre et de lumière, où le souffle limpide en dénoue la complexité. Chant qui harmonise tant les jours pluvieux comme aujourd'hui que les jours radieux. Prière de tous les possibles." Infiniment merci, Ida Pellicioli.
Truly stunning, Every note beautifully articulated, weighted and voiced. The wonderful understanding of phrasing and balance between voices. An amazing organ work but with Truly stunning performance. Every note beautifully balanced, voiced and articulated. The extraordinary intelligence of phrasing and inner voicing of parts. I totally love the poise and control. It’s a work that is wonderful to play on a magnificent organ, however Liszt’s transcription becomes even more resonating in the hands of this stunning pianist. Please record more!
Great understanding of an unassuming Bach’s transparency with the proper connectivity and absence of exagerated accenting to phrase the voicing. Perfectly balanced! Congrats
I am currently learning this. Got the Prelude done, and just starting the Fugue. This wonderful arrangement has helped me a bunch! She plays it crystal clear, and just the right speed I think. I can actually follow her note for note while reading the music, and I have been able to figure out all the areas that I needed some help with the timing. Thank you ! Most people play Bach too fast. I know I am as old as a dinosaur, but back in the day, the artists didn't speed through Bach quite like they do today. You cant even hear most of the notes when they play so fast. Its a garbled up mess. This recording is beautiful. And I am LEARNING from it! Wonderful!
Je connaissais "l'original" pour orgue de Bach, un modèle de construction du Maître de la musique, je découvre cette transcription de Liszt si vivante sous les doigts sensibles et sûrs de cette belle pianiste. Un grand bravo 👏❤️
I really like the singing lower voice that you brought out from the piece, it is a true discovery which set you apart from other pianist. Moreover, i even think it is a pianistic advantage over organ to be able to play all the voices with such colorful varieties.
Thank you for your kind comment. I am glad you liked my interpretation and I agree with you, this piece is very interesting to perform on the piano. Best wishes. Ida
Wonderful! Thank you very much for this fascinating moment of music, Ms. Pelliccioli! Back then, Bach was not really taken with the piano forte, which had just been invented at that time. But today he would surely enjoy such a wonderful performance, and he would certainly want to use this wonderful instrument intensively himself!
Straordinaria Ida, complimenti! Magnifica esecuzione. Listz, eccelso pianista e compositore, rende omaggio al genio immenso di Bach e grazie all'energia e al talento di questa splendida interpretazione, si materializza un'architettura musicale che rifulge in tutta la sua superba e imponente bellezza.
I have never heard this piece played so well, and it is so clear, melodic and majestic played on this piano (Yamaha? and perfectly tuned), so much clearer and defined vs on organ. Greetings from Canada!
Bach era notoriamente un gran rompino, certo non facile da accontentare, ma avrebbe apprezzato la tua interpretazione. Decisamente bella, perfettamente 'bachiana'. Grazie.
Thank you for this beautiful performance! Love J.S. Bach's music. It's like a language through which God conveys His message. I can't stop listening to his music since I've discovered that Sublime Beauty, Peace and hormony. Even started to learn to play keyboard because of that. I am sure the World would be the better place if we all listen to and appreciate his Music. Anyway, thank you again and May God bless you and loved ones.
At last I found this SPECTACULAR Bach rendition you have produced where all the interlocking melodies are actually presented perfectly. Thank you so much for this gem.
Today I listened to this lovely rendition again. I really enjoy the Maintenance of the cadence throughout the piece instead of the excess. artificial slowing and speeding up as if it were a ballad as in modern pop music. I’m 85 years old now and I do believe your rendition is much more preferable and in line with the composers original intent. The modulations of the themes provide all the emphasis required to make the music very interesting IMHO. Thanks again.
Ho ascoltato tantissime interpretazioni di questo preludio e fuga e, da organista, ogni volta sentivo l'organo dietro e mi accorgevo che a quelle interpretazioni "mancava" la potenza e il senso della coralità dell'organo. Per caso sono arrivata a questa interpretazione: wow! Sta in piedi da sola e interpreta magistralmente la coralità dell'organo senza richiamarlo, senza farne sentire la mancanza! Credo tu abbia trovato veramente il senso di questo pezzo sul pianoforte. Bravissima davvero!
Vorrei aver scoperto prima questo video. Come appassionato dell'organo, conosco da sempre la versione originale della 543, ma ora posso dire che dopo averla ascoltata sul pianoforte ho capito cose che prima non vedevo...
Bravissima Ida, i miei più sentiti complimenti: grande e profonda musicalità per questo capolavoro di Bach trascritto da Listz, che a sua volta ha regalato all'organo pagine memorabili... Un abbraccio, Max
Cantabilità limpida e pulita ma senza trascendere in toni neoromantici, bassi cristallini e presenti senza eccedere nel volume, tempo perfetto, equilibrio generale dell'esecuzione da ricordare. Rigorosa senza mai diventare algida o "notarile", coinvolta ma con pacatezza e profondità. Ma che bella esecuzione, sino ad ora la mia preferita per pianoforte. Bravabravabravabrava. Anche Liszt non ha esagerato (come invece Busoni sulla Ciaccona...)
Thank you so much for your inspiring performance. I am learning this wonderful piece and have great respect for your ability to communicate all the intricate details. Thank you so much!
Magnificent! A Yamaha piano... I realize the limitations of RU-vid audio, but it seems to have a richer, clearer sound in the upper bass/low tenor range than the "famous" make, and was equally good as the "famous" brand in every other area. Amazing.
Beautiful! Beautifuler!! Beautifulest!!! Truly fun performance eliciting all kinds of otherworldly insights in to this world. I am a fan of … and i am smitten. Thank you. don
Una delle poche trascrizioni che rende giustizia alla originale per organo ed una interpretazione veramente intima ma piena di energia... Bravissima Ida e grazie Johan Sebastian 😍
Bach would have applauded this performance, which demonstrates a dimension unreachable on the organ because the piano is touch sensitive. Your interpretation and impeccable performance is a continuing joy to me.
Bravo ! Un jeu d'une clarté remarquable, cette interprétation mérite le détour et Dieu sait qu'il y a pléthore à propos de cette partition. Ce prélude et fugue est de toute beauté, j'ai dû l'écouter sous toutes ses formes plus d'un millier de fois.
Potrebbe continuare all infinito ( la fine è solo un incidente ) Lei lascia intravvedere l universo si Bach ma con questa intensita è sorprendente magnifico (BRAVISSIMA) grazie
It is well worth while listening carefully to the way she expounds the opening subject of the fugue. She treats it very much as a dance theme - three beats of surging legato motion followed by three well-marked beats akin to heavy foot steps on an imaginary floor. This pattern is then clearly brought out in each voice and at subsequent times in the piece. Clever isn't it?
🌺EXTRAORDINARIA! magnìfica y fina interpretaciòn! ...que pena pensar que Bach nunca la escuchò asì de preciosa... en ese tiempo... ...sus rudimentarios pianos... 🥀no tenìan pedal! ...Gracias Ida! 🏵
Je connais cette oeuvre sur le bout des doigts, c'est d'ailleurs ma fugue préférée. Votre interprétation du prélude est tout simplement parfaite, magnifique, somptueuse, remarquable, jamais entendu aussi bien, au delà d'Hélène Grimaud. Je préfère un rythme plus soutenu pour la fugue, mais rien à dire quant à votre interprétation qui a l'avantage de bien révéler les petites subtilités de la main gauche. Merci et bravo.
