Rembrandt, The Artist in His Studio, c. 1628. oil on panel, 24.8 x 31.7 cm (Museum of Fine Arts, Boston) speakers: Dr. Christopher Atkins, Van Otterloo-Weatherbie Director of the Center for Netherlandish Art and Dr. Beth Harris
Smart history... Your worth the energy I put into you. I have become fans of the two commentary voices.. I thank you for patience and eloquence. I take my hat off to you.
You made what would have remained a boring painting to me seem really intriguing. I actually think hiding the painting in the painting's surface create a more profound and interesting painting overall. Great job and thanks as always! 👀
Interesting lesson. What is that shaow across the top of the painting? Is that original or perhaps some framing artifact? Also, Rembrandt shows him and his studio as a rather poor. Nothing on the walls, cracks in the plaster, etc. Was he advertising that he needed clients? Help me; I'm a "starving artist."
So interesting... I thought of the phrase, "You can't even imagine." You can't imagine what's going on in the artist's mind as he stands away from the painting, nor the painting itself. It's all a mystery to you (and less so to him). I like it. The artist's face is kinda goofy though, lol.
Working from imagination? WE the viewers are in the artist’s field of vision - he will look past the easel at us, we are in the space of his vision beyond the easel when painting. This is about looking - and SEEING, in a strikingly ‘Las Meninas’ parallel. But interesting that in an age foregrounding conceptualism, it is seen as about thinking.