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Ignaz Friedman - Theme Varie Op. 30 (Schäfer) 

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This is an interesting set of variations on an original theme, written by Ignaz Friedman.
Theme: 0:02
The theme is very simple; a descending minor scale, on a C pedal note. This is all that the following elleven variations are based upon.
Var. 1: 0:25
Crystalline triplet figures over sombre chords in the lower register.
Var. II: 1:04
The last fading tones from the previous variation is interoupted by fortississimo octaves stating the theme in the base, sustained under striking chords in the treble.
Var. III: 1:25
Now quietly, the theme remains in the bass, with semiquavers flowing like water in the right hand.
Var. IV: 1:45
We switch to C major, as the theme is now played in the upper register, over tenths in the bass.
Var. V: 2:24
Back in minor, the theme floats above intricate patterns in the lower and middle registers.
Var. VI: 2:53
A fast variation in major, with the bass played in staccato.
Var. VII: 3:10
A chopin-esque waltz in F-minor.
Var. VIII: 3:37
A distinctly polish variation, almost like a mazurka.
Var. IX: 4:30
In contrast to the previous part, a calm pastorale plays out beautifully
Var. X: 5:26
The pastorale is succeded by an awfully dark andante, that persistently builds up to the finale.
Var. XI: 6:24
The piece ends with the final variation, appropriately maarked "Vivo, e con bravura". After an exciting variation, a chromatic scale played almost as a glissando, leading to the final three chords
Pf: Michael Schäfer

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26 окт 2022

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Комментарии : 8   
@TS-ZigZag
@TS-ZigZag 9 месяцев назад
Dope 💊
@dkallanson9521
@dkallanson9521 Год назад
...Although, the fact there are two Cs in both hands of the opening bar might be a clue...lol!! 😅
@PaulSmith-qs1es
@PaulSmith-qs1es Год назад
They are noted separately to make you aware of the different voices. The pianist should try to make the descending melody stand out as phrase (as opposed to the C octaves)
@PaulSmith-qs1es
@PaulSmith-qs1es Год назад
the pianist doesn't follow the music in a lot of places, it seems. The rhythm he uses in the left hand in variation IX is a bit bizarre.... It's like he turns the eight note into a 16th note and moves the lower note of the next whole note forward a 16th. I suppose he's decided to do this because of how far the whole and dotted whole notes are from one another and he didn't like to roll them. I'm not certain i care for his solution, though.
@dkallanson9521
@dkallanson9521 Год назад
Awesome!! As a pianist playing this for the first time, with no knowledge of the piece, how would I know that those introductory chords are to be broken in that way and not simply played as solid chords? There are no instructions to the pianist on this manuscript that I can see...
@PaulSmith-qs1es
@PaulSmith-qs1es Год назад
It's just what the pianist wants to do. It's not notated in the score.
@sucroseboy4940
@sucroseboy4940 10 месяцев назад
This is just an artistic choice made by the pianist. You can play them unbroken, as written, if you want, although I think Schäfer’s choice is quite true to the nature of the theme
@TS-ZigZag
@TS-ZigZag 9 месяцев назад
Dope stuff
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